"Warm Leatherette" is the fourth studio album by Grace Jones, released in 1980 by Island Records. The album features contributions from the reggae production duo Sly and Robbie and is a departure from Jones' earlier disco sound, moving towards a new wave-reggae direction. ti
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Music Genre: |
Pop, Alternative |
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Album Production Information: |
The album: "GRACE JONES - Warm Leatherette" was produced by: Chris Blackwell, Alex Sadkin Sound/Recording Engineer(s): Alex Sadkin, Kendell Stubbs, Harold Dorsett This album was recorded at: Compass Point Studios, Nassau , Bahamas Album cover photography: Jean Paul Goude |
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Record Label Information: |
Island Records 202 163 |
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Media Format: |
12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
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Year & Country: |
Made in Germany |
Personnel/Band Members and Musicians on: GRACE JONES - Warm Leatherette |
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Complete Track-listing of the album "GRACE JONES - Warm Leatherette" |
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The detailed tracklist of this record "GRACE JONES - Warm Leatherette" is:
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High Quality Photo of Album Front Cover "GRACE JONES - Warm Leatherette" |
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Album Back Cover Photo of "GRACE JONES - Warm Leatherette" |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Grace Jones a Jamaican-American icon known for her unique voice, striking looks, and fearless attitude. She has been a trailblazer in the entertainment industry for over four decades, inspiring generations of artists and pushing the boundaries of what it means to be a performer.
Early Life and Career:
Born in Spanish Town, Jamaica, on May 19, 1948, Grace Beverly Jones was raised in a strict Pentecostal family. She moved to New York City in her late teens to pursue a modeling career and quickly became a muse for some of the world's top fashion designers. However, it was her passion for music that ultimately led her to the stage.
Jones' music career began in the late 1970s, during the height of the disco era. Her debut album, "Portfolio," was released in 1977 and became a commercial success, with its lead single "La Vie en Rose" reaching number one on the US Dance Club Songs chart. Her next album, "Fame," released in 1978, included the hit single "Do or Die" and solidified her status as a rising star.
Artistry and Style:
Grace Jones' music is a fusion of different genres, including disco, reggae, and new wave. Her powerful, androgynous voice and unapologetic lyrics challenged societal norms and encouraged listeners to be themselves. Her unique style, a mix of high fashion and avant-garde art, made her stand out in an industry dominated by conventionally attractive female performers.
Jones' live shows were equally memorable, with her daring costumes, acrobatic stunts, and bold choreography. Her performances often had a theatrical quality, blurring the lines between music and performance art.
Later Career and Legacy:
Jones continued to release music throughout the 1980s and 1990s, with albums like "Nightclubbing," "Slave to the Rhythm," and "Bulletproof Heart" showcasing her versatility as an artist. She also appeared in several films, including the James Bond movie "A View to a Kill" and the Eddie Murphy comedy "Boomerang."
In recent years, Grace Jones has been celebrated for her contributions to music and fashion. She has been honored with numerous awards, including a Q Icon Award and a Lifetime Achievement Award from the Dance Music Hall of Fame. She has also been the subject of several documentaries, including "Grace Jones: Bloodlight and Bami," which was released in 2017.
Grace Jones' impact on popular culture is undeniable. She has inspired countless artists, from Lady Gaga to Rihanna, with her fearlessness and originality. Her music, fashion, and attitude have challenged stereotypes and encouraged self-expression, making her an enduring symbol of individuality and creativity.
Personal Life:
Grace Jones was in a long-term relationship with Swedish actor and martial artist Dolph Lundgren during the 1980s. The couple met in 1983 while filming the James Bond movie "A View to a Kill," in which Jones played the villain May Day and Lundgren was a henchman.
Jones and Lundgren's relationship was highly publicized at the time, and the couple appeared together in several movies, including "Rocky IV." However, the relationship was reportedly tumultuous and ended in the late 1980s.
Jones has been married once, to her music producer Atila Altaunbay in 1996, but the couple later divorced. She has one son, Paulo Goude, from her previous relationship with French graphic designer Jean-Paul Goude.
Atila Altaunbay is a Turkish-Belgian bodyguard who was married to singer Grace Jones from 1996 to 2004. They met in Belgium in 1995, when he was working as a bodyguard for her then-boyfriend, Dolph Lundgren. Jones was 48 years old at the time, and Altaunbay was 20. They married in Rio de Janeiro in 1996, but separated in 2004. They are still legally married, but have not lived together for many years.
Altaunbay was born in Turkey in 1976. He moved to Belgium with his family when he was young. He received training in CPR and singing, as well as bodyguarding. He first met Grace Jones in Belgium in 1995, when he was working as a bodyguard for her then-boyfriend, Dolph Lundgren. Jones was 48 years old at the time, and Altaunbay was 20. They married in Rio de Janeiro in 1996, but separated in 2004. They are still legally married, but have not lived together for many years.
Altaunbay has not had a high-profile career outside of his marriage to Jones. He has worked as a bodyguard for other celebrities, including Madonna and Naomi Campbell. He is also a trained singer and CPR instructor.
In addition to his work as a bodyguard, Altaunbay is also a talented singer. He has released several albums, and has toured with Jones and other artists. He is also a certified CPR instructor, and has taught classes to celebrities and civilians alike.
Altaunbay is a private person who prefers to stay out of the spotlight. However, he has spoken about his relationship with Jones in a few interviews. He has said that they were very different people, but that they had a strong connection. He has also said that he respects Jones's privacy, and that he is grateful for the time they spent together.
Despite their separation, Altaunbay and Jones remain friends. They have been seen together on several occasions, and they have even collaborated on music projects. Altaunbay is a devoted father to his two children, and he is currently working on a new album. He is also a successful businessman, and he owns several companies.
Atila Altaunbay is a complex and fascinating individual. He is a talented singer, a skilled bodyguard, and a loving father. He is also a private person who prefers to stay out of the spotlight. However, he is not afraid to share his story, and he is grateful for the opportunities that life has given him.
Pop Music
"Inside Story" is Grace Jones's eighth studio album, released in 1986, and her first with the Manhattan Records label.
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1980s Pop Music
"Island Life" is a compilation album by Grace Jones released in December 1985, summing up the first nine years of her musical career. The album sits among Jones' best-selling works.
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MusicGenre
"Living My Life" is the sixth studio album by Grace Jones, released in 1982. It was the last of three albums she recorded at the Compass Point Studios in the Bahamas.
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1980s Pop Music
Nightclubbing is the fifth studio album by Grace Jones, released in 1981. It was the second album of her Compass Point trilogy, and has become her best-selling studio release.
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1980s Pop Music
"Slave to the Rhythm" is the seventh studio album by Grace Jones, released on 28 October 1985 by Island Records. The concept album, produced by Trevor Horn, went on to become one of Jones' greatest album triumphs commercially and spawned her biggest hit, "Slave to the Rhythm".
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1980s Pop Music
"Warm Leatherette" is the fourth studio album by Grace Jones, released in 1980 by Island Records. The album features contributions from the reggae production duo Sly and Robbie and is a departure from Jones' earlier disco sound, moving towards a new wave-reggae direction.
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