German release in Gatefold album cover
"Shout at the Devil" is the second album by glam metal band Mötley Crüe, released on September 26, 1983. The record, along with its predecessor "Too Fast for Love", is regarded as one of the most influential of its genre. "Looks that Kill" and " Too Young to Fall in Love" became huge hits and "Shout at the Devil" became very popular as well. Shout is a textbook example of Heavy metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair, makeup, and tough, violent imagery contributed greatly to the visual aspects of glam metal.
1983 was a wild year for rock 'n' roll, and Mötley Crüe's "Shout at the Devil" turned up the heat! This German release on 12" vinyl with a devilish gatefold cover is a must-have for any headbanger looking for a heavy dose of glam metal debauchery.
Hairspray and Hellfire
The Sunset Strip was burning up with a new breed of metal bands, and Mötley Crüe was leading the charge. "Shout at the Devil" wasn't just an album, it was a statement. It was a middle finger to authority, a celebration of excess, and a soundtrack for a generation on the edge.
More Than Just Looks
Sure, these guys had the hair, the makeup, and the attitude, but they also had the chops to back it up. "Shout at the Devil" wasn't just about image, it was a musical exploration of heavy metal with a glam twist. Nikki Sixx's songwriting was sharp and catchy, Tommy Lee's drumming was thunderous, and Vince Neil's vocals were pure rock 'n' roll swagger.
Glam Metal Done Right
This album isn't just about looking pretty, it's a full-on glam metal assault. The songs are packed with catchy hooks, soaring vocals, and enough energy to power a city block. Mötley Crüe wasn't afraid to push boundaries, and "Shout at the Devil" is a testament to their fearless attitude.
Courting Controversy
With its devilish imagery and rebellious lyrics, "Shout at the Devil" naturally raised a few eyebrows. Some critics accused the band of promoting Satanism, but Mötley Crüe wasn't backing down. They embraced the controversy, turning it into fuel for their rock 'n' roll fire.
Forged in the Sunset Strip
The album was produced by Tom Werman, known for his work with Cheap Trick and Ted Nugent, and recorded at Cherokee Studios in Hollywood, the epicenter of the glam metal scene. This combination of talent and location resulted in an album that perfectly captures the spirit of the era.
Amidst the hairspray and hedonism of the 1980s, Mötley Crüe's "Shout at the Devil" ignited a firestorm of controversy. The album's title, pentagram-adorned cover art, and dark lyrics sparked fears of Satanic influence among conservative groups.
Religious organizations and concerned parents saw the band's imagery as a direct threat to morality and accused them of promoting devil worship. This moral panic, dubbed the "Satanic Panic," swept through America, leading to protests, boycotts, and even calls for censorship.
Mötley Crüe, however, reveled in the controversy. They embraced their rebellious image, using the accusations to fuel their popularity. The band's defiant attitude and refusal to back down only solidified their status as rock 'n' roll outlaws.
Despite the backlash, "Shout at the Devil" became a massive commercial success, reaching platinum status and solidifying Mötley Crüe's place in the glam metal pantheon. The controversy surrounding the album only served to amplify its impact, making it a symbol of youthful rebellion and a testament to the power of rock 'n' roll to challenge societal norms.
Music Genre: 80s Hard Rock, Glam Metal |
Album Production Information: The album: "MÖTLEY CRÜE - Shout at the Devil" was produced by: Tom Werman for for Julia's Music IncTom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken , a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe . He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent , producing his album "Penetrator" (1984), and Twisted Sister , producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.
Sound/Recording Engineer(s): Geoff Workman This album was recorded at: Cherokee Studios, Hollywood, California |
Record Label & Catalognr: Elektra 96-0289-1 |
Packaging: Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 280 gram |
Year & Country: 1983 Made in Germany |
Personnel/Band Members and Musicians on: MÖTLEY CRÜE - Shout at the Devil |
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Complete Track-listing of the album "MÖTLEY CRÜE - Shout at the Devil" |
The detailed tracklist of this record "MÖTLEY CRÜE - Shout at the Devil" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Shout At The Devil Germany " Red Colour Elektra Record Label Details: 96-0289 t
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