MOTLEY CRUE - Girls, Girls, Girls - Elektra 960 725 12" VINYL LP ALBUM

"Girls, Girls, Girls" is MOTLEY CRUE's fourth studio album, released 1987. The record features a more blues-influenced sound than their previous album and contains the hits "Wild Side" and "Girls, Girls, Girls." The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding Harley Motorcycles, drinking whiskey, life on the Sunset Strip, and spending nights at strip clubs


Large Album Front Cover Photo of MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725

Essential Album Information For: MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725

Album Description:

Released in 1987, "Girls, Girls, Girls" marked the fourth studio album by the American rock band Mötley Crüe. This album showcased a departure from their previous sound, incorporating a more blues-influenced style. With hits like "Wild Side" and the title track "Girls, Girls, Girls", the record became a notable addition to the band's discography. However, it's important to note that the album also reflects the band's hedonistic lifestyle, featuring themes of their love for riding Harley Motorcycles, whiskey, life on the Sunset Strip, and nights spent at strip clubs.

One notable aspect of the "Girls, Girls, Girls" album is its packaging. The original vinyl LP release came with a custom inner sleeve. On one side, fans could find a large photo of Mötley Crüe in a strip club, capturing the essence of the album's theme. On the other side of the inner sleeve, the lyrics of all the songs were printed, allowing listeners to engage with the band's music on a deeper level.

The album was produced by Tom Werman, known for his work with various rock acts. Duane Baron served as the sound engineer, while Bob Ludwig took charge of the mastering process. The mixing of the album took place at Conway Recording Studios in Los Angeles, with the mastering done at Masterdisk in New York. The album cover design was created by Nikki Sixx himself, who was also the band's bassist. Barry Levine contributed his photography skills to capture the essence of the album visually.

As for the musicians, "Girls, Girls, Girls" featured the classic lineup of Mötley Crüe. Vince Neil provided his powerful vocals, while Mick Mars delivered his signature guitar riffs. Nikki Sixx showcased his bass skills, and Tommy Lee brought his energetic drumming to the mix. Together, these talented musicians created an album that further solidified Mötley Crüe's place in the rock music scene.

Music Genre:

Heavy Metal / Glam Metal

Label & Catalognr:

Elektra 960 725 

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1987 Europe

MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725 Production & Recording Information

Album Packaging

This album includes the original custom inner sleeve, with on one side a large photo of "Motley Crue" in a strip club and on the other lyrics of all the songs.


Tom Werman - Producer

Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time.

Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent.


In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer.

During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken, a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene.

Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success.

Another iconic band that benefited from Werman's production expertise was Mötley Crüe. He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene.

Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent, producing his album "Penetrator" (1984), and Twisted Sister, producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry.

Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike.

Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.

Sound & Recording Engineers:

Duane Baron - Sound Engineer

Duane Baron is a sound engineer known for his work in the music industry. While information about Duane Baron's personal life is limited, his contributions as a sound engineer have left a lasting impact on various musical projects.

Duane Baron has worked with a diverse range of artists and bands, showcasing his versatility and skill in capturing and enhancing the sound of their recordings. He has been involved in engineering and mixing albums across different genres, including rock, metal, and pop.

One notable collaboration in Duane Baron's career was his work on Mötley Crüe's album "Girls, Girls, Girls." Released in 1987, the album showcased a departure from the band's previous sound, incorporating a blues-influenced style. As the sound engineer for the project, Duane Baron played a crucial role in capturing the band's performance and bringing their vision to life.


While his work on "Girls, Girls, Girls" with Mötley Crüe gained recognition, Duane Baron has also lent his expertise to other notable acts. Some of his other engineering credits include albums by Ozzy Osbourne, Heart, and Alice Cooper, among others. Through his work, Duane Baron has contributed to shaping the sound and production quality of these artists' music.

Sound engineers like Duane Baron are responsible for capturing, manipulating, and mixing audio recordings to achieve the desired sound quality and artistic vision. They work closely with artists and producers to ensure that the recording process translates the musical performances into a cohesive and sonically pleasing final product.

Bob Ludwig - Mastering Engineer

  Bob Ludwig Bob Ludwig is an American mastering engineer and record producer. He is widely regarded as one of the best mastering engineers in the music industry, and has worked with a diverse range of artists across various genres, including classical, rock, pop, and jazz.

Ludwig has been active in the music industry since the 1970s and has worked on numerous critically acclaimed and commercially successful albums, including records by Led Zeppelin, The Rolling Stones, Pink Floyd, and many others. He has also been recognized for his contributions to the industry and has won several Grammy Awards for his work.

Throughout his career, Ludwig has been known for his technical expertise, attention to detail, and his ability to bring out the best in recordings. He has also been a strong advocate for the preservation of audio quality and has worked to promote the use of high-quality analog and digital technologies in the recording and mastering process.

Overall, Bob Ludwig is a highly respected and accomplished mastering engineer who has made a significant impact on the music industry through his work with many of the biggest and most influential artists of our time.


Recording Location:

This album was mixed at: Conway Recording Studios, LA.

Mastered at: Masterdisk, New York

Album Cover Design & Artwork:

Nikki Sixx - Album Cover Design


Barry Levine - Photography

  • Vince Neil - vocals
  • Mick Mars - guitar
  • Nikki Sixx - bass
  • Tommy Lee - drums
  1. Wild Side 4:40 (Nikki Sixx, Tommy Lee & Vince Neil)
  2. Girls, Girls, Girls (Sixx, Lee & Mick Mars) - 4:30
  3. Dancing on Glass (Sixx & Mars) - 4:18
  4. Bad Boy Boogie (Sixx, Lee & Mars) - 3:27
  5. Nona (Sixx) - 1:27
  6. Five Years Dead (Sixx & Mars) - 3:50
  7. All in The Name of... (Sixx & Neil) - 3:39
  8. Sumthin' for Nuthin' (Sixx) - 4:41
  9. You're All I Need 4:33 - (Sixx & Tommy Lee)
  10. Jailhouse Rock (Live) (Originally performed by Elvis Presley) 4:39

MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725 High Resolution & Quality Photos

Front Cover Photo Of MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Front Cover Photo Of MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo of album back cover MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo #1 of the custom inner sleeve MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo #1 of the custom inner sleeve MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo #2 of the custom inner sleeve MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo #2  of the custom inner sleeve  MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo of record Side One: MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo of record Side One: of MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo of record Side Two: MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Photo of record Side Two: of MOTLEY CRUE - Girls, Girls, Girls Elektra 960 725
Band Description:

  Motley Crue is a legendary American rock band that rose to prominence in the 1980s and has continued to captivate audiences with their music and live performances. Formed in Los Angeles, California in 1981, the band is known for their unique blend of hard rock, heavy metal, and glam rock, as well as their rebellious and often controversial image.

Motley Crue was founded by bassist Nikki Sixx and drummer Tommy Lee, who were joined by guitarist Mick Mars and vocalist Vince Neil. The band quickly made a name for themselves on the Sunset Strip, a hotbed of rock and roll activity in Los Angeles. They released their debut album, "Too Fast for Love," in 1981, which quickly gained popularity among fans and critics alike. The album showcased the band's raw, hard-driving sound and featured several standout tracks, including "Live Wire" and "Piece of Your Action."

Motley Crue's second album, "Shout at the Devil," was released in 1983 and marked a significant turning point for the band. With its more polished sound and increased emphasis on melody and songwriting, the album became a commercial success and helped establish Motley Crue as one of the leading bands of the 1980s. Hits such as "Looks That Kill" and "Too Young to Fall in Love" helped propel the band to even greater heights.

The band continued to release successful albums throughout the 1980s, including "Theatre of Pain" (1985), "Girls, Girls, Girls" (1987), and "Dr. Feelgood" (1989). The latter album, which featured hits such as "Kickstart My Heart" and "Without You," was a massive commercial success, reaching the top of the Billboard charts and selling over 6 million copies in the United States alone. Motley Crue had become one of the most popular and influential bands in the world, with their hard-driving sound, provocative lyrics, and larger-than-life image capturing the attention of fans worldwide.

Despite their success, Motley Crue was no stranger to controversy. The band's excessive partying and drug use was well documented, with their exploits often making headlines in the tabloids. They were also criticized by some for their misogynistic lyrics and objectification of women. However, the band's fans remained loyal, and Motley Crue continued to push the boundaries of what was considered acceptable in the music industry.

In the early 1990s, Motley Crue's popularity began to wane, as the rise of grunge and alternative rock led to a shift in musical tastes. The band experienced several lineup changes and took a hiatus from recording and touring. However, they continued to maintain a dedicated fan base, and in 2004, they reunited for a highly successful tour. They released a new album, "Saints of Los Angeles," in 2008, which was well-received by fans and critics.

Motley Crue officially retired from touring in 2015, after a highly successful "Final Tour" that spanned several years and took them to all corners of the globe. The band's legacy, however, continues to live on, with their music still being played on the radio and streamed online, and their influence being felt in the music of countless artists who have followed in their footsteps.