USA Release
This is the USA release of "Girls, Girls, Girls" the 1987 album released by the American Hard Rock / Glam Metal band "Motley Crue", it was produced by Tom Werman and recorded in three different sound studios in California.
'Girls, Girls, Girls'. This wasn't just another album; it was a manifesto of sleaze, a sonic middle finger to the puritanical prudes who dared to challenge the band's debauched lifestyle.
Released at the peak of hair metal's reign, when Aqua Net and spandex were the unofficial uniform of the Sunset Strip, 'Girls, Girls, Girls' was a celebration of all things excessive. The album's title track, an ode to strip clubs and the women who inhabited them, became an instant anthem for a generation fueled by cheap beer and even cheaper thrills.
But there was more to this album than just tits and ass. Tom Werman, the producer behind the boards, captured the raw energy of the band's live performances, injecting a layer of polish that elevated their sound without sacrificing its visceral impact. Recorded at Conway Recording Studios and Can-Am Recorders, the album's sonic landscape was a far cry from the thin, tinny production that plagued many of their contemporaries.
From the opening salvo of 'Wild Side' to the closing ballad 'You're All I Need', 'Girls, Girls, Girls' is a masterclass in controlled chaos. Nikki Sixx's bass lines throb with a primal intensity, Tommy Lee's drumming is a relentless barrage of percussive fury, Mick Mars' guitar riffs slice through the mix like a rusty razor, and Vince Neil's vocals are a snarling testament to the band's unrepentant spirit.
Lyrically, the album is a celebration of all things hedonistic. Songs like 'Dancing on Glass' and 'Bad Boy Boogie' paint a vivid picture of a world where the party never stops, while 'Nona' offers a glimpse into the darker side of addiction. It's a raw, unflinching look at the band's own struggles with excess, a reminder that the pursuit of pleasure can come at a heavy price.
Of course, Motley Crue's music was never far removed from controversy. Their outrageous stage antics, fueled by a seemingly endless supply of Jack Daniels and cocaine, often overshadowed their musical accomplishments. The 'Girls, Girls, Girls' tour was no exception, with the band facing accusations of promoting misogyny and objectifying women.
But for all its flaws, 'Girls, Girls, Girls' is a testament to Motley Crue's enduring appeal. It's an album that captures the essence of an era, a time when hairspray and hedonism ruled the airwaves. It's a reminder that even in the face of criticism, the human spirit can triumph. And it's a testament to the power of rock and roll to transcend boundaries and touch the soul.
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Music Genre: Glamrock, Hard Rock, Heavy Metal |
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Album Production Information: The album: "MÖTLEY CRÜE - Girls Girls Girls" was produced by: Tom Werman Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken , a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe . He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent , producing his album "Penetrator" (1984), and Twisted Sister , producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.
Sound/Recording Engineer(s): Duane Baron Duane Baron is a renowned sound engineer known for shaping the sound of iconic rock and metal albums. With expertise in engineering and mixing, he has worked with legendary artists like Mötley Crüe, Ozzy Osbourne, Heart, and Alice Cooper. His contributions to music production have left a lasting impact on the industry.
Learn more about his career and works on Duane Baron - Sound Engineer.
This album was mixed at: Conway Recording Studios, LA. Mastered by Bob Ludwig . Masterdisk, New York Bob Ludwig is a legendary mastering engineer known for his work with Led Zeppelin, The Rolling Stones, and Pink Floyd. With a career spanning over five decades, he has won multiple Grammy Awards and founded Gateway Mastering Studios. Ludwig is a pioneer in high-fidelity sound, ensuring top-tier audio quality. Learn more on Bob Ludwig's biography.
Album cover design: Nikki Sixx Album cover photography: Barry Levine |
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Record Label & Catalognr: Elektra 60725 |
Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by and photos of Motley Crue |
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Media Format: 12" Full-Length Vinyl LPAlbum weight: 230 gram |
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Year & Country: 1987 Made in USA |
Band Members and Musicians on: Motley Crue Girls Girls Girls |
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Complete Track Listing of: Motley Crue Girls Girls Girls |
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The Song/tracks on "Motley Crue Girls Girls Girls" are
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Girls, Girls, Girls" Black and Red Colour ELEKTRA Record Label Details: 60725-1 ℗ 1987 Elektra/Asylum Records Sound Copyright
Dr. Feelgood which is the fifth album by the American glam metal band Mötley Crüe, released on September 1, 1989. This is the last album to feature Vince Neil until his return for their 1997 album Generation Swine.
- Dr Feelgood (1988, EEC European Economic Community) - Dr Feelgood (1989, Germany)
"Girls, Girls, Girls" is their fourth studio album, released on 15 May 1987 The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls
Girls, Girls, Girls (European Release) Girls, Girls, Girls (Italian Release) Girls, Girls, Girls (USA Release)
Shout is a textbook example of glam metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair
- Shout at the Devil (1983, Canada) - Shout at the Devil (1983, Germany)
"Theatre of Pain" is the third album by the glm metal band Mötley Crüe, released on June 21, 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge
- Theatre of Pain (1985, Canada) - Theatre of Pain (1985, Germany) - Theatre of Pain ( 1988 USA )
"Too Fast For Love" which is the debut record of American heavy metal band Mötley Crüe; originally 900 copies were released in November 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded.
- Too Fast For Love (No Title, 1982, Germany) - Too Fast for Love (Orange Label, 1982, Germany) - Too Fast For Love (1982, Italy)