- Canadian Pressing in Gatefold album cover
"Shout at the Devil" is the second album by glam metal band Mötley Crüe, released on 26 September 1983. The record, along with its predecessor Too Fast for Love, is regarded as one of the most influential of its genre. "Looks that Kill" and " Too Young to Fall in Love" became huge hits and "Shout at the Devil" became very popular as well. Shout is a textbook example of Heavy metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair, makeup, and tough, violent imagery contributed greatly to the visual aspects of glam metal.
Album Description:
The 1983 album "Shout at the Devil" by Mötley Crüe is a significant release in the history of the band and the glam metal genre. While I can provide information about the album itself, the specifics of the gatefold 12" vinyl LP release may vary. Nonetheless, I'll give you an overview of the album and its impact. "Shout at the Devil" was Mötley Crüe's second studio album, following their debut release, "Too Fast for Love". It was released on 26 September 26 1983, and marked a crucial turning point for the band, solidifying their image and sound. The album was produced by Tom Werman and recorded at Cherokee Studios in Los Angeles. The music on "Shout at the Devil" is characterized by its heavy guitar riffs, aggressive drumming, catchy melodies, and lyrics that blend elements of rebellion, decadence, and a touch of occult imagery. It features songs that have become Mötley Crüe classics, including the title track "Shout at the Devil", "Looks That Kill", and "Too Young to Fall in Love". The gatefold 12" vinyl LP format typically includes a larger sleeve with an extended fold-out design, allowing for more artwork, photos, or additional information. The specific details of the "Shout at the Devil" gatefold 12" vinyl LP release may vary depending on the edition and region, as there have been multiple releases of the album over the years. On the inside of the gatefold album cover, Mötley Crüe members Vince Neil, Nikki Sixx, Tommy Lee, and Mick Mars are portrayed with their distinctive glam metal look, sporting leather and spikes. The cover artwork depicts them as rebellious figures against a backdrop of flames and pentagrams, reflecting the album's dark themes. "Shout at the Devil" was a commercial success, eventually reaching quadruple platinum status in the United States. It played a significant role in establishing Mötley Crüe as one of the leading bands of the glam metal movement, and the album's impact helped pave the way for their subsequent success and influence in the 1980s. |
Music Genre: Glam Heavy Metal |
Album Production Information: The album: "MÖTLEY CRÜE - Shout at the Devil" was produced by: Tom Werman for for Julia's Music Inc Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken , a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe . He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent , producing his album "Penetrator" (1984), and Twisted Sister , producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.
Sound/Recording Engineer(s): Geoff Workman This album was recorded at: Cherokee Studios, Hollywood, California |
Record Label & Catalognr: Red and Black Coloured Elektra 96 02891 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 460 gram |
Year & Country: 1983 Made in Canada |
Band Members and Musicians on: Motley Crue - Shout at the Devil |
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Complete Track Listing of: "Motley Crue - Shout at the Devil" |
The Songs/tracks on "Motley Crue - Shout at the Devil" are
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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Record Label Details: © Copyright ℗ Sound Copyright
Dr. Feelgood which is the fifth album by the American glam metal band Mötley Crüe, released on September 1, 1989. This is the last album to feature Vince Neil until his return for their 1997 album Generation Swine.
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Girls, Girls, Girls (European Release) Girls, Girls, Girls (Italian Release) Girls, Girls, Girls (USA Release)Shout is a textbook example of glam metal as it existed in the 80s. Song topics included sex, violence, drugs, and youthful rebellion. In addition, the visual influence of the band in this era was palpable as their massive hair
- Shout at the Devil (1983, Canada) - Shout at the Devil (1983, Germany)"Theatre of Pain" is the third album by the glm metal band Mötley Crüe, released on June 21, 1985. Released in the aftermath of singer Vince Neil's arrest for manslaughter on a drunk driving charge
- Theatre of Pain (1985, Canada) - Theatre of Pain (1985, Germany) - Theatre of Pain ( 1988 USA )"Too Fast For Love" which is the debut record of American heavy metal band Mötley Crüe; originally 900 copies were released in November 1981 on the band's Leathür Records label. Elektra Records signed the band the following year, at which point the album was remixed and partially re-recorded.
- Too Fast For Love (No Title, 1982, Germany) - Too Fast for Love (Orange Label, 1982, Germany) - Too Fast For Love (1982, Italy)