"Theatre of Pain" is the third album by the heavy metal band Mötley Crüe, released on 21 June 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge, the album marked a step away from the traditional heavy metal sound of Shout at the Devil towards a more glam metal influenced record, in both sound and image.
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Album Description: Mötley Crüe's "Theatre of Pain" is a significant album in the band's discography and holds a special place in the history of glam metal. Released on June 21, 1985, this 12" Vinyl LP Album showcased the group's transition from their earlier heavy metal roots to a more glam-influenced sound. The album's release followed the turbulent events surrounding lead singer Vince Neil's arrest for manslaughter on a drunk driving charge, which greatly impacted the band's direction and musical style. "Theatre of Pain" represents a departure from Mötley Crüe's previous album, "Shout at the Devil", both in terms of sound and image. The band embraced a more glam metal aesthetic, characterized by flashy and extravagant costumes, makeup, and larger-than-life stage performances. This change in image was reflected in the album's music, which incorporated elements of glam metal into their hard rock sound. One of the standout tracks on "Theatre of Pain" is the iconic hit single "Smokin' in the Boys Room." This cover of Brownsville Station's 1973 song became a staple of Mötley Crüe's live performances and remains one of their most recognized songs. The track perfectly captures the rebellious spirit and energetic attitude that defined the band during this period. Another notable song on the album is the power ballad "Home Sweet Home." This emotional and introspective track became Mötley Crüe's signature song and showcased a softer side to their music. "Home Sweet Home" resonated with fans around the world and further solidified the band's status as one of the pioneers of glam metal. "Theatre of Pain" holds a special dedication to Nicholas "Razzle" Dingley, a former member of the Finnish rock band Hanoi Rocks. Dingley tragically lost his life in a car accident that resulted in Vince Neil's arrest. The dedication on the album serves as a poignant reminder of the impact of that incident on the band and their commitment to honoring their fallen comrade. In addition to its musical achievements, "Theatre of Pain" made an impact beyond the music industry. The song "Save Our Souls" from the album was featured in the Italian horror film "Demons", directed by Dario Argento. This inclusion in a prominent film further solidified Mötley Crüe's presence and popularity, introducing their music to new audiences. "Theatre of Pain" features the incredible talent of Mötley Crüe's band members. Vince Neil's distinctive vocals and harmonica playing, Mick Mars' skillful lead guitar work, Nikki Sixx's driving basslines and keyboards, and Tommy Lee's powerful drumming and occasional piano contributions all contribute to the album's unique sound. Together, they create a cohesive and memorable musical experience. |
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Theatre of Pain" contains the hits "Smokin' in the Boys Room" and the power ballad "Home Sweet Home". "Theatre of Pain" is dedicated to Hanoi Rocks former member Nicholas "Razzle" Dingley, who was killed in the car crash that resulted in Vince Neil's arrest. "Save Our Souls" is featured in the italian horror film Demons which is produced by Dario Argento |
Music Genre: Hard Rock / Heavy Metal |
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Album Production information: The album: "MOTLEY CRUE - Theatre of Pain" was produced by: Tom Werman for Julia's Music Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken , a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe . He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent , producing his album "Penetrator" (1984), and Twisted Sister , producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music. Duane Baron - Sound Engineer Duane Baron is a sound engineer known for his work in the music industry. While information about Duane Baron's personal life is limited, his contributions as a sound engineer have left a lasting impact on various musical projects. Duane Baron has worked with a diverse range of artists and bands, showcasing his versatility and skill in capturing and enhancing the sound of their recordings. He has been involved in engineering and mixing albums across different genres, including rock, metal, and pop. One notable collaboration in Duane Baron's career was his work on Mötley Crüe's album "Girls, Girls, Girls." Released in 1987, the album showcased a departure from the band's previous sound, incorporating a blues-influenced style. As the sound engineer for the project, Duane Baron played a crucial role in capturing the band's performance and bringing their vision to life. While his work on "Girls, Girls, Girls" with Mötley Crüe gained recognition, Duane Baron has also lent his expertise to other notable acts. Some of his other engineering credits include albums by Ozzy Osbourne, Heart, and Alice Cooper, among others. Through his work, Duane Baron has contributed to shaping the sound and production quality of these artists' music. Sound engineers like Duane Baron are responsible for capturing, manipulating, and mixing audio recordings to achieve the desired sound quality and artistic vision. They work closely with artists and producers to ensure that the recording process translates the musical performances into a cohesive and sonically pleasing final product. |
Record Label Information: Elektra 960 418 / EKT 8 |
| Packaging: includes the original custom inner sleeve with album details, complete lyrics of all songs by and artwork/photos. |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1985 Made in Germany |
Band Members and Musicians on: MOTLEY CRUE - Theatre of Pain |
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Track Listing of: "MOTLEY CRUE - Theatre of Pain" |
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The Song/tracks on "Motley Crue Theatre of Pain" are
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Group photo of the Motley Crue band
"albumtitle" Record Label Details: Description © Copyright ℗ Sound Copyright
Dr. Feelgood which is the fifth album by the American glam metal band Mötley Crüe, released on September 1, 1989. This is the last album to feature Vince Neil until his return for their 1997 album Generation Swine.
- Dr Feelgood (1988, EEC European Economic Community) - Dr Feelgood (1989, Germany)
"Girls, Girls, Girls" is their fourth studio album, released on 15 May 1987 The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls
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Shout is a textbook example of glam metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair
- Shout at the Devil (1983, Canada) - Shout at the Devil (1983, Germany)
"Theatre of Pain" is the third album by the glm metal band Mötley Crüe, released on June 21, 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge
- Theatre of Pain (1985, Canada) - Theatre of Pain (1985, Germany) - Theatre of Pain ( 1988 USA )
"Too Fast For Love" which is the debut record of American heavy metal band Mötley Crüe; originally 900 copies were released in November 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded.
- Too Fast For Love (No Title, 1982, Germany) - Too Fast for Love (Orange Label, 1982, Germany) - Too Fast For Love (1982, Italy)