H.R. GIGER Album Cover Design
Debbie Harry's "Koo Koo" marks her solo debut, a daring venture while still an integral part of Blondie. This 12" LP vinyl album, released in August 1981, boasts an iconic design by H.R. Giger. Immerse yourself in Harry's distinctive sound as she explores new horizons, complemented by the visually stunning and evocative Giger artwork. A captivating fusion of music and artistry awaits within "Koo Koo".
In the neon-lit landscape of 1981, Debbie Harry, the iconic frontwoman of Blondie, embarked on a daring solo adventure with her debut album, "KooKoo." This audacious move saw her stepping out from the familiar shadows of her band and into the spotlight as a solo artist.
New Wave Meets World Music
"KooKoo" is a sonic odyssey that defies easy categorization. It's a vibrant tapestry of new wave, reggae, funk, and even a touch of world music. This eclectic mix is a testament to Harry's adventurous spirit and her willingness to push boundaries.
The album's production is a star-studded affair, with Nile Rodgers and Bernard Edwards, the masterminds behind Chic, lending their signature groove to the project. Their collaboration with Harry results in a sound that is both danceable and experimental.
Giger's Grotesque Beauty
One cannot discuss "KooKoo" without mentioning its striking album cover. Designed by Swiss artist H.R. Giger, known for his work on the film "Alien," the cover features a haunting image of Harry with acupuncture needles piercing her face. This controversial artwork sparked debate and further cemented Harry's reputation as a fearless provocateur.
Musical Highlights
The album's lead single, "Backfired," is a pulsating new wave anthem with a reggae-infused bassline. It's a testament to Harry's ability to blend genres seamlessly.
Other standout tracks include the experimental "The Jam Was Moving," the funky "Inner City Spillover," and the hauntingly beautiful "Surrender." Each song showcases a different facet of Harry's musical personality, from her playful side to her introspective depths.
A Controversial Legacy
"KooKoo" was a bold departure from Blondie's sound, and it divided critics and fans alike. Some hailed it as a masterpiece of new wave experimentation, while others found it too dissonant and challenging.
Despite the mixed reception, "KooKoo" remains an important milestone in Harry's career. It marked her transformation from a band member to a solo artist and solidified her status as a new wave icon.
Music Genre: Early 80s Pop New Wave |
Album Production Information: The album: "KooKoo" by DEBBIE HARRY was produced by: Nile Rodgers, Bernard Edwards for Chic Organization Album cover design by the Swiss Artist: H.R. Giger H.R. Giger a Swiss artist, achieved fame for his dark, biomechanical style that blends human and machine. His airbrushed paintings often depicted disturbing dreamscapes. He designed the terrifying xenomorph in the movie "Alien," which earned him an Academy Award. The H.R. Giger Museum in Switzerland showcases his work. See some of his most famous designs: |
Record Label & Catalognr: Chrysalis 203 810 |
Packaging: This album "KooKoo" by DEBBIE HARRY includes the original custom inner sleeve with album details, and artwork/photos. |
Record Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1981 Made in Germany |
Band Members and Musicians on: DEBBIE HARRY - KooKoo H.R. Giger |
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Complete Track Listing of: "KooKoo" by DEBBIE HARRY |
The Songs/tracks on "DEBBIE HARRY - KooKoo H.R. Giger" are
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Front Cover Photo of "KooKoo" by DEBBIE HARRY Album |
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Back Cover Photo of "KooKoo" by DEBBIE HARRY Album |
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Photo of "KooKoo" by DEBBIE HARRY Album's Inner Cover |
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Photo of "KooKoo" by DEBBIE HARRY 12" LP Record
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Close-up Photo of "KooKoo" by DEBBIE HARRY Record Label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Blondie is an American new wave band that was formed in New York City in 1974. The band was one of the pioneers of the new wave and punk rock movements, and is often cited as a major influence on many of the bands that followed in the late 1970s and early 1980s. Blondie’s unique sound and style, which combined elements of punk, pop, and reggae, set them apart from the other bands of their time and helped to shape the course of popular music in the years that followed.
The original lineup of Blondie was composed of lead singer Debbie Harry, guitarist Chris Stein, drummer Clem Burke, keyboardist Jimmy Destri, and bassist Gary Valentine. The band’s first album, “Blondie,” was released in 1976 and received critical acclaim, although it did not initially sell well. However, the release of their second album, “Plastic Letters,” in 1977 brought Blondie greater commercial success and helped to establish them as one of the leading bands of the new wave movement.
One of the key factors that contributed to Blondie’s success was Debbie Harry’s charismatic and distinctive stage presence. With her bleach blonde hair, punk-inspired style, and powerful vocals, Harry quickly became one of the most recognizable figures of the new wave scene. Her on-stage presence and off-stage persona as a feminist icon also helped to make her one of the most influential women in popular music.
Blondie’s early music was heavily influenced by punk rock and the new wave movement, and their songs often featured a mix of sharp, angular guitar riffs and upbeat, danceable rhythms. However, as the band evolved, they began to incorporate other styles and genres into their music, such as reggae, pop, and even hip hop. This musical experimentation helped to establish Blondie as one of the most innovative and eclectic bands of their time.
The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. The band’s other hit singles, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify their status as one of the most important and influential bands of the new wave era.
Despite the fact that Blondie disbanded in 1982, they have continued to influence popular music and remain one of the most beloved and enduring bands of the new wave movement. Their unique sound, style, and vision continue to inspire new generations of musicians, and their music continues to be celebrated and enjoyed by fans all over the world.
Deborah Ann Harry, also known as Debbie Harry, is an American singer, songwriter, and the lead singer of the new wave band Blondie. Born on July 1, 1945, in Miami, Florida, Harry was raised in Hawthorne, New Jersey, and later in New York City. She was interested in music from an early age and began singing in a number of local bands in the 1960s before forming Blondie in the mid-1970s.
Blondie’s unique sound, which combined elements of punk, pop, and reggae, quickly caught the attention of audiences and critics alike. Harry’s charismatic stage presence and distinctive singing style made her one of the most recognizable figures of the new wave movement, and her on-stage persona as a feminist icon helped to make her one of the most influential women in popular music. The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. Harry’s other hit singles with Blondie, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify her status as one of the most successful and influential female singers of her time. In addition to her music career, Harry has also pursued a successful acting career, appearing in a number of films and television shows. She has also been a dedicated advocate for a number of social and political causes, including animal rights and AIDS awareness. Despite the fact that Blondie disbanded in 1982, Harry has continued to perform and record music, releasing a number of solo albums and collaborating with other artists. In 1997, Blondie reformed and has since continued to tour and release new music, bringing their unique sound and style to new generations of fans.Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.
Learn moreBlondie's "Atomic" European Edition, featuring Debbie Harry in her iconic "Andy Warhol's BAD" T-shirt, is a visual and auditory delight. Released in 1981, this 7" Picture Sleeve Single Vinyl not only adds a European touch to Blondie's global presence but also connects to the hits compilation "The Best of Blondie," making it a collectible gem for fans.
Learn moreBLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.n
Learn moreBLONDIE's self-titled debut, a 12" Vinyl LP born in Great Britain, is a cornerstone of the American New Wave movement. Released in 1976, The album's impact resonates through time, solidifying its place as a pivotal moment in music history.
Learn moreBLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.
Learn moreBLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape.
Learn moreBLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.
Learn moreBLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.
Learn moreBLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.
Learn moreChrysalis 103 681 , 1981 , Germany
Blondie's 1981 7" vinyl single, "Chrome" b/w "The Jam Was Moving," epitomizes the band's musical evolution. Released on February 20, 1981, this iconic record reflects the dynamic transition from punk to new wave. With pulsating rhythms and Debbie Harry's captivating vocals, the single, encased in a collectible picture sleeve, remains a timeless symbol of Blondie's influence on fashion and music during that era.
Learn moreChrysalis 203 810 , 1981 , Germany
Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.
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