PINK FLOYD - Relics 12" Vinyl LP Album

- Release from the Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

Album Front Cover Photo of PINK FLOYD - Relics Netherlands

PINK FLOYD - Relics Netherlands Essential Information

"Relics" Album Description:

Pink Floyd, an iconic band in the realm of progressive and psychedelic rock, left an indelible mark with their 1971 compilation album, "Relics." This article delves into the fascinating history of the creation of the album and its unique journey as a 12" vinyl LP in the Netherlands.

The Genesis of "Relics":

"Relics" emerged as a collection of Pink Floyd's early singles, B-sides, and unreleased tracks, providing fans with a captivating glimpse into the band's experimental evolution. Released in May 1971, the album showcased the band's musical prowess and innovation, becoming a must-have for enthusiasts.

The Dutch Connection:

The Netherlands played a distinctive role in the vinyl legacy of "Relics." The 12" LP format was a significant departure from the standard releases, catering to audiophiles who sought a richer, more immersive sonic experience. This format, adorned with unique cover art, captured the essence of Pink Floyd's avant-garde spirit.

Making of the Album:

The album's tracks were carefully curated, featuring classics like "Arnold Layne" and "See Emily Play." The meticulous production, coupled with the band's experimental soundscapes, contributed to the album's timeless allure. Pink Floyd's collaboration with renowned artists, such as drummer Nick Mason and guitarist David Gilmour, solidified "Relics" as a masterpiece.

The Vinyl Experience:

The 12" vinyl LP format in the Netherlands offered a tactile experience for music enthusiasts. With its larger-than-life cover art and the warm, analog sound quality, the Dutch edition of "Relics" became a prized possession among collectors and fans alike.

Music Genre:

Prog, AcidPsych Rock 

Label & Catalognr:

Emidisc – 5C 048-5074

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1971 Made in Netherlands for European distribution

PINK FLOYD - Relics Netherlands Production & Recording Information

Album Packaging

This album includes the original Emidisc Yellow/Orange inner sleeve.

Producers:

Norman Smith - Producer

Explore more about Norman Smith’s groundbreaking work with Pink Floyd by visiting this webpage .

Album Cover Design & Artwork:

Nick Mason - Album Cover Design


Musicians:
  • Dave Gilmour - Guitar, vocals
  • David Gilmour – Guitar, vocals

    David Gilmour is the voice-and-fingers combo I hear whenever Pink Floyd turns from “spacey” into straight-up cinematic: he joined in 1967 and basically helped define what “guitar tone with emotions” even means.

    David Gilmour is, for me, the calm center of Pink Floyd’s storm: an English guitarist, singer, and songwriter whose playing can feel gentle and devastating in the same bar. His earliest band period worth name-dropping is Jokers Wild (1964–1967), before he stepped into Pink Floyd in 1967 as Syd Barrett’s situation unraveled. From there his main performing era is Pink Floyd (1967–1995), including the post-Roger Waters years where the band continued under his leadership and released "A Momentary Lapse of Reason" (1987) and "The Division Bell" (1994), with a later studio coda in "The Endless River" (2014). Outside Floyd, he’s had a long solo run (1978–present) with albums ranging from "David Gilmour" (1978) to "Luck and Strange" (2024), and he even did a sharp side-quest in 1985 with Pete Townshend’s short-lived supergroup Deep End. And for one historic night, the classic lineup reunited at Live 8 in Hyde Park, London on 2 July 2005—one of those “you had to be there (or at least press play)” moments.

  • Nick Mason - Drums, percusssion
  • Nick Mason – Drums, percussion

    Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else.

    Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.

  • Rick Wright - keyboards, vocals
  • Richard Wright – Keyboards, vocals

    Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder.

    Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.

  • Roger Waters - Bass, vocals
  • Roger Waters – Bass, vocals, songwriter

    Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination.

    Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.

  • Syd Barrett - Guitar
  • Syd Barrett – Guitar, vocals, songwriter

    Syd Barrett is the original Pink Floyd spark plug I always think of when the music sounds like it was beamed in from a kinder, stranger universe—he co-founded the band in 1965 and shaped their early psychedelic identity before everything went sideways.

    Syd Barrett (born Roger Keith Barrett) is, to me, the “before” and “after” line in Pink Floyd history: the frontman, guitarist, and main songwriter in the band’s formative years, then the haunting absence everyone kept orbiting. His key band period is Pink Floyd (1965–1968), where his songs and playing defined the early sound and led to the debut album era, before his departure in 1968. After that, he had a short, intense solo period (1968–1974), highlighted by the albums "The Madcap Laughs" (released 1970) and "Barrett" (released 1970), after which he largely withdrew from the music world. It’s a brutally brief career arc for someone so influential, which is exactly why his shadow still feels weirdly present whenever early Floyd comes on.

Tracklisting Side One:
  1. Arnold Layne (Syd Barrett) 2:56
  2. Interstellar Overdrive (Syd Barrett/Roger Waters/Rick Wright/Nick Mason) 9:43
  3. See Emily Play (Syd Barrett) 2:53
  4. Remember a Day (Rick Wright) 4:29
  5. Paint Box (Rick Wright) 3:33
Tracklisting Side Two:
  1. Julia Dream (Roger Waters) 2:37
  2. Careful With That Axe, Eugene (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 7:11
  3. Cirrus Minor (Roger Waters) 5:18
  4. The Nile Song (Roger Waters) 3:25
  5. Biding My Time (Roger Waters) 5:18 (Previously unreleased)
  6. Bike (Syd Barrett) 3:21

High Resolution & Quality Photos PINK FLOYD - Relics Netherlands

Front Cover Photo Of PINK FLOYD - Relics Netherlands
Front Cover Photo Of PINK FLOYD - Relics Netherlands

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover PINK FLOYD - Relics Netherlands
Photo of album back cover PINK FLOYD - Relics Netherlands
Close up of PINK FLOYD - Relics Netherlands record's label
Photo of record label of PINK FLOYD - Relics Netherlands
Photo of Side One PINK FLOYD - Relics Netherlands
Photo of record 1 of PINK FLOYD - Relics Netherlands
Photo of Side Two PINK FLOYD - Relics Netherlands
Photo of record 2   of PINK FLOYD - Relics Netherlands