MOTLEY CRUE - Dr Feelgood 12" Vinyl LP Album

German Release on: Elektra 960 829 EKT 59

Mötley Crüe's Dr. Feelgood is a German pressing on 12" vinyl, released in 1989 by Elektra (catalogue #s 960 829 EKT 59). It's their fifth album and features the band's original lineup, including Vince Neil on vocals. This hard rock record is known for its hit title track and is considered Mötley Crüe's last album with Neil until 1997.

MOTLEY CRUE - Dr Feelgood Germany Elektra 960 829 EKT 59 12" Vinyl LP Album front cover https://vinyl-records.nl

Motley Crue's 'Dr. Feelgood': A Sonic Sucker Punch to the Status Quo
Album Description:

Motley Crue's 1989 masterpiece, "Dr. Feelgood." This ain't just another hair metal album, kids. It's a sonic sucker punch straight to the gut of the Sunset Strip, a declaration of war against the critics who dismissed them as a bunch of spandex-clad clowns.

Released at the tail end of the hair metal bacchanalia, when the scene was teetering on the brink of self-parody, "Dr. Feelgood" was a defiant middle finger to the naysayers. The title track, an anthem of hedonistic abandon, became an instant radio staple, its infectious chorus worming its way into the collective consciousness of a generation teetering on the edge of adulthood.

But beneath the surface, there's more to this album than just catchy hooks and raucous energy. Bob Rock, the production wizard behind the boards, captured the raw power of the band's live performances, injecting a layer of polish that elevated their sound to new heights. Recorded at Vancouver's Little Mountain Sound Studios, the album's sonic landscape was a far cry from the thin, tinny production that plagued many of their contemporaries.

From the opening salvo of "T.N.T. (Terror 'N Tinseltown)" to the closing ballad "Time for Change," "Dr. Feelgood" is a masterclass in controlled chaos. Nikki Sixx's bass lines throb with a primal intensity, Tommy Lee's drumming is a relentless barrage of percussive fury, Mick Mars' guitar riffs slice through the mix like a rusty razor, and Vince Neil's vocals are a snarling testament to the band's unrepentant spirit.

Lyrically, the album doesn't shy away from the tropes of sex, drugs, and rock and roll, but it also delves into darker territory. Songs like "Slice of Your Pie" and "Rattlesnake Shake" explore the seedy underbelly of the Sunset Strip, while "Kickstart My Heart" chronicles Sixx's near-fatal overdose. It's a raw, unflinching look at the band's own struggles with addiction, a stark reminder that the party can't last forever.

Of course, Motley Crue's music was never far removed from controversy. Their outrageous stage antics, fueled by a seemingly endless supply of Jack Daniels and cocaine, often overshadowed their musical accomplishments. But with "Dr. Feelgood," they proved they were more than just a circus act. They were a force to be reckoned with, a band that could deliver the goods both on and off the stage.

So crank up the volume on that Elektra 960 829 EKT 59 pressing, let the music wash over you, and remember a time when Motley Crue ruled the world. They may have been a mess, but they were our mess, and we wouldn't have it any other way.

Music Genre:

Glam Rock / Heavy Metal 

Album Production Information:

The album: "Dr Feelgood" by Motley Crue was produced by: Bob Rock

  • Bob Rock – Producer, Sound Engineer

    The studio wizard who helped turn hard rock into stadium-sized thunder (and even grabbed a bass for Metallica when the job got awkward).

    Bob Rock, I file his name under "the guy who makes bands sound like they bench-press mountains." He cut his teeth at Vancouver's Little Mountain Sound Studios (starting in 1976), then graduated from behind-the-glass detail freak to full-on hit-forge producer. As a performer he wasn't just a studio shadow: he was in Payola$ (formed 1978), teamed up as Rock and Hyde (1987), released music with Rockhead (1991), and in the ultimate "wait, what?" moment he played all the bass parts on Metallica's "St. Anger" and even served as their live bassist from Jason Newsted's 2001 exit until Robert Trujillo joined in February 2003. Production-wise, his fingerprints are all over huge, loud turning points: Mötley Crüe's "Dr. Feelgood" (1989), The Cult's "Sonic Temple" (1989), and Metallica's self-titled "Black Album" (1991) are basically proof that polish and punch can coexist without filing off the danger. He is the rare producer who can make a band sound bigger without making them sound fake, which is a small miracle in rock history.Bob Rock Wiki

    • Sound/Recording Engineer(s): Randy Staub, Bob Rock


    This album was recorded at: Little Mountain Sound Studios, Vancouver

    George Marino - Mastering

  • George Marino – Mastering Engineer

    When my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax.

    George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki

    • Randy Staub - Sound Engineer

    Don Brautigam - Album artwork

  • Don Brautigam – American illustrator & album cover artist

    The American illustrator who painted Metallica’s “Master of Puppets” (1986) and then kept popping up on heavy hitters: Anthrax (1987–1990), Mötley Crüe (1989), and AC/DC (1990).

    Don Brautigam, I think of him as the rare visual storyteller who could bottle a band’s whole atmosphere into one frozen scene. He was an American painter/illustrator and graphic designer (active roughly 1974–2008), known for mixing acrylic painting with airbrush polish until the image felt unreal in the best way. His “periods” with bands read like a timeline of loud history: early credits include James Brown’s “The Payback” (1973) and “Reality” (1974), then Chuck Berry’s “Rockit” (1979), before the metal era hit like a brick through a stained-glass window. In 1986 he painted Metallica’s “Master of Puppets,” then followed with Anthrax’s run of covers — “Among the Living” (1987), “State of Euphoria” (1988), and “Persistence of Time” (1990) — before landing the big glossy menace of Mötley Crüe’s “Dr. Feelgood” (1989) and AC/DC’s “The Razors Edge” (1990). The wild part is how his art doesn’t just decorate the music; it sets the mood before the needle even drops.

    Don Brautigam Wiki



    		•

    Record Label & Catalognr:

    Elektra 960 829 EKT 59  

    Packaging:

    This album "Dr Feelgood" by Motley Crue includes the original custom inner sleeve with album details, complete lyrics of all songs by and photos.

    Media Format:

    12" Vinyl Stereo Gramophone Record
    Total Album (Cover+Record) weight: 230 gram  

    Year & Country:

    1989 Made in Germany  
    Band Members and Musicians on: Motley Crue - Dr Feelgood
      Band-members, Musicians and Performers
    • Vince Neil - lead and background vocals, harmonica, shakers
    • Mick Mars - guitars, talk box, lap steel, background vocals
    • Nikki Sixx - 4, 8 and 12 string basses, organ, piano, background vocals
    • Tommy Lee - drums, percussion, background vocals with
    • Bryan Adams - background vocals on "Sticky Sweet"
    • Skid Row - background vocals on "Time for Change"
    • Robin Zander - background vocals on "She Goes Down"
    • Mike Amato - background vocals on "Time For Change", Production Coordination, Project Coordinator
    • Jack Blades - background vocals on "Same Ol' Situation (S.O.S.)" and "Sticky Sweet"
    • Bob Dowd - background vocals on "Time For Change"
    • Tom Keenlyside, Ian Putz, Ross Gregory, Henry Christian - marguerita horns on "Rattlesnake Shake"
    • Marc LaFrance - background vocals on all tracks
    • Rick Nielsen - background vocals on "She Goes Down"
    • Bob Rock - bass on "Time For Change", background vocals on "Dr. Feelgood", "Rattlesnake Shake", "Sticky Sweet", "She Goes Down",
    • David Steele - background vocals
    • Steven Tyler - background vocals on "Sticky Sweet" and intro to "Slice of Your Pie"
    • John Webster - honky tonk piano on "Rattlesnake Shake"
    Complete Track Listing of: "Dr Feelgood" by Motley Crue

    The Song/tracks on "Motley Crue Motley Crue Dr Feelgood " are

    • T.N.T. (Terror 'N Tinseltown) - 0:42
    • Dr. Feelgood - (Mick Mars, Nikki Sixx) - 4:50
    • Slice of Your Pie - (Sixx, Mars) - 4:32
    • Rattlesnake Shake - (Mars, Sixx, Vince Neil, Tommy Lee) - 3:40
    • Kickstart My Heart - (Sixx) - 4:48
    • Without You - (Sixx, Mars) - 4:29
    • Same Ol' Situation (S.O.S.) - (Lee, Sixx, Neil, Mars) - 4:12
    • Sticky Sweet - (Mars, Sixx) - 3:52
    • She Goes Down - (Mars, Sixx) - 4:37
    • Don't Go Away Mad (Just Go Away) - (Sixx, Mars) - 4:40
    • Time for Change - (Sixx, Donna McDaniel) - 4:45

    Too Fast for Love to Dr. Feelgood: A Look at Motley Crue's Early Years Discography

    MÖTLEY CRÜE - Dr Feelgood (European and German Releases)
    MÖTLEY CRÜE - Dr Feelgood (European and German Releases) album front cover vinyl record

    Dr. Feelgood which is the fifth album by the American glam metal band Mötley Crüe, released on September 1, 1989. This is the last album to feature Vince Neil until his return for their 1997 album Generation Swine.

    - Dr Feelgood (1988, EEC European Economic Community) - Dr Feelgood (1989, Germany)
    MÖTLEY CRÜE - Girls, Girls, Girls (International Releases)
    MÖTLEY CRÜE - Girls, Girls, Girls (German, Italian and USA Releases) album front cover vinyl record

    "Girls, Girls, Girls" is their fourth studio album, released on 15 May 1987 The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls

    Girls, Girls, Girls (European Release) Girls, Girls, Girls (Italian Release) Girls, Girls, Girls (USA Release)
    MÖTLEY CRÜE - Shout at the Devil (Canadian and German Issues)
    MÖTLEY CRÜE - Shout at the Devil (Canadian and German Issues) album front cover vinyl record

    Shout is a textbook example of glam metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair

    - Shout at the Devil (1983, Canada) - Shout at the Devil (1983, Germany)
    MÖTLEY CRÜE - Theatre of Pain (Three International Versions)
    MÖTLEY CRÜE - Theatre of Pain (Three International Versions) album front cover vinyl record

    "Theatre of Pain" is the third album by the glm metal band Mötley Crüe, released on June 21, 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge

    - Theatre of Pain (1985, Canada) - Theatre of Pain (1985, Germany) - Theatre of Pain ( 1988 USA )
    MÖTLEY CRÜE - Too Fast For Love (Three International Releases)
    MÖTLEY CRÜE - Too Fast For Love (Three International Releases) album front cover vinyl record

    "Too Fast For Love" which is the debut record of American heavy metal band Mötley Crüe; originally 900 copies were released in November 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded.

    - Too Fast For Love (No Title, 1982, Germany) - Too Fast for Love (Orange Label, 1982, Germany) - Too Fast For Love (1982, Italy)