PINK FLOYD - Relics 12" Vinyl LP Album

- Release from the Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

Album Front Cover Photo of PINK FLOYD - Relics Netherlands

PINK FLOYD - Relics Netherlands Essential Information

"Relics" Album Description:

Pink Floyd, an iconic band in the realm of progressive and psychedelic rock, left an indelible mark with their 1971 compilation album, "Relics." This article delves into the fascinating history of the creation of the album and its unique journey as a 12" vinyl LP in the Netherlands.

The Genesis of "Relics":

"Relics" emerged as a collection of Pink Floyd's early singles, B-sides, and unreleased tracks, providing fans with a captivating glimpse into the band's experimental evolution. Released in May 1971, the album showcased the band's musical prowess and innovation, becoming a must-have for enthusiasts.

The Dutch Connection:

The Netherlands played a distinctive role in the vinyl legacy of "Relics." The 12" LP format was a significant departure from the standard releases, catering to audiophiles who sought a richer, more immersive sonic experience. This format, adorned with unique cover art, captured the essence of Pink Floyd's avant-garde spirit.

Making of the Album:

The album's tracks were carefully curated, featuring classics like "Arnold Layne" and "See Emily Play." The meticulous production, coupled with the band's experimental soundscapes, contributed to the album's timeless allure. Pink Floyd's collaboration with renowned artists, such as drummer Nick Mason and guitarist David Gilmour, solidified "Relics" as a masterpiece.

The Vinyl Experience:

The 12" vinyl LP format in the Netherlands offered a tactile experience for music enthusiasts. With its larger-than-life cover art and the warm, analog sound quality, the Dutch edition of "Relics" became a prized possession among collectors and fans alike.

Music Genre:

Prog, AcidPsych Rock 

Label & Catalognr:

Emidisc – 5C 048-5074

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1971 Made in Netherlands for European distribution

PINK FLOYD - Relics Netherlands Production & Recording Information

Album Packaging

This album includes the original Emidisc Yellow/Orange inner sleeve.

Producers:

Norman Smith - Producer

Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands.

Early Life and Career Beginnings:

Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight.

Collaboration with Pink Floyd:

more...

Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" ( 1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band.

Legacy and Impact:

Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time.

While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers.

Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide.

Album Cover Design & Artwork:

Nick Mason - Album Cover Design


Musicians:
Tracklisting Side One:
  1. Arnold Layne (Syd Barrett) 2:56
  2. Interstellar Overdrive (Syd Barrett/Roger Waters/Rick Wright/Nick Mason) 9:43
  3. See Emily Play (Syd Barrett) 2:53
  4. Remember a Day (Rick Wright) 4:29
  5. Paint Box (Rick Wright) 3:33
Tracklisting Side Two:
  1. Julia Dream (Roger Waters) 2:37
  2. Careful With That Axe, Eugene (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 7:11
  3. Cirrus Minor (Roger Waters) 5:18
  4. The Nile Song (Roger Waters) 3:25
  5. Biding My Time (Roger Waters) 5:18 (Previously unreleased)
  6. Bike (Syd Barrett) 3:21

High Resolution & Quality Photos PINK FLOYD - Relics Netherlands

Front Cover Photo Of PINK FLOYD - Relics Netherlands
Front Cover Photo Of PINK FLOYD - Relics Netherlands

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover PINK FLOYD - Relics Netherlands
Photo of album back cover PINK FLOYD - Relics Netherlands
Close up of PINK FLOYD - Relics Netherlands record's label
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Photo of Side One PINK FLOYD - Relics Netherlands
Photo of record 1 of PINK FLOYD - Relics Netherlands
Photo of Side Two PINK FLOYD - Relics Netherlands
Photo of record 2   of PINK FLOYD - Relics Netherlands