PINK FLOYD - Relics 12" Vinyl LP Album

- UK Starline Records

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

 

High Resolution Photo #1 PINK FLOYD Relics UK Starline

"Relics" Album Description:

In the vibrant musical landscape of the early 1970s, Pink Floyd's "Relics" emerged as a significant compilation album that showcased the band's evolution and contributions during the Syd Barrett era. Released in 1971, this 12" vinyl LP, specifically made for distribution in Germany (Made in EEC), became a noteworthy piece in the band's discography.

Musical Gems from the Syd Barrett Era

"Relics" is perhaps best known for reintroducing Syd Barrett-era hit singles, including the iconic "Arnold Layne" and "See Emily Play." These tracks capture the essence of Pink Floyd's early psychedelic sound, marked by Barrett's unique songwriting and experimental approach to music.

The album doesn't merely rest on the laurels of these well-known hits but goes beyond by incorporating B-sides from other singles. This inclusion allows listeners to delve deeper into the band's catalogue, exploring lesser-known gems that add layers to the overall listening experience.

Unveiling Unheard Treasures

A standout feature of this compilation is the previously-unreleased studio recording of Roger Waters' composition, "Biding My Time." This track had been exclusively performed live as part of "The Man/The Journey" concert sequence, making its studio version a rare and valuable addition to "Relics." The album thus becomes a treasure trove for Pink Floyd enthusiasts, offering a glimpse into a hidden musical dimension.

Behind the Scenes: Producers and Artwork

"Relics" owes its sonic brilliance to the work of producers Joe Boyd and Norman Smith, who skillfully curated the compilation, ensuring a cohesive yet diverse musical journey for the listeners. The album's artwork, designed by Nick Mason, adds visual intrigue, complementing the music with a cover that is both distinctive and evocative.

Identifying the Pressing: A Collector's Guide

For avid collectors and enthusiasts, identifying the specific pressing of "Relics" adds another layer of appreciation. The album with the catalognr 1C 048-50 740, the Emidisc logo on the top right corner, and the unmistakable "MADE IN EEC" inscription on the record's label rim near 8 o'clock is a testament to its authenticity and origin. The Harvest catalognr 1C 048-50 740 further solidifies its place in the Pink Floyd discography.

Vinyl Identification 101: All You Need to Know
To identify this particular pressing:
  • It has the Solid Blue Record Label with Black Letting and "Made in Gt Britain" in the rim-text near 3'o Clock
  • Catalognr: Starline SRS 5071

Music Genre:

 Psych, Acid, Prog, Rock
Album Production:

Produced by Norman Smith, Joe Boyd, Pink Floyd

Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands.

Early Life and Career Beginnings:

Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight.

Collaboration with Pink Floyd:

more...

Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" ( 1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band.

Legacy and Impact:

Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time.

While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers.

Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide.

Artwork: Nick Mason

Record Label: Starline SRS 5071
Media Format: 12" LP Vinyl Gramophone Record 
 Country  Made in Gt Britain (UK)
Photos of the LP's cover: PINK FLOYD Relics UK Starline
Photo of PINK FLOYD Relics UK Starline Album's Front Cover 

High Resolution Photo #1 PINK FLOYD Relics UK Starline

High Resolution Photo #2 PINK FLOYD Relics UK Starline  

Photo of PINK FLOYD Relics UK Starline Record Label 
High Resolution Photo #3 PINK FLOYD Relics UK Starline  
Track Listing of: PINK FLOYD Relics UK Starline
    Tracks on the Relics Album:
Index of PINK FLOYD's Relics Vinyl Album Discography and Album Cover Gallery
PINK FLOYD - Relics (Europe) 12" Vinyl LP
PINK FLOYD - Relics (Europe) album front cover
PINK FLOYD - Relics (Europe) record label

EMI 1A 022-58103  , 1980 , EEC

Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.

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PINK FLOYD - Relics (England) 12" Vinyl LP
PINK FLOYD - Relics (England) album front cover
PINK FLOYD - Relics (England) record label

  Music For Pleasure MFP 50397 , 1971 , England

Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

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PINK FLOYD - Relics (France) 12" Vinyl LP
PINK FLOYD - Relics (France) album front cover
PINK FLOYD - Relics (France) record label

  Emidisc 2C 048-50.740 , 1971 , France

Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.

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PINK FLOYD - Relics (France Export) 12" Vinyl LP
PINK FLOYD - Relics (France Export) album front cover
PINK FLOYD - Relics (France Export) record label

 Emidisc – 1 C 048-50 740 L , 1971 , France Export Edition

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

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PINK FLOYD - Relics (Germany 1st Release) 12" Vinyl LP
PINK FLOYD - Relics (Germany 1st Release) album front cover
PINK FLOYD - Relics (Germany 1st Release) record label

Emidisc 1C 048-50 740 , 1971 , Germany

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

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PINK FLOYD - Relics (EEC Germany) 12" Vinyl LP
PINK FLOYD - Relics (EEC Germany) album front cover
PINK FLOYD - Relics (EEC Germany) record label

 Harvest 1C 048-50 740 , 1971 , EEC Export Edition

Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.

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PINK FLOYD - Relics (Gt Britain) 12" Vinyl LP
PINK FLOYD - Relics (Gt Britain) album front cover
PINK FLOYD - Relics (Gt Britain) record label

Starline SRS 5071 , , Gt Britain

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

Learn more
PINK FLOYD - Relics (Netherlands) 12" Vinyl LP
PINK FLOYD - Relics (Netherlands) album front cover
PINK FLOYD - Relics (Netherlands) record label

Emidisc – 5C 048-5074 , 1971 , Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

Learn more
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