GRACE JONES INSIDE STORY 12" Vinyl LP Album

- A polished 1986 New York pop rock reinvention

Released in 1986, “Inside Story” marked Grace Jones’s debut on Manhattan Records and a bold step into polished pop-rock territory. Co-produced with Nile Rodgers, the album fused sleek synths, sharp lyrics, and Jones’s commanding vocals into a stylistic reinvention that balanced commercial appeal with her avant-garde edge.

Grace Jones: Inside Story Album Description:

Inside Story lands in 1986, the neon hour when drum machines ruled radio, downtown art rubbed shoulders with glossy pop, and the New York club circuit still smelled of spray paint and perfume. Grace Jones steps out of the shadows of avant‑disco with a cool stare and a sharper sound, bending pop to her will rather than the other way around.

Historical Context

The mid‑eighties asked for precision: digital tape, gated drums, and hooks engineered for FM and MTV. Jones answers with a record that keeps her theatrical bite but speaks the lingua franca of the era—tight rhythms, bright keyboards, and lyrics that crane their neck toward the city’s high‑rise ambitions.

Production as Performance: Nile Rodgers

Nile Rodgers doesn’t merely produce; he frames the portrait. His signature right‑hand guitar flickers in negative space, carving syncopations that let Jones deliver lines with icicle clarity. Rodgers streamlines the architecture—verse, hook, release—while leaving room for Jones’s sly phrasing and cool danger. Where earlier records courted dubby abstraction, this one walks a catwalk of glass and chrome.

Skyline Studios, New York

Tracked and mixed at Skyline Studios, the album leans into then‑modern digital workflow—razor‑edged edits, lucid reverb tails, and sequenced parts that lock like subway doors. The room’s reputation for clean capture and surgical punch is all over the multitracks: bass lines arrive with commuter precision, while programmed percussion snaps like a turnstile.

Greg Calbi’s Sonic Signature

Mastering engineer Greg Calbi gives the record its final silhouette. The top end is opened just enough for cymbal air and vocal sibilance to shimmer without sting; the low end sits like poured concrete. Stereo imaging is purposeful—voices up front, rhythm section centered, guitars and keys placed like light sources in a gallery. The result is a record that sounds loud before you even turn it up.

Musical Exploration

Jones sketches city life in sharp lines: swaggering funk, sleek pop, and sly jazz voicings slip past each other in revolving doors. Horn charts punch through synth glass; sax and flute trace graffiti across the digital grid. The writing toggles between pointed confession and social side‑eye, her voice alternating velvet and blade. Even at its glossiest, the album keeps the tension that makes Jones compelling—beauty held at arm’s length.

Reception and Friction

Some critics embraced the aerodynamic polish; others missed the vapor‑trail mystique of her earlier, more abstract work. That debate—commercial sheen versus art‑house menace—is the album’s built‑in controversy, a creative tug‑of‑war that Jones is happy to stage in public. The singles were club‑ready, but the deeper cuts kept their teeth.

Influence and After‑images

While Jones’s legacy sprawls across eras, this record’s particular alloy—art‑pop attitude fused to precision funk—left footprints. Late‑eighties and early‑nineties acts chasing urbane groove and fashion‑literate pop borrowed its geometry: clipped guitars, disciplined rhythm sections, and vocals that pose and pounce. You can hear echoes in sophisti‑pop, downtown crossover projects, and the sleek dance records that prized persona as much as pulse.

Why It Endures

Inside Story captures a singular artist using the mainstream as a mirror and a weapon. With Rodgers tightening the lines, Skyline giving the canvas its clean edge, and Calbi etching the final contrast, Jones delivers a record that walks straight into the bright lights and never blinks. It is pop with posture—architectural, glamorous, and unmistakably Grace.

Production & Recording Information:

Music Genre:

80s Female Pop Rock

Label & Catalognr:

Manhattan ZTT EMI Pathe Marconi – 2406431 (DMM)

Media Format:

12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram

Year & Country:

1986 – Made in France

Producers:
  • Nile Rodgers – Producer
  • Grace Jones – Producer
Sound & Recording Engineers:
  • James Farber – Recording & Mixing Engineer
  • Scott Ansell – Second Engineer
  • Knut Bohn – Second Engineer
  • Barry Diament – Digital Editing at Atlantic Studios, New York
  • Kevin Jones – Digital interfacing, sequencing & drum programming on Synclavier II System
  • Budd Tunick – Production Manager
  • All PCM digital recording equipment by Sony
Recording Location:

Skyline Studios – New York

Mastering Engineer & Location:
  • Greg Calbi – Mastering at Sterling Sound, New York
Album Cover Design & Artwork:
  • Richard Bernstein – Computer image / Album cover art
  • Napoleon Video Graphics – Graphics production
Additional Credits & Thanks:
  • P.Y. Jones – Being There
  • Bruce Garfield – Made It Happen
  • Special Thanks – Neil Hirsch; The Factory (Twickenham, England); RK Studios (Myron Young – Engineer); Bob Caviano; Michael Tannen & Assoc.; Keith Haring; David Spada/Jerelay; Daniela Morera

Band Members / Musicians:

Band Members, Musicians:
  • Lenny Pickett – Tenor Sax
  • Stan Harrison – Alto Sax
  • Steve Elson – Baritone Sax & Flute
  • Mac Gollehon – Trumpet, Flugelhorn, Double Bell Euphonium

Complete Track-listing:

Tracklisting Side One:
  1. I'm not Perfect (but Perfect for You)
  2. Hollywood Liar
  3. Chan Hitchhikes to Shanghai
  4. Victor Should Have been a Jazz Musician
  5. Party Girl
Tracklisting Side Two:
  1. Caugh
  2. Barefoot in Beverly Hills
  3. Scary but Fun
  4. White Collar Crime
  5. Inside Story
Album Front Cover Photo
High-resolution, straight-on photograph of the front cover of the vinyl LP album 'GRACE JONES - Inside Story'. The cover features Grace Jones in a tightly cropped portrait, her face dominating the frame with a confident, direct gaze. She is posed against a plain, softly lit background, allowing her angular features and intense expression to stand out. Her short hair is styled closely to the head, accentuating the sculptural quality of her face. The lighting creates soft highlights and shadows, emphasizing the contours of her cheekbones, nose, and jawline. She wears a simple yet striking top, visible only partially, with clean lines that match the minimalistic composition. The album title and artist name appear in bold, modern type, positioned for visual balance without distracting from her image. The overall color palette is muted yet warm, drawing attention to her skin tone and the subtle gradations in the background, giving the cover a timeless and elegant presence.

This high-resolution photograph captures the front cover of the vinyl LP album GRACE JONES - Inside Story in sharp, vivid detail.

The composition is dominated by a close-up portrait of Grace Jones, her direct gaze commanding immediate attention. The background is plain and softly lit, focusing the viewer entirely on her face and expression. Her short, closely styled hair accentuates her bone structure, while soft lighting creates natural highlights and shadows that define her cheekbones, nose, and jawline.

The visible portion of her attire is sleek and minimal, aligning with the album’s refined visual style. The album title and artist name are rendered in bold, contemporary typography, carefully positioned to complement rather than overpower the portrait. The muted yet warm color palette emphasizes her skin tone and the subtle gradations in the background, giving the design a timeless, sophisticated appeal.

Album Back Cover Photo
High-resolution, full view of the back cover of the vinyl LP album 'GRACE JONES - Inside Story'. The design features a minimalist black background with the track listings for both sides printed in a monospaced, pixel-style yellow font aligned along the upper left portion. 'Side 1' appears at the top in yellow, listing five tracks: 'I'm Not Perfect (But I'm Perfect for You)', 'Hollywood Liar', 'Chan Hitchhikes to Shanghai', 'Victor Should Have Been a Jazz Musician', and 'Party Girl'. Below, 'Side 2' is labeled in light blue, followed by another five tracks: 'Crush', 'Barefoot in Beverly Hills', 'Scary but Fun', 'White Collar Crime', and 'Inside Story'. At the bottom left, in yellow text, is 'Cover art by Richard Bernstein', and in magenta text, 'Produced by Nile Rodgers with Grace Jones'. In the bottom right corner is a small block of legal and copyright information in tiny white print, along with logos, codes, and a yellow 'DMM' mark. In the upper right corner is a barcode with catalog numbers and distribution details printed above and beside it.

This high-resolution image shows the back cover of the vinyl LP album GRACE JONES - Inside Story, designed with a stark, minimalist aesthetic.

The background is entirely black, drawing focus to the block of text positioned on the upper left. Side 1 is printed in yellow monospaced font, listing five songs: "I'm Not Perfect (But I'm Perfect for You)", "Hollywood Liar", "Chan Hitchhikes to Shanghai", "Victor Should Have Been a Jazz Musician", and "Party Girl".

Below, Side 2 is printed in light blue, followed by five tracks: "Crush", "Barefoot in Beverly Hills", "Scary but Fun", "White Collar Crime", and "Inside Story". Near the bottom left, "Cover art by Richard Bernstein" is printed in yellow, and "Produced by Nile Rodgers with Grace Jones" appears in magenta.

In the upper right corner is a barcode, with catalog numbers and distribution codes printed nearby. The bottom right features compact legal text, multiple logos, catalog references, and a small yellow "DMM" symbol, completing the clean yet highly functional design.

First Photo of Custom Inner Sleeve
High-resolution, vividly colored artwork from the custom inner sleeve of the vinyl LP album 'GRACE JONES - Inside Story'. The composition features a large, neon green wireframe outline of a human head in profile, facing right, dominating the left side of the image. Overlaying the lower part of the head is a bright yellow map of Jamaica with key locations labeled in contrasting yellow and pink text, including Kingston, Spanish Town, Port Antonio, and St. Ann’s Bay. A white space shuttle with realistic detailing and a faint blue cockpit reflection arcs diagonally across the scene from bottom left to top right, leaving behind a trail of red-orange and blue lines, as though in orbital motion. On the right side, a magenta and purple mechanical figure with abstract, skeletal, and gear-like shapes appears intertwined with more intricate, surreal patterns. The black background enhances the intensity of the fluorescent palette, giving the piece a striking, futuristic, and surreal visual impact.

This high-resolution image captures the vividly designed custom inner sleeve artwork from GRACE JONES - Inside Story.

At the center-left, a bright neon green wireframe head profile, facing right, dominates the composition. Superimposed across its lower area is a vibrant yellow map of Jamaica, with notable locations such as Kingston, Spanish Town, Port Antonio, and St. Ann’s Bay labeled in bold yellow and pink text.

A detailed white space shuttle, accented with subtle cockpit reflections, sweeps diagonally across the design from lower left to upper right. Its trajectory is marked by streaking red-orange and blue arcs, adding dynamic motion. On the right, a surreal magenta and purple mechanical figure, composed of skeletal and gear-like forms, blends into abstract patterns. The black backdrop intensifies the fluorescent colors, producing a futuristic and surreal visual style.

Second Photo of Custom Inner Sleeve
High-resolution close-up of the second custom inner sleeve for the vinyl LP album 'GRACE JONES - Inside Story'. The black background is filled with organized columns of production credits, song titles, and musician listings in brightly contrasting neon yellow, cyan blue, and pink text. On the left column, detailed album production notes list producers, recording and mixing engineers, mastering credits, second engineers, studio locations, editing, and special thanks. The central column begins with the track 'I'm Not Perfect (But I'm Perfect for You)' followed by other songs from Side 1, each title in bold neon yellow capital letters with performance credits in cyan blue beneath. The right column contains Side 2 track titles in the same neon yellow and credit layout, concluding with the song 'Inside Story'. The clean alignment and vivid typography on the dark background create a sharp, high-contrast, and modern visual aesthetic.

This high-resolution image shows the second custom inner sleeve from GRACE JONES - Inside Story.

The layout features three neatly aligned vertical columns against a deep black backdrop. The left column lists production credits in cyan blue text, naming producers Nile Rodgers and Grace Jones, engineers, mastering personnel, recording studios, and special thanks. The center column presents Side 1 song titles such as I'm Not Perfect (But I'm Perfect for You), Hollywood Liar, and Party Girl, each in bold neon yellow capitals with musician credits in cyan blue below. The right column contains Side 2 tracks including Crush, Barefoot in Beverly Hills, and Inside Story, formatted in the same style. A few credits appear in pink, drawing attention to specific contributions. The contrast between the vivid neon typography and the dark background gives the design a sleek, modern feel.

Photo of Album's Record Label
High-resolution close-up of the Side 1 record label of the vinyl LP album 'GRACE JONES - Inside Story'. The label features a clean white background with a distinctive geometric border design composed of red, yellow, and blue squares and rectangles arranged in a grid-like pattern along the top left, right, and bottom edges. On the left side, the 'MANHATTAN' logo appears vertically in black capital letters on alternating yellow squares. Text on the label is printed in black and includes the artist name 'GRACE JONES' and the album title 'INSIDE STORY' in large bold uppercase letters centered at the top. Below, the EMI Pathé Marconi S.A. logo, DMM mark, and SACEM rights logos are displayed alongside the catalog number '2406431', the side designation '1', and stereo notation. The tracklist for Side 1 is arranged in two columns, with song titles in bold uppercase followed by timing in parentheses and songwriter credits. The bottom portion lists music publishers, rights societies, and production credits, naming Nile Rodgers and Grace Jones as producers. The spindle hole is centered, cutting through part of the geometric border. The overall design is striking, combining modern graphic elements with clear, functional typography.

This high-resolution image shows the Side 1 record label of the vinyl LP GRACE JONES - Inside Story.

The white label is framed by a colorful geometric border of red, yellow, and blue squares and rectangles. The MANHATTAN logo appears vertically on the left, with black capital letters set in yellow squares. The top center features the artist’s name and album title in bold black uppercase text. On the right are logos for EMI Pathé Marconi S.A., DMM, SACEM, and the catalog number 2406431, alongside the side designation 1 and stereo notation. The song list for Side 1 includes I’m Not Perfect (But I’m Perfect for You), Hollywood Liar, Chan Hitchhikes to Shanghai, Victor Should Have Been a Jazz Musician, and Party Girl, with durations and songwriter credits beneath. Music publishing and rights details are printed near the bottom, followed by production credits naming Nile Rodgers and Grace Jones. The spindle hole is precisely centered within the label’s design.

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