"The Hunter" is the sixth studio album by the US band Blondie, released in May 1982. Work began on the album in 1981 following the release of Debbie Harry's debut solo album Koo Koo. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
"The Hunter," BLONDIE's sixth studio album released on a 12" LP VINYL in May 1982, serves as a sonic journey through the evolving landscapes of New Wave and 80s Pop. The album's inception in 1981, following Debbie Harry's debut solo venture with "Koo Koo," marked a pivotal moment in the band's musical evolution.
Transition and Exploration:
As BLONDIE entered the studio in 1981, they embarked on a musical exploration that would come to define "The Hunter." The album marked a departure from their earlier sound, embracing the evolving New Wave genre and infusing it with the vibrant energy of 80s Pop.
Tracklist Dynamics:
"The Hunter" boasts a diverse array of tracks, each contributing to the album's dynamic narrative. From the upbeat energy of "Island of Lost Souls" to the introspective balladry of "War Child," the album showcases BLONDIE's ability to adapt and experiment within the evolving musical landscape.
Post-Solo Debbie Harry Influence:
Debbie Harry's solo endeavor with "Koo Koo" left an indelible mark on the band's creative direction. "The Hunter" reflects a synthesis of Debbie's solo exploration and BLONDIE's collective musical identity, resulting in an album that is both a continuation and evolution of their sound.
Visual Aesthetic and Album Art:
The LP VINYL format allowed for expansive album art, and "The Hunter" embraced this canvas with visual flair. The cover, featuring an enigmatic image of Debbie Harry, captured the essence of the 80s Pop era, establishing a visual identity that resonated with the album's sonic landscape.
Legacy and Artistic Prowess:
While "The Hunter" received mixed critical reviews upon release, it stands as a testament to BLONDIE's willingness to embrace change and experiment with their sound. The album's legacy lies in its artistic prowess, showcasing a band unafraid to traverse new musical territories.
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Music Genre: New Wave, 80s Pop |
| Album Production information:
The album: "BLONDIE - The Hunter" was produced by: Mike Chapman Sound/Recording Engineer(s): Doug Schwartz This album was recorded at: The Hit Factory, New York. Mixed at United Western Studios, Los Angeles Album cover design: Janet Levinson Album cover photography: Brian Aris Album cover illustrations: Richard Raynis Lettering: Bruce Carleton, John Holmstrom |
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Record Label Information: RCA Chrysalis CHR 1384 |
| Packaging: This album "BLONDIE - The Hunter" includes the original custom inner sleeve with album details, complete lyrics of all songs by Blondie. |
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Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
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Year & Country: 1982 Made in France |
Personnel/Band Members and Musicians on: BLONDIE - The Hunter |
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Complete Track-listing of the album "BLONDIE - The Hunter" |
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The detailed tracklist of this record "BLONDIE - The Hunter" is:
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Photo of BLONDIE with extreme hair an her 5 band-membes
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
Lyrics a printed on the original custom inner sleeve
Lyrics and production information printed on the original custom inner sleeve
Record Label Details: Blue and White Chrysalis Distribution RCA CHR 1394 , Made in France © ℗ 1982, SACEM
Blondie is an American new wave band that was formed in New York City in 1974. The band was one of the pioneers of the new wave and punk rock movements, and is often cited as a major influence on many of the bands that followed in the late 1970s and early 1980s. Blondie’s unique sound and style, which combined elements of punk, pop, and reggae, set them apart from the other bands of their time and helped to shape the course of popular music in the years that followed.
The original lineup of Blondie was composed of lead singer Debbie Harry, guitarist Chris Stein, drummer Clem Burke, keyboardist Jimmy Destri, and bassist Gary Valentine. The band’s first album, “Blondie,” was released in 1976 and received critical acclaim, although it did not initially sell well. However, the release of their second album, “Plastic Letters,” in 1977 brought Blondie greater commercial success and helped to establish them as one of the leading bands of the new wave movement.
One of the key factors that contributed to Blondie’s success was Debbie Harry’s charismatic and distinctive stage presence. With her bleach blonde hair, punk-inspired style, and powerful vocals, Harry quickly became one of the most recognizable figures of the new wave scene. Her on-stage presence and off-stage persona as a feminist icon also helped to make her one of the most influential women in popular music.
Blondie’s early music was heavily influenced by punk rock and the new wave movement, and their songs often featured a mix of sharp, angular guitar riffs and upbeat, danceable rhythms. However, as the band evolved, they began to incorporate other styles and genres into their music, such as reggae, pop, and even hip hop. This musical experimentation helped to establish Blondie as one of the most innovative and eclectic bands of their time.
The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. The band’s other hit singles, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify their status as one of the most important and influential bands of the new wave era.
Despite the fact that Blondie disbanded in 1982, they have continued to influence popular music and remain one of the most beloved and enduring bands of the new wave movement. Their unique sound, style, and vision continue to inspire new generations of musicians, and their music continues to be celebrated and enjoyed by fans all over the world.
Deborah Ann Harry, also known as Debbie Harry, is an American singer, songwriter, and the lead singer of the new wave band Blondie. Born on July 1, 1945, in Miami, Florida, Harry was raised in Hawthorne, New Jersey, and later in New York City. She was interested in music from an early age and began singing in a number of local bands in the 1960s before forming Blondie in the mid-1970s.
Blondie’s unique sound, which combined elements of punk, pop, and reggae, quickly caught the attention of audiences and critics alike. Harry’s charismatic stage presence and distinctive singing style made her one of the most recognizable figures of the new wave movement, and her on-stage persona as a feminist icon helped to make her one of the most influential women in popular music. The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. Harry’s other hit singles with Blondie, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify her status as one of the most successful and influential female singers of her time. In addition to her music career, Harry has also pursued a successful acting career, appearing in a number of films and television shows. She has also been a dedicated advocate for a number of social and political causes, including animal rights and AIDS awareness. Despite the fact that Blondie disbanded in 1982, Harry has continued to perform and record music, releasing a number of solo albums and collaborating with other artists. In 1997, Blondie reformed and has since continued to tour and release new music, bringing their unique sound and style to new generations of fans.
Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.
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Blondie's "Atomic" European Edition, featuring Debbie Harry in her iconic "Andy Warhol's BAD" T-shirt, is a visual and auditory delight. Released in 1981, this 7" Picture Sleeve Single Vinyl not only adds a European touch to Blondie's global presence but also connects to the hits compilation "The Best of Blondie," making it a collectible gem for fans.
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BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.n
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BLONDIE's self-titled debut, a 12" Vinyl LP born in Great Britain, is a cornerstone of the American New Wave movement. Released in 1976, The album's impact resonates through time, solidifying its place as a pivotal moment in music history.
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BLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.
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BLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape.
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BLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.
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BLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.
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BLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.
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Chrysalis 103 681 , 1981 , Germany
Blondie's 1981 7" vinyl single, "Chrome" b/w "The Jam Was Moving," epitomizes the band's musical evolution. Released on February 20, 1981, this iconic record reflects the dynamic transition from punk to new wave. With pulsating rhythms and Debbie Harry's captivating vocals, the single, encased in a collectible picture sleeve, remains a timeless symbol of Blondie's influence on fashion and music during that era.
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Chrysalis 203 810 , 1981 , Germany
Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.
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