Italian Release
This is their fourth studio album, released on May 15, 1987 The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls." The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, life on the Sunset Strip, and spending nights at strip clubs
In the heart of the excessive 1980s rock scene, Mötley Crüe unleashed their fourth studio album, "Girls, Girls, Girls," upon the world in May 1987. This album, with its raw energy and controversial themes, captured the zeitgeist of the era while solidifying the band's reputation as the bad boys of rock 'n' roll.
A Changing Musical Landscape
By the mid-1980s, hair metal was in full swing, and Mötley Crüe had already made their mark with their signature blend of hard rock, heavy metal, and glam. However, "Girls, Girls, Girls" saw the band venturing into new musical territory. While still retaining their hard-hitting sound, they incorporated bluesy elements, showcasing a slightly different facet of their musical capabilities. This exploration added depth to their sound, attracting a broader audience while maintaining their core fanbase.
Controversy and Censorship
True to their rebellious nature, Mötley Crüe courted controversy with "Girls, Girls, Girls." The album's title track and its accompanying music video, which featured strippers and racy imagery, raised eyebrows and faced censorship from MTV. The band's lyrics, often revolving around their hedonistic lifestyle, fueled the controversy further. However, this only served to amplify the album's appeal, as it embodied the spirit of youthful rebellion that resonated with many fans.
Crafting the Sound: Production and Studio
To bring their vision to life, Mötley Crüe enlisted the expertise of producer Tom Werman, known for his work with artists like Cheap Trick and Twisted Sister. Recording sessions took place at various studios, including Conway Recording Studios and Can-Am Recorders in Hollywood. The band's commitment to capturing their raw energy led to intense recording sessions, often fueled by their infamous partying lifestyle. This approach resulted in an album that exuded the band's unbridled energy and passion.
A Snapshot of an Era
"Girls, Girls, Girls" is more than just an album; it's a time capsule of the 1980s rock scene. It reflects the excesses, the rebellion, and the unapologetic attitude that defined the era.
|
Music Genre: Hard Rock / Glam Metal |
| Album Production information:
The album: "MÖTLEY CRÜE - Girls Girls Girls" was produced by: Tom Werman Epic A&R turned hit-maker: the guy who helped polish hard rock into arena-sized trouble. Read more... Tom Werman, I think of him as the sonic chiropractor of late-70s/80s rock: he cracks the songs into place and suddenly the chorus stands up straight. He started at Epic Records in 1970, then left fingerprints on Cheap Trick (1977-1978), Ted Nugent (1977), Blue Oyster Cult (1979), and a long Molly Hatchet stretch (1978-1983). Then came the glam-metal fireworks: Motley Crue (1983-1987), Twisted Sister (1984), Poison (late 1987-1988), and Kix (1988). Tom Werman Wiki
Sound/Recording Engineer(s): Duane Baron Veteran sound engineer who helped define the polished muscle of ’80s and ’90s hard rock and metal. Read more... Duane Baron is a renowned sound engineer known for shaping the sound of iconic rock and metal albums. Working as both engineer and mixer, he played a key role in crafting records by artists such as Mötley Crüe, Ozzy Osbourne, Heart, and Alice Cooper. His ability to balance clarity, power, and radio-ready polish made him a go-to figure during the peak years of big-budget rock production. This album was mixed at: Conway Recording Studios, LA. Mastered by Bob Ludwig . Masterdisk, New York My quick tell for a record that’s about to sound expensive: “Mastered by Bob Ludwig” quietly lurking in the credits. Read more... Bob Ludwig, for me, is the final boss of “make it hit”: cutting lacquers at A&R in the late ’60s, shaping the 1970s at Sterling Sound, the 1976–1992 Masterdisk era, then building Gateway Mastering in Maine (founded 1992) before retiring in 2023. His mastering fingerprints run from classic rock to metal to modern pop—Led Zeppelin and Lou Reed through Metallica, Nirvana, Tool, and Daft Punk. Album cover design: Nikki Sixx Album cover photography: Barry Levine |
|
Record Label & Catalognr: Elektra 96 0725 |
| Packaging:This album "MÖTLEY CRÜE - Girls Girls Girls" includes the original custom inner sleeve with album details, complete lyrics of all songs by and artwork/photos |
|
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
|
Year & Country: Made in Italy |
Personnel/Band Members and Musicians on: MÖTLEY CRÜE - Girls Girls Girls |
|
Complete Track-listing of the album "MÖTLEY CRÜE - Girls Girls Girls" |
|
The detailed tracklist of this record "MÖTLEY CRÜE - Girls Girls Girls" is:
|
Description
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Description
Description
Description
"Girls Girls Girls" Record Label Details: Elektra 96 0725
Dr. Feelgood which is the fifth album by the American glam metal band Mötley Crüe, released on September 1, 1989. This is the last album to feature Vince Neil until his return for their 1997 album Generation Swine.
- Dr Feelgood (1988, EEC European Economic Community) - Dr Feelgood (1989, Germany)
"Girls, Girls, Girls" is their fourth studio album, released on 15 May 1987 The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls
Girls, Girls, Girls (European Release) Girls, Girls, Girls (Italian Release) Girls, Girls, Girls (USA Release)
Shout is a textbook example of glam metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair
- Shout at the Devil (1983, Canada) - Shout at the Devil (1983, Germany)
"Theatre of Pain" is the third album by the glm metal band Mötley Crüe, released on June 21, 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge
- Theatre of Pain (1985, Canada) - Theatre of Pain (1985, Germany) - Theatre of Pain ( 1988 USA )
"Too Fast For Love" which is the debut record of American heavy metal band Mötley Crüe; originally 900 copies were released in November 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded.
- Too Fast For Love (No Title, 1982, Germany) - Too Fast for Love (Orange Label, 1982, Germany) - Too Fast For Love (1982, Italy)