BLONDIE's AutoAmerican – where genres collide, and musical boundaries are redefined!
BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.
AutoAmerican, the iconic 12" VINYL LP album by BLONDIE, stands as a testament to the band's musical prowess and innovative spirit. Released in Germany in 1980, this masterpiece was meticulously crafted under the expert guidance of producer Mike Chapman.
Genesis of AutoAmerican:
BLONDIE's musical journey leading to AutoAmerican began in the late '70s. The band, fronted by the charismatic Debbie Harry, had already tasted success with hits like "Heart of Glass" and "Call Me." As they entered the studio with Chapman, the goal was clear – to push boundaries and experiment with diverse genres.
AutoAmerican marked a departure from BLONDIE's punk and new wave roots. The album showcased a groundbreaking fusion of styles, incorporating elements of rock, reggae, jazz, and even rap. Chapman's production genius played a pivotal role in seamlessly blending these diverse sounds into a cohesive musical tapestry.
Album Art and Aesthetics:
Beyond its musical innovations, AutoAmerican also made waves with its visually striking album cover. The iconic artwork captured the essence of the era, featuring Debbie Harry in a classic Hollywood glamour-meets-punk aesthetic, setting the tone for the eclectic sonic journey within.
Legacy and Impact:
AutoAmerican received mixed reviews upon release, but over time, it has gained recognition as a trailblazing album that defied genre conventions. Its influence can be heard in the work of subsequent artists who embraced genre-blurring and experimentation.
Music Genre:Pop, Glamrock
Album Packaging / Information:Original custom inner sleeve with album details, and artwork
Record Label Information:Chrysalis 202 987 (202987)
Media Format:12" Vinyl LP Record
Year & Country:1980 Made in Germany
Track Listing of: BLONDIE Autoamerican
|Photo of BLONDIE Autoamerican Album's Front Cover|
Blondie is an American new wave band that was formed in New York City in 1974. The band was one of the pioneers of the new wave and punk rock movements, and is often cited as a major influence on many of the bands that followed in the late 1970s and early 1980s. Blondie’s unique sound and style, which combined elements of punk, pop, and reggae, set them apart from the other bands of their time and helped to shape the course of popular music in the years that followed.
The original lineup of Blondie was composed of lead singer Debbie Harry, guitarist Chris Stein, drummer Clem Burke, keyboardist Jimmy Destri, and bassist Gary Valentine. The band’s first album, “Blondie,” was released in 1976 and received critical acclaim, although it did not initially sell well. However, the release of their second album, “Plastic Letters,” in 1977 brought Blondie greater commercial success and helped to establish them as one of the leading bands of the new wave movement.
One of the key factors that contributed to Blondie’s success was Debbie Harry’s charismatic and distinctive stage presence. With her bleach blonde hair, punk-inspired style, and powerful vocals, Harry quickly became one of the most recognizable figures of the new wave scene. Her on-stage presence and off-stage persona as a feminist icon also helped to make her one of the most influential women in popular music.
Blondie’s early music was heavily influenced by punk rock and the new wave movement, and their songs often featured a mix of sharp, angular guitar riffs and upbeat, danceable rhythms. However, as the band evolved, they began to incorporate other styles and genres into their music, such as reggae, pop, and even hip hop. This musical experimentation helped to establish Blondie as one of the most innovative and eclectic bands of their time.
The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. The band’s other hit singles, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify their status as one of the most important and influential bands of the new wave era.
Despite the fact that Blondie disbanded in 1982, they have continued to influence popular music and remain one of the most beloved and enduring bands of the new wave movement. Their unique sound, style, and vision continue to inspire new generations of musicians, and their music continues to be celebrated and enjoyed by fans all over the world.
Deborah Ann Harry, also known as Debbie Harry, is an American singer, songwriter, and the lead singer of the new wave band Blondie. Born on July 1, 1945, in Miami, Florida, Harry was raised in Hawthorne, New Jersey, and later in New York City. She was interested in music from an early age and began singing in a number of local bands in the 1960s before forming Blondie in the mid-1970s.Blondie’s unique sound, which combined elements of punk, pop, and reggae, quickly caught the attention of audiences and critics alike. Harry’s charismatic stage presence and distinctive singing style made her one of the most recognizable figures of the new wave movement, and her on-stage persona as a feminist icon helped to make her one of the most influential women in popular music. The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. Harry’s other hit singles with Blondie, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify her status as one of the most successful and influential female singers of her time. In addition to her music career, Harry has also pursued a successful acting career, appearing in a number of films and television shows. She has also been a dedicated advocate for a number of social and political causes, including animal rights and AIDS awareness. Despite the fact that Blondie disbanded in 1982, Harry has continued to perform and record music, releasing a number of solo albums and collaborating with other artists. In 1997, Blondie reformed and has since continued to tour and release new music, bringing their unique sound and style to new generations of fans.
Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.Show Details
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BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.nShow Details
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BLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.Show Details
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BLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.Show Details
BLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.Show Details
BLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.Show Details
Chrysalis 103 681 , 1981 , Germany
Debbie Harry, the iconic lead singer of the band Blondie, released the 7" vinyl single "Chrome" with the B-side "The Jam Was Moving". The single came with a picture sleeve adorned with artwork by the legendary artist H.R. Giger , known for his surreal and dark style. This collaboration between music and visual art captured the essence of Debbie Harry's edgy and captivating persona.Show Details
Chrysalis 203 810 , 1981 , Germany
Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.Show Details