- USA Release on Metal Blade Records with Bloody Axe Logo
Slayer - Haunting Of The Chapel
Slayer’s "Haunting the Chapel" isn’t just an EP — it’s a battle cry, a declaration that thrash was about to get nastier, faster, and more brutal than ever. Released in 1984, this unholy trinity of sonic violence—"Chemical Warfare," "Captor of Sin," and the title track—shows Slayer sharpening their sound into a razor-edged assault. The riffs are molten, Lombardo’s drums hit like war cannons, and Araya’s screams summon something primal. This wasn’t just a step toward greatness—it was a blood-splattered leap into metal history, a gateway into the chaos that would define their reign.
Album Summary: Haunting the Chapel "Haunting the Chapel" is an EP released by the thrash metal band Slayer in 1984 through Metal Blade and Enigma Records. Slayer's debut album "Show No Mercy" became Metal Blade's highest selling, leading to producer Brian Slagel wanting to release an EP. Recorded in Hollywood the recording process proved difficult when recording drums in a studio without carpet, although it resulted in drummer Dave Lombardo meeting Gene Hoglan who was to become an influence in his drumming style and speed. However Hoglan said he gave him a bunch of tips and never really gave him lessons, he was influenced by Slayer too.
Although originally featuring three songs, the record evidences a marked evolution from the style of their previous album, Show No Mercy, and is considered the first demonstration of the band's "classic" style displayed on later albums and is often described as a "stepping stone." The songs "Captor of Sin" and "Chemical Warfare" are regularly featured on the band's live set list. "Chemical Warfare" appears in Guitar Hero: Warriors of Rock.
|
Music Genre: Thrash Metal Music |
Collector's info: Rare 12" EP with 3 tracks , Lyrics of all the songs by Slayer are printed on the back of the album cover. |
Album Production: Produced by Brian Slagel. Brian Slagel is a pioneering figure in heavy metal, best known as the founder of Metal Blade Records in 1982. His label launched the careers of legendary bands like Metallica, Slayer, and Mercyful Fate, shaping the genre’s evolution. As a producer, he worked with Flotsam and Jetsam, Exciter, and Trouble, leaving a lasting impact.
Learn more about Brian Slagel.
Sound/Recording engineer: Bill Metoyer, recorded at Track Records Bill Metoyer is a legendary music producer and sound engineer known for shaping the sound of heavy metal. As Vice President and in-house engineer at Metal Blade Records in the 1980s, he worked with iconic bands like Slayer, Armored Saint, and Flotsam and Jetsam. His expertise in capturing metal’s raw intensity has left a lasting impact on the genre.
Learn more on his biography page.
|
Record Label: Metal Blade Records MBR 1024 / 71083 , Marketed by Restless Records |
Record Media Format 12" Vinyl EP Record |
Year & Country: 1984 Made in USA |
Band Members and Musicians on: Slayer Haunting of the Chapel |
|
Complete Track Listing of: Slayer Haunting of the Chapel |
|
The album cover of Slayer's "Haunting the Chapel" is visually striking and embodies the dark, aggressive aesthetic of early thrash metal. The background is a deep, solid black, making the central design elements stand out starkly.
At the top, the album title, "Haunting the Chapel," is written in a jagged, dripping red font, evoking the imagery of blood splattered across the cover. The letters have an irregular, rough-edged appearance, intensifying the sinister tone.
The centerpiece of the cover is a white circular emblem with a large inverted pentagram at its core. The pentagram is outlined in red, reinforcing the album's ominous theme. The band's name, "Slayer," is emblazoned across the pentagram in an aggressive, angular font that appears almost slashed into place, giving it a raw, unrefined energy.
Behind the emblem, four swords cross at sharp angles, their handles adorned with ornate crosses, creating a striking contrast between religious symbolism and the band's rebellious imagery. Blood drips from the tips of the swords and the lower parts of the pentagram, adding to the violent and chaotic aesthetic.
At the bottom, a single sword is positioned horizontally, its blade resting in a small pool of blood, visually reinforcing the album’s aggressive and macabre themes.
This cover art perfectly encapsulates Slayer's early thrash metal ethos—unapologetically dark, chaotic, and dripping with intensity.
This image shows a close-up of the Side One label of Slayer’s "Haunting the Chapel" vinyl record, released by Metal Blade Records. The label has a cream-colored background with black text and features Metal Blade Records' iconic logo at the top.
The logo consists of a stylized battle axe with a wrapped handle, partially embedded in a circular saw blade. The lower half of the blade is blood red, and several droplets of blood drip downward, reinforcing the label’s aggressive, heavy metal aesthetic. The name "Metal Blade Records" is printed in bold, capitalized, black letters just below the logo.
The border of the label is adorned with a continuous chain-link pattern, encircling the entire design. This adds to the industrial and hardcore feel of the presentation.
The label provides key information about the record. On the left side, the text "SIDE ONE" is displayed, followed by "33⅓ RPM," indicating the playback speed. On the right side, the catalog number "MBR 1024 / 71083" is printed.
Centered on the label is the band's name, "Slayer," in bold uppercase letters, followed by the EP title, "'Haunting the Chapel'," enclosed in quotation marks. Below, the track listing for Side One is displayed, featuring "1. Chemical Warfare – 6:01," with songwriting credits given to "(Hanneman/King)."
At the bottom, the publishing information states that the song is published by Bloody Skull Music, Amgine Music, and Bug Music (BMI), with administration handled by Bug Music. Finally, the label includes the copyright notice "© 1984 Metal Blade Records."
The record's center hole is visible in the middle of the label, surrounded by a subtle indentation, emphasizing its placement on the vinyl disc.
This label design captures the raw and aggressive essence of Slayer’s early years, perfectly complementing the band’s intense, high-speed thrash metal sound.
"Black Serenade" is not an official Slayer album. Released in Germany, it compiles various bonus tracks and B-sides, likely sourced from singles and EPs. While the vinyl itself might be a collector's item
Black Serenade 12" Vinyl LPSlayer’s Christ Illusion (2006) marked the return of drummer Dave Lombardo and showcased the band’s aggressive thrash sound. Featuring Grammy-winning tracks ‘Eyes of the Insane’ and ‘Final Six,’ the album’s controversial Larry Carroll artwork and themes of war and religion cement it as a standout in Slayer’s legendary discography.
Christ Illusion 12" Vinyl LPOne of the standout features on "Diabolus in Musica" is the songwriting contributions of guitarist Jeff Hanneman. Known for his powerful riffs and dark lyrical themes, Hanneman's influence is palpable throughout the record.
Diabolus in Musica 12" Vinyl LP"Eyes of the Insane" is the 2006 single by Slayer, taken from their 2006 album Christ Illusion. The lyrics explore an American soldier's mental anguish following his return home from the second Gulf War
Eyes of the insane (Red Vinyl) 7" Vinyl SingleThe album opens with the track "Darkness of Christ," which features a sample from a speech by actress Gina Gershon in the film "Bound." This sample sets the stage for the rest of the album, as it is a chilling and ominous
God Hates Us All 12" Vinyl LPSlayer's 1984 EP "Haunting the Chapel" showcased their evolving thrash metal sound. Despite sharing the same haunting cover as the US release, the Canadian Banzai 12" Vinyl LP edition holds collector's appeal
SLAYER - Haunting the Chapel (1984, Canada) SLAYER - Haunting the Chapel (1984, USA)Released in 1985, "Hell Awaits" was the sophomore album from Slayer, following their debut opus, "Show No Mercy." It marked a significant evolution in their sound, as they delved deeper into the dark and macabre territories
Hell Awaits 12" Vinyl LPSlayer's "Live in Montreux - 2002" captures their fiery 2002 performance at the Swiss Jazz Festival. This double LP unleashes thrash anthems like "Raining Blood" and "Angel of Death" on hot wax,
Live in Montreux 2002 12" Vinyl 2LPThis reissue includes the bone-crushing bonus track "Chemical Warfare," a studio scorcher that complements the raw energy of the live recordings.
SLAYER - Live Undead ( Record Label with Blood Dripping AXE ) SLAYER - Live Undead (Record Label with Red Guitar)Calling all thrash maniacs and Slayer disciples! A sonic assault from the band's early days is back for a limited pressing on stunning blue vinyl. "Live Undead / Haunting the Chapel" combines the raw energy of Slayer's
Live Undead / Haunting the Chapel Ltd Ed Blue 12" Vinyl LPSlayer’s Reign in Blood (1986) is a thrash metal masterpiece renowned for its relentless speed and aggression. Featuring iconic tracks like ‘Angel of Death’ and ‘Raining Blood,’ the album set a new standard for the genre. Its dark themes and technical brilliance earned critical acclaim, making it a landmark release in heavy metal history and a pivotal influence on countless bands.
Reign in Blood 12" Vinyl LPThis album Seasons in the Abyss is the fifth studio album by American thrash metal band Slayer. It was released on 9 October 1990, through Def American Records, and later through American Recordings
Seasons in the Abyss 12" Vinyl LP"Show No Mercy" Three different versions of coloured vinyl, originally released in December 1983. Brian Slagel signed the band to Metal Blade after watching the band perform the song "Phantom of the Opera" by Iron Maiden.
SLAYER - Show No Mercy (Black Vinyl, Netherlands) SLAYER - Show No Mercy (Grey Vinyl, UK SLAYER - Show No Mercy (White Vinyl, UK)Slayer’s South of Heaven (1988) marks a turning point in their discography, introducing a slower, more atmospheric approach while retaining their trademark aggression. The album showcases tracks like ‘Mandatory Suicide’ and the title track, which became live staples. This release pushed the boundaries of thrash metal, cementing Slayer’s reputation as one of the genre’s most innovative and influential bands.
South of Heaven 12" Vinyl LP