- Savor the sonic delights of BLONDIE's "Eat to the Beat"
BLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
"Eat to the Beat," BLONDIE's fourth studio album, serves up a delectable musical banquet that showcases the band's evolution. Released on 12" LP VINYL in Germany in 1979, this album became a pivotal chapter in BLONDIE's rock journey.
Evolution of Sound:
Building on the success of their previous albums, "Eat to the Beat" saw BLONDIE experimenting with a broader sonic palette. The band, led by the dynamic Debbie Harry, crafted an album that seamlessly blended rock, punk, and new wave influences, showcasing their musical versatility.
Tracklist Dynamics:
The album's tracklist is a rollercoaster of sonic delights. From the energetic "Dreaming" to the infectious "Atomic," each track contributes to the album's vibrant tapestry. "Eat to the Beat" captures the zeitgeist of the late '70s, offering a musical journey that resonated with fans and critics alike.
Production Brilliance:
The album's production, overseen by Mike Chapman, played a pivotal role in shaping its distinctive sound. Chapman's ability to balance the raw energy of punk with the polished elements of new wave gave "Eat to the Beat" a unique and memorable sonic identity.
German Release and Global Impact:
The decision to release the album in Germany added an international flair to BLONDIE's discography. "Eat to the Beat" transcended borders, earning acclaim globally and contributing to the band's reputation as pioneers in the rock genre.
Album Artwork:
The LP VINYL format allowed for expansive album artwork, and "Eat to the Beat" didn't disappoint. The cover, featuring a captivating image of Debbie Harry, visually echoed the album's fusion of glamour and rock edge, creating an iconic visual companion to the music.
Legacy and Influence:
"Eat to the Beat" solidified BLONDIE's status as trailblazers in the rock genre. Its enduring appeal lies in its ability to capture the spirit of the late '70s while remaining a timeless testament to the band's creative prowess and musical innovation.
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Music Genre: New Wave, Rock, Pop |
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Album Production Information: The album: "BLONDIE - Eat to the Beat" was produced by: Mike Chapman
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Record Label & Catalognr: "Eat To The Beat" White and Blue Colour Chrysalis with White Butterfly Logo Record Label Details: Chrysalis 202 634, S 511 225 , LC 1626 |
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Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
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Year & Country: 1979 Made in Germany |
Personnel/Band Members and Musicians on: BLONDIE - Eat to the Beat |
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Complete Track-listing of the album "BLONDIE - Eat to the Beat" |
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The detailed tracklist of this record "BLONDIE - Eat to the Beat" is:
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Photo of Blondie on the front cover
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Eat To The Beat" White and Blue Colour Chrysalis with White Butterfly Logo Record Label Details: Chrysalis 202 634, S 511 225 , LC 1626
Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.
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Blondie's "Atomic" European Edition, featuring Debbie Harry in her iconic "Andy Warhol's BAD" T-shirt, is a visual and auditory delight. Released in 1981, this 7" Picture Sleeve Single Vinyl not only adds a European touch to Blondie's global presence but also connects to the hits compilation "The Best of Blondie," making it a collectible gem for fans.
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BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.n
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BLONDIE's self-titled debut, a 12" Vinyl LP born in Great Britain, is a cornerstone of the American New Wave movement. Released in 1976, The album's impact resonates through time, solidifying its place as a pivotal moment in music history.
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BLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.
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BLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape.
Learn more
BLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.
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BLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.
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BLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.
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Chrysalis 103 681 , 1981 , Germany
Blondie's 1981 7" vinyl single, "Chrome" b/w "The Jam Was Moving," epitomizes the band's musical evolution. Released on February 20, 1981, this iconic record reflects the dynamic transition from punk to new wave. With pulsating rhythms and Debbie Harry's captivating vocals, the single, encased in a collectible picture sleeve, remains a timeless symbol of Blondie's influence on fashion and music during that era.
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Chrysalis 203 810 , 1981 , Germany
Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.
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