PINK FLOYD - Relics 12" Vinyl LP Album

- Made in England

  Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

 

High Resolution Photo #1 PINK FLOYD Relics UK2

"Relics" Album Description:

In the vibrant tapestry of musical evolution during the late 1960s and early 1970s, Pink Floyd's "Relics" stands out as a testament to the band's creative prowess and the cultural zeitgeist of its time. Released in England, this 12" vinyl LP album has etched its place in history, not only for its musical content but also for the distinctive features that make it a collector's delight.

Time Period's Context:

"Relics" encapsulates the Syd Barrett era of Pink Floyd, a period that laid the groundwork for the band's experimental and psychedelic sound. The album, released in 1971, pays homage to the earlier hits of the band, featuring iconic singles like "Arnold Layne" and "See Emily Play." These tracks serve as a sonic bridge between the band's formative years and the evolving musical landscape of the early '70s.

Moreover, the inclusion of B-sides from other singles adds depth to the album, providing a comprehensive sonic journey through Pink Floyd's earlier discography. Notably, "Biding My Time," a previously unreleased studio recording of a Roger Waters composition, enriches the collection, offering a unique glimpse into the band's creative process.

Production and Identifying Features:

The album's visual identity is as distinctive as its musical content. A keen eye can spot the unique characteristics that define this particular pressing of "Relics." The front cover boasts the album title, "Relics Pink Floyd," in a regal purple color, setting the tone for the artistic experience within. The MFP (Music For Pleasure) logo, located in the top right corner, signals the collaboration that brought this masterpiece to life.

When examining the record itself, the "Music For Pleasure" label with its red and black background serves as a visual cue. The imprint proudly declares "MADE IN ENGLAND" near the top, emphasizing the album's origins and contributing to its collector's appeal.

Catalognr: Music For Pleasure MFP 50397

Album Artwork: Nick Mason

The album's artistic vision is completed by the visually striking cover art designed by Nick Mason, one of the founding members of Pink Floyd. Mason's contribution extends beyond the drum kit, showcasing his artistic prowess and collaborative spirit within the band.

Vinyl Identification 101: All You Need to Know
To identify this particular pressing:
  • This is an English release of "Relics" on the "Music For Pleasure Record Label".
  • The album front cover has the album title "Relics Pink Floyd" printed with a Purple colour.
  • The MFP logo is printed in the top right of the album cover.
  • The "Music For Pleasure" record label is with Red and Black background colours.
  • "MADE IN ENGLAND" printed near the top of the record label.
  • Catalognr: Music For Pleasure MFP 50397

Music Genre:

  Acid Psych Prog Rock Music

Album  Production information:

Producers: Joe Boyd, Norman Smith

Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands.

Early Life and Career Beginnings:

Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight.

Collaboration with Pink Floyd:

more...

Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" ( 1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band.

Legacy and Impact:

Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time.

While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers.

Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide.


Artwork: Nick Mason

Record Label & Catalognr:

  Music For Pleasure MFP 50397

Media Format:

  12" Full-Length Vinyl LP  Gramophone Record
Album weight: 230 gram  

Year and Country:

  1970 Made in England
Band Members and Musicians on: PINK FLOYD Relics
Complete Track Listing of: PINK FLOYD Relics
    Tracks on the Relics Album:
  • Arnold Layne (Syd Barrett) 2:56
  • Interstellar Overdrive (Syd Barrett/Roger Waters/Rick Wright/Nick Mason) 9:43
  • See Emily Play (Syd Barrett) 2:53
  • Remember a Day (Rick Wright) 4:29
  • Paint Box (Rick Wright) 3:33
  • Julia Dream (Roger Waters) 2:37
  • Careful With That Axe, Eugene (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 7:11
  • Cirrus Minor (Roger Waters) 5:18
  • The Nile Song (Roger Waters) 3:25
  • Biding My Time (Roger Waters) 5:18 (Previously unreleased)
  • Bike (Syd Barrett) 3:21
Album cover photos of : PINK FLOYD Relics
Photo of Pink Floyd Album's Front Cover 
High Resolution Photo #1 PINK FLOYD Relics UK2  
Photo of Pink Floyd Album's Back Cover  
High Resolution Photo #2 PINK FLOYD Relics UK2  
Close-up Photo of Pink Floyd's Record Label 
High Resolution Photo #3 PINK FLOYD Relics UK2  

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Index of PINK FLOYD's Relics Vinyl Album Discography and Album Cover Gallery
PINK FLOYD - Relics (Europe) 12" Vinyl LP
PINK FLOYD - Relics (Europe) album front cover
PINK FLOYD - Relics (Europe) record label

EMI 1A 022-58103  , 1980 , EEC

Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.

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PINK FLOYD - Relics (England) 12" Vinyl LP
PINK FLOYD - Relics (England) album front cover
PINK FLOYD - Relics (England) record label

  Music For Pleasure MFP 50397 , 1971 , England

Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

Learn more
PINK FLOYD - Relics (France) 12" Vinyl LP
PINK FLOYD - Relics (France) album front cover
PINK FLOYD - Relics (France) record label

  Emidisc 2C 048-50.740 , 1971 , France

Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.

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PINK FLOYD - Relics (France Export) 12" Vinyl LP
PINK FLOYD - Relics (France Export) album front cover
PINK FLOYD - Relics (France Export) record label

 Emidisc – 1 C 048-50 740 L , 1971 , France Export Edition

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

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PINK FLOYD - Relics (Germany 1st Release) 12" Vinyl LP
PINK FLOYD - Relics (Germany 1st Release) album front cover
PINK FLOYD - Relics (Germany 1st Release) record label

Emidisc 1C 048-50 740 , 1971 , Germany

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

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PINK FLOYD - Relics (EEC Germany) 12" Vinyl LP
PINK FLOYD - Relics (EEC Germany) album front cover
PINK FLOYD - Relics (EEC Germany) record label

 Harvest 1C 048-50 740 , 1971 , EEC Export Edition

Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.

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PINK FLOYD - Relics (Gt Britain) 12" Vinyl LP
PINK FLOYD - Relics (Gt Britain) album front cover
PINK FLOYD - Relics (Gt Britain) record label

Starline SRS 5071 , , Gt Britain

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

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PINK FLOYD - Relics (Netherlands) 12" Vinyl LP
PINK FLOYD - Relics (Netherlands) album front cover
PINK FLOYD - Relics (Netherlands) record label

Emidisc – 5C 048-5074 , 1971 , Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

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