PINK FLOYD - Relics 12" Vinyl LP Album

- Made in England

  Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

 

High Resolution Photo #1 PINK FLOYD Relics UK2

"Relics" Album Description:

In the vibrant tapestry of musical evolution during the late 1960s and early 1970s, Pink Floyd's "Relics" stands out as a testament to the band's creative prowess and the cultural zeitgeist of its time. Released in England, this 12" vinyl LP album has etched its place in history, not only for its musical content but also for the distinctive features that make it a collector's delight.

Time Period's Context:

"Relics" encapsulates the Syd Barrett era of Pink Floyd, a period that laid the groundwork for the band's experimental and psychedelic sound. The album, released in 1971, pays homage to the earlier hits of the band, featuring iconic singles like "Arnold Layne" and "See Emily Play." These tracks serve as a sonic bridge between the band's formative years and the evolving musical landscape of the early '70s.

Moreover, the inclusion of B-sides from other singles adds depth to the album, providing a comprehensive sonic journey through Pink Floyd's earlier discography. Notably, "Biding My Time," a previously unreleased studio recording of a Roger Waters composition, enriches the collection, offering a unique glimpse into the band's creative process.

Production and Identifying Features:

The album's visual identity is as distinctive as its musical content. A keen eye can spot the unique characteristics that define this particular pressing of "Relics." The front cover boasts the album title, "Relics Pink Floyd," in a regal purple color, setting the tone for the artistic experience within. The MFP (Music For Pleasure) logo, located in the top right corner, signals the collaboration that brought this masterpiece to life.

When examining the record itself, the "Music For Pleasure" label with its red and black background serves as a visual cue. The imprint proudly declares "MADE IN ENGLAND" near the top, emphasizing the album's origins and contributing to its collector's appeal.

Catalognr: Music For Pleasure MFP 50397

Album Artwork: Nick Mason

The album's artistic vision is completed by the visually striking cover art designed by Nick Mason, one of the founding members of Pink Floyd. Mason's contribution extends beyond the drum kit, showcasing his artistic prowess and collaborative spirit within the band.

Vinyl Identification 101: All You Need to Know
To identify this particular pressing:
  • This is an English release of "Relics" on the "Music For Pleasure Record Label".
  • The album front cover has the album title "Relics Pink Floyd" printed with a Purple colour.
  • The MFP logo is printed in the top right of the album cover.
  • The "Music For Pleasure" record label is with Red and Black background colours.
  • "MADE IN ENGLAND" printed near the top of the record label.
  • Catalognr: Music For Pleasure MFP 50397

Music Genre:

Acid Psych Prog Rock Music

Album Production Information:

Producers: Joe Boyd, Norman Smith

Explore more about Norman Smith’s groundbreaking work with Pink Floyd by visiting this webpage .

Artwork: Nick Mason

Record Label & Catalognr:

Music For Pleasure MFP 50397

Media Format:

12" Full-Length Vinyl LP  Gramophone Record
Album weight: 230 gram  

Year and Country:

  1970 Made in England
Band Members and Musicians on: PINK FLOYD Relics
    Pink Floyd is
  • Roger Waters - bass, vocals
  • Roger Waters – Bass, vocals, songwriter

    Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination.

    Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.

  • Nick Mason - percusssion
  • Nick Mason – Drums, percussion

    Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else.

    Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.

  • Syd Barrett - Guitar
  • Syd Barrett – Guitar, vocals, songwriter

    Syd Barrett is the original Pink Floyd spark plug I always think of when the music sounds like it was beamed in from a kinder, stranger universe—he co-founded the band in 1965 and shaped their early psychedelic identity before everything went sideways.

    Syd Barrett (born Roger Keith Barrett) is, to me, the “before” and “after” line in Pink Floyd history: the frontman, guitarist, and main songwriter in the band’s formative years, then the haunting absence everyone kept orbiting. His key band period is Pink Floyd (1965–1968), where his songs and playing defined the early sound and led to the debut album era, before his departure in 1968. After that, he had a short, intense solo period (1968–1974), highlighted by the albums "The Madcap Laughs" (released 1970) and "Barrett" (released 1970), after which he largely withdrew from the music world. It’s a brutally brief career arc for someone so influential, which is exactly why his shadow still feels weirdly present whenever early Floyd comes on.

  • Dave Gilmour - Guitar, vocals
  • David Gilmour – Guitar, vocals

    David Gilmour is the voice-and-fingers combo I hear whenever Pink Floyd turns from “spacey” into straight-up cinematic: he joined in 1967 and basically helped define what “guitar tone with emotions” even means.

    David Gilmour is, for me, the calm center of Pink Floyd’s storm: an English guitarist, singer, and songwriter whose playing can feel gentle and devastating in the same bar. His earliest band period worth name-dropping is Jokers Wild (1964–1967), before he stepped into Pink Floyd in 1967 as Syd Barrett’s situation unraveled. From there his main performing era is Pink Floyd (1967–1995), including the post-Roger Waters years where the band continued under his leadership and released "A Momentary Lapse of Reason" (1987) and "The Division Bell" (1994), with a later studio coda in "The Endless River" (2014). Outside Floyd, he’s had a long solo run (1978–present) with albums ranging from "David Gilmour" (1978) to "Luck and Strange" (2024), and he even did a sharp side-quest in 1985 with Pete Townshend’s short-lived supergroup Deep End. And for one historic night, the classic lineup reunited at Live 8 in Hyde Park, London on 2 July 2005—one of those “you had to be there (or at least press play)” moments.

  • Rick Wright - keyboards, vocals
  • Richard Wright – Keyboards, vocals

    Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder.

    Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.

Complete Track Listing of: PINK FLOYD Relics
    Tracks on the Relics Album:
  • Arnold Layne (Syd Barrett) 2:56
  • Interstellar Overdrive (Syd Barrett/Roger Waters/Rick Wright/Nick Mason) 9:43
  • See Emily Play (Syd Barrett) 2:53
  • Remember a Day (Rick Wright) 4:29
  • Paint Box (Rick Wright) 3:33
  • Julia Dream (Roger Waters) 2:37
  • Careful With That Axe, Eugene (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 7:11
  • Cirrus Minor (Roger Waters) 5:18
  • The Nile Song (Roger Waters) 3:25
  • Biding My Time (Roger Waters) 5:18 (Previously unreleased)
  • Bike (Syd Barrett) 3:21
Photo of Pink Floyd Album's Front Cover 
High Resolution Photo #1 PINK FLOYD Relics UK2  
Photo of Pink Floyd Album's Back Cover  
High Resolution Photo #2 PINK FLOYD Relics UK2  
Close-up Photo of Pink Floyd's Record Label 
High Resolution Photo #3 PINK FLOYD Relics UK2  

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Index of PINK FLOYD's Relics Vinyl Album Discography and Album Cover Gallery
PINK FLOYD - Relics (Europe) 12" Vinyl LP
PINK FLOYD - Relics (Europe) album front cover
PINK FLOYD - Relics (Europe) record label

EMI 1A 022-58103  , 1980 , EEC

Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.

Learn more
PINK FLOYD - Relics (England) 12" Vinyl LP
PINK FLOYD - Relics (England) album front cover
PINK FLOYD - Relics (England) record label

  Music For Pleasure MFP 50397 , 1971 , England

Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

Learn more
PINK FLOYD - Relics (France) 12" Vinyl LP
PINK FLOYD - Relics (France) album front cover
PINK FLOYD - Relics (France) record label

  Emidisc 2C 048-50.740 , 1971 , France

Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.

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PINK FLOYD - Relics (France Export) 12" Vinyl LP
PINK FLOYD - Relics (France Export) album front cover
PINK FLOYD - Relics (France Export) record label

 Emidisc – 1 C 048-50 740 L , 1971 , France Export Edition

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

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PINK FLOYD - Relics (Germany 1st Release) 12" Vinyl LP
PINK FLOYD - Relics (Germany 1st Release) album front cover
PINK FLOYD - Relics (Germany 1st Release) record label

Emidisc 1C 048-50 740 , 1971 , Germany

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

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PINK FLOYD - Relics (EEC Germany) 12" Vinyl LP
PINK FLOYD - Relics (EEC Germany) album front cover
PINK FLOYD - Relics (EEC Germany) record label

 Harvest 1C 048-50 740 , 1971 , EEC Export Edition

Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.

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PINK FLOYD - Relics (Gt Britain) 12" Vinyl LP
PINK FLOYD - Relics (Gt Britain) 
 album front cover
PINK FLOYD - Relics (Gt Britain) 
 record label

Starline SRS 5071 , , Gt Britain

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

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PINK FLOYD - Relics (Netherlands) 12" Vinyl LP
PINK FLOYD - Relics (Netherlands)  album front cover
PINK FLOYD - Relics (Netherlands)  record label

Emidisc – 5C 048-5074 , 1971 , Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

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