- A sonic journey through disco euphoria, where pulsating beats meet Debbie Harry
Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.
Blondie, the iconic American rock band fronted by Debbie Harry, released the 12" Vinyl Maxi-single Disco version of "Atomic" in the throbbing heart of the disco era. This release, with its extended mixes and pulsating beats, became a dancefloor sensation and a timeless representation of the band's eclectic musical evolution.
The Creation:
"Atomic" was originally featured on Blondie's fourth studio album, "Eat to the Beat," released on October 13, 1979. The single, however, took on a new life with the release of the 12" Vinyl Maxi-single Disco version. Produced by Mike Chapman, the extended mix offered a longer, more immersive experience, capturing the essence of the discotheque scene that dominated the late '70s and early '80s.
Musical Landscape:
As disco music continued to dominate the airwaves, Blondie embraced the genre with "Atomic," infusing their signature new wave and punk rock elements. The result was a unique blend that resonated with a diverse audience, making the Maxi-single Disco version a must-have for both Blondie enthusiasts and disco aficionados alike.
Impact on the Dancefloor:
Released in 1980, Blondie's "Atomic" 12" Vinyl Maxi-single Disco version quickly became a staple in clubs worldwide. Its infectious energy, coupled with Debbie Harry's sultry vocals, made it an anthem of the discotheque era. The extended mixes allowed DJs to keep the dancefloor pulsating, creating an enduring connection between the audience and the music.
Legacy and Enduring Popularity:
Decades later, Blondie's "Atomic" continues to captivate music lovers. Its influence is evident in the countless remixes, covers, and references in popular culture. The 12" Vinyl Maxi-single Disco version remains a sought-after collector's item, a testament to its enduring appeal and the band's ability to transcend musical genres.
1970s Disco
Chrysalis 9198 733
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1979 West-Germany
| Photo of "Atomic " Album's Front Cover |
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| Photo of "Atomic " Album's Back Cover |
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Close-up Photo of "Atomic " Record Label
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| Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.
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Blondie's "Atomic" European Edition, featuring Debbie Harry in her iconic "Andy Warhol's BAD" T-shirt, is a visual and auditory delight. Released in 1981, this 7" Picture Sleeve Single Vinyl not only adds a European touch to Blondie's global presence but also connects to the hits compilation "The Best of Blondie," making it a collectible gem for fans.
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BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.n
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BLONDIE's self-titled debut, a 12" Vinyl LP born in Great Britain, is a cornerstone of the American New Wave movement. Released in 1976, The album's impact resonates through time, solidifying its place as a pivotal moment in music history.
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BLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.
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BLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape.
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BLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.
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BLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.
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BLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.
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Chrysalis 103 681 , 1981 , Germany
Blondie's 1981 7" vinyl single, "Chrome" b/w "The Jam Was Moving," epitomizes the band's musical evolution. Released on February 20, 1981, this iconic record reflects the dynamic transition from punk to new wave. With pulsating rhythms and Debbie Harry's captivating vocals, the single, encased in a collectible picture sleeve, remains a timeless symbol of Blondie's influence on fashion and music during that era.
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Chrysalis 203 810 , 1981 , Germany
Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.
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