BLONDIE - CALL ME AMERICAN GIGOLO Theme from the Paramount picture 7" Picture Sleeve SINGLE VINYL

- "Call Me": The Untold Story Behind the Chart-Topping Anthem!

"Call Me" is a song by the American new wave band Blondie. Released in 1980, "Call Me" topped the singles charts in both the US (where it became the band's biggest selling single and second #1) and the UK (where it became their fourth no.1 hit).

 

BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl front cover https://vinyl-records.nl

"Call Me" Album Description:

"Call Me," the electrifying anthem by American New Wave band BLONDIE, not only stands as the band's biggest-selling single but also became an iconic part of the American Gigolo soundtrack. Released as a 7" Picture Sleeve SINGLE VINYL in 1980, the song soared to the top of charts on both sides of the Atlantic.

The American Gigolo Connection:

"Call Me" was not just a hit; it was the theme song for the Paramount picture American Gigolo. The synergy between BLONDIE's pulsating energy and the film's stylish narrative created a cultural moment that transcended music, making "Call Me" synonymous with the film's allure.

Chart-Topping Success:

In 1980, "Call Me" achieved remarkable success, claiming the number one spot on both the US and UK singles charts. This dual triumph solidified its status as BLONDIE's most commercially successful single and their second number-one hit in the US.

The Sonic Landscape of "Call Me":

The song's allure lies in its dynamic blend of rock, new wave, and disco elements. Debbie Harry's sultry vocals, coupled with the infectious guitar riffs, created a sonic tapestry that resonated with a global audience, making "Call Me" a timeless masterpiece.

7" Picture Sleeve SINGLE VINYL:

The single's release in a 7" Picture Sleeve format added a visual dimension to the musical experience. The iconic cover art, featuring the band and capturing the essence of the era, became a collector's item and a tangible representation of BLONDIE's cultural impact.

Legacy and Enduring Popularity:

"Call Me" continues to be a cultural touchstone, not only for BLONDIE fans but for music enthusiasts worldwide. Its inclusion in American Gigolo and its chart-topping success cemented its place in the pantheon of iconic songs that define an era.

Music Genre:

 OST Movie Sound Track 

Album Production Information:

 The album: "BLONDIE Call Me American Gigolo" was produced by: Giorgio Moroder

Record Label & Catalognr:

Chrysalis 6155 285 

Media Format:

 7" Vinyl Stereo Gramophone Record 

Year & Country:

 
1980 Made in West Germany

 

Front Cover Photo Of BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl

 

BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl

 

BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl back cover

Close up of Side One record's label BLONDIE - Call Me American Gigolo Theme From The Paramount Picture 7" Picture Sleeve Single Vinyl

"Call Me" Blue Coour Chrysalis Record Label Details: Chrysalis 6155 285 , Made in West Germany ℗ 1980 Sound Copyright

"Call Me" Blue Coour Chrysalis Record Label Details: Chrysalis 6155 285 , Made in West Germany ℗ 1980 Sound Copyright
 
Index of BLONDIE & DEBBIE HARRY Vinyl Album Discography and Album Cover Gallery

BLONDIE's History

 Blondie is an American new wave band that was formed in New York City in 1974. The band was one of the pioneers of the new wave and punk rock movements, and is often cited as a major influence on many of the bands that followed in the late 1970s and early 1980s. Blondie’s unique sound and style, which combined elements of punk, pop, and reggae, set them apart from the other bands of their time and helped to shape the course of popular music in the years that followed.

 The original lineup of Blondie was composed of lead singer Debbie Harry, guitarist Chris Stein, drummer Clem Burke, keyboardist Jimmy Destri, and bassist Gary Valentine. The band’s first album, “Blondie,” was released in 1976 and received critical acclaim, although it did not initially sell well. However, the release of their second album, “Plastic Letters,” in 1977 brought Blondie greater commercial success and helped to establish them as one of the leading bands of the new wave movement.

 One of the key factors that contributed to Blondie’s success was Debbie Harry’s charismatic and distinctive stage presence. With her bleach blonde hair, punk-inspired style, and powerful vocals, Harry quickly became one of the most recognizable figures of the new wave scene. Her on-stage presence and off-stage persona as a feminist icon also helped to make her one of the most influential women in popular music.

 Blondie’s early music was heavily influenced by punk rock and the new wave movement, and their songs often featured a mix of sharp, angular guitar riffs and upbeat, danceable rhythms. However, as the band evolved, they began to incorporate other styles and genres into their music, such as reggae, pop, and even hip hop. This musical experimentation helped to establish Blondie as one of the most innovative and eclectic bands of their time.

 The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. The band’s other hit singles, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify their status as one of the most important and influential bands of the new wave era.

 Despite the fact that Blondie disbanded in 1982, they have continued to influence popular music and remain one of the most beloved and enduring bands of the new wave movement. Their unique sound, style, and vision continue to inspire new generations of musicians, and their music continues to be celebrated and enjoyed by fans all over the world.

DEBBIE HARRY Biography

 Deborah Ann Harry, also known as Debbie Harry, is an American singer, songwriter, and the lead singer of the new wave band Blondie. Born on July 1, 1945, in Miami, Florida, Harry was raised in Hawthorne, New Jersey, and later in New York City. She was interested in music from an early age and began singing in a number of local bands in the 1960s before forming Blondie in the mid-1970s.

Blondie’s unique sound, which combined elements of punk, pop, and reggae, quickly caught the attention of audiences and critics alike. Harry’s charismatic stage presence and distinctive singing style made her one of the most recognizable figures of the new wave movement, and her on-stage persona as a feminist icon helped to make her one of the most influential women in popular music.

The band’s commercial peak came in the late 1970s and early 1980s, when they released a string of hit singles and albums that helped to define the new wave movement. Their most famous and successful song, “Heart of Glass,” became a worldwide hit in 1978 and remains one of the most recognizable new wave songs to this day. Harry’s other hit singles with Blondie, such as “Call Me,” “Rapture,” and “The Tide is High,” helped to solidify her status as one of the most successful and influential female singers of her time.

In addition to her music career, Harry has also pursued a successful acting career, appearing in a number of films and television shows. She has also been a dedicated advocate for a number of social and political causes, including animal rights and AIDS awareness.

Despite the fact that Blondie disbanded in 1982, Harry has continued to perform and record music, releasing a number of solo albums and collaborating with other artists. In 1997, Blondie reformed and has since continued to tour and release new music, bringing their unique sound and style to new generations of fans.

BLONDIE's Illustrated Discography
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BLONDIE - Atomic 12" Maxi-single

Blondie's "Atomic" 12" Vinyl Maxi-single Disco version, released in 1980, epitomized the band's fusion of new wave and disco. Produced by Mike Chapman, the extended mixes turned it into a discotheque anthem, leaving an indelible mark on the era. With Debbie Harry's vocals and infectious beats, "Atomic" remains a timeless dancefloor classic.

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BLONDIE - ATOMIC BAD WARHOL 7" PS SINGLE

Blondie's "Atomic" European Edition, featuring Debbie Harry in her iconic "Andy Warhol's BAD" T-shirt, is a visual and auditory delight. Released in 1981, this 7" Picture Sleeve Single Vinyl not only adds a European touch to Blondie's global presence but also connects to the hits compilation "The Best of Blondie," making it a collectible gem for fans.

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BLONDIE Autoamerican 12" Vinyl LP

BLONDIE's AutoAmerican, released in 1980 and produced by Mike Chapman, is a genre-defying masterpiece. With hits like "The Tide Is High" and "Rapture," the album's fusion of rock, reggae, jazz, and rap showcased BLONDIE's versatility. Its groundbreaking sound and iconic album art have left an enduring legacy in the realm of musical innovation.n

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BLONDIE - Self-Titled

BLONDIE's self-titled debut, a 12" Vinyl LP born in Great Britain, is a cornerstone of the American New Wave movement. Released in 1976, The album's impact resonates through time, solidifying its place as a pivotal moment in music history.

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BLONDIE - Call Me American Gigolo

BLONDIE's "Call Me," released in 1980 on a 7" Picture Sleeve Single Vinyl, not only became the band's biggest-selling single but also a chart-topper in the US and the UK. Its role as the American Gigolo theme added cinematic allure, making it a timeless anthem that transcends generations.

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BLONDIE - Eat To The Beat

BLONDIE's "Eat to the Beat," the fourth studio album released on 12" LP VINYL in Germany in 1979, is a sonic journey that encapsulates the band's evolution. From the dynamic tracks to the production brilliance of Mike Chapman, the album remains a testament to BLONDIE's influential role in shaping the rock landscape.

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BLONDIE Heart Of Glass / Rifle Range 7" PS Single

BLONDIE's "Heart of Glass," released on a 7" Picture Sleeve SINGLE VINYL, is a genre-defying anthem that topped charts globally in 1979. From its melodic brilliance to chart-topping triumph, the song remains a cultural touchstone, embodying BLONDIE's innovative spirit and leaving an indelible mark on the New Wave landscape.

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BLONDIE - The Hunter 12" LP Vinyl

BLONDIE's "The Hunter," released on a 12" LP VINYL in May 1982, signifies the band's musical evolution into New Wave and 80s Pop. Born from the post-solo influence of Debbie Harry's "Koo Koo," the album's diverse tracks and visual aesthetic reflect BLONDIE's ability to adapt and experiment within the ever-shifting musical landscape.

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BLONDIE - Plastic Letters 12" LP Vinyl

BLONDIE's "Plastic Letters," the second studio album released on 12" LP VINYL in February 1978, is a New Wave masterpiece. Produced by Richard Gottehrer, it features hits like "Denis," a European sensation. The album's dynamic tracklist and iconic visual aesthetic solidify its place in the evolution of American New Wave.

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DEBBIE HARRY - Selected SOLO RECORDS

DEBBIE HARRY - Chrome / The Jam Was Moving ( 7" Single )

Thumbnail Of  DEBBIE HARRY - Chrome / The Jam Was Moving ( Single ) album front cover

Chrysalis 103 681 , 1981 , Germany

Blondie's 1981 7" vinyl single, "Chrome" b/w "The Jam Was Moving," epitomizes the band's musical evolution. Released on February 20, 1981, this iconic record reflects the dynamic transition from punk to new wave. With pulsating rhythms and Debbie Harry's captivating vocals, the single, encased in a collectible picture sleeve, remains a timeless symbol of Blondie's influence on fashion and music during that era.

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DEBBIE HARRY - KooKoo

Thumbnail Of  DEBBIE HARRY - KooKoo album front cover

Chrysalis 203 810 , 1981 , Germany

Debbie Harry's solo album "KooKoo" showcased her versatility and experimental spirit. The 12" LP vinyl album featured striking artwork by H.R. Giger, renowned for his surreal and macabre style. Giger's dark visuals perfectly complemented the album's eclectic sound, creating a captivating experience for fans. "KooKoo" stands as a testament to Debbie Harry's fearless exploration of artistry and her ability to push boundaries.

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