PINK FLOYD - Relics 12" Vinyl LP Album

EMIDISC 1st German Release

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

 

High Resolution Photo #1 PINK FLOYD Relics DE1

"Relics" Album Description:

In the rich tapestry of Pink Floyd's discography, "Relics" stands out as a remarkable compilation that captures the essence of the band's early years. Released as a 12" Vinyl LP, the first German issue of "Relics" holds a special place in the hearts of collectors and fans alike, showcasing the band's evolution during a pivotal time in the music industry.

This genuine 1st issue from Germany can be identified by distinct features on the album cover and record label. The upper left corner of the front cover proudly displays the catalog number 1C 048-50 740, accompanied by the iconic Emidisc logo in the upper right corner. Turning to the back cover, the EMI logo in the upper left corner and the catalog number 1C 048-50 740 L in the upper right corner further authenticate its origin.

The record label itself is a testament to its German provenance, boasting an orange background with the Emidisc logo on the upper left quartet against a black background. Notably, the absence of an LC code on the label distinguishes it as a true relic of the era.

"Relics" is not merely a compilation but a musical journey through the Syd Barrett era, featuring hit singles like "Arnold Layne" and "See Emily Play," as well as B-sides to three other singles. One of its gems is the previously unreleased studio recording of Roger Waters' composition, "Biding My Time," a rare treat for fans who had previously only experienced it in the electrifying atmosphere of live performances during "The Man/The Journey" concert sequence.

The producers behind this masterpiece, Joe Boyd and Norman Smith, played crucial roles in shaping the sonic landscape of Pink Floyd during this time. Meanwhile, the album's artwork, skillfully crafted by Nick Mason, adds a visual dimension to the auditory brilliance within.

Vinyl Identification 101: All You Need to Know
To identify this particular pressing:
    The Relics 1st German issue can be recognized by the following facts:
  • Album front cover: upper left corner, catalogno : 1C 048-50 740.
  • Upper right corner: Emidisc logo
  • Album back cover: upper left, EMI-logo. Upper right corner, the catalogno: 1C 048-50 740 L
  • Record's label: Orange background color, Emidisc logo on the upper left quartet with black background.
  • : Record label has NO LC code.

Music Genre:

  Progressive Rock, Psychedelic AcidMusic

 Album Production Information: 

Producers: Joe Boyd, Norman Smith

Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands.

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Early Life and Career Beginnings:
Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight.

Collaboration with Pink Floyd:
Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" (1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band.

Legacy and Impact:
Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time.

While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers.

Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide.


Album Artwork: Nick Mason

Record Label Information:

  Emidisc 1C 048-50 740 L , 160 grams vinyl
Media Format: 12" Vinyl LP Gramophone
Country of Origin:  Made in Germany
Band Members and Musicians on: Pink Floyd Relics Emidisc 1st Issue
    Pink Floyd is
  • Roger Waters - bass, vocals

    George Roger Waters, known by his stage name Roger Waters, was born on 6 September 1943 in Great Bookham, Surrey, England. He grew up in a musical family, with his father Eric Fletcher Waters being a schoolteacher and a talented pianist. Waters developed a passion for music at an early age, learning to play the piano and the clarinet.

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    In his teenage years, Waters discovered rock and roll music, which ignited his desire to pursue a career in the industry. He formed his first band, The Abdabs, in 1962 while attending Regent Street Polytechnic (now the University of Westminster) in London. The Abdabs later evolved into Sigma 6 and eventually became Pink Floyd in 1965, with Waters on bass guitar and vocals.

    As a founding member of Pink Floyd, Waters played a pivotal role in shaping the band's sound and artistic direction. He quickly established himself as the primary lyricist and conceptual leader of the group. Waters' introspective and thought-provoking lyrics became a signature element of Pink Floyd's music, exploring themes of alienation, politics, and human nature.

    Throughout his tenure with Pink Floyd, Waters penned many of the band's most iconic songs, including "The Wall", "Wish You Were Here", "Another Brick in the Wall", and "Money". His creative vision and innovative ideas led to the production of several groundbreaking albums, such as "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975), and "The Wall" (1979), which are considered timeless classics in the realm of rock music.

    Waters' contributions extended beyond his songwriting abilities. He also provided lead vocals on numerous Pink Floyd tracks and was recognized for his exceptional bass guitar skills. His stage presence and charismatic performances captivated audiences around the world during the band's live shows.

    However, tensions within Pink Floyd began to escalate in the late 1970s, leading to conflicts over creative control and personal differences between the band members. These tensions culminated in Waters' departure from Pink Floyd in 1985, after which the band continued without him.

    Following his departure from Pink Floyd, Waters embarked on a successful solo career. He released his debut solo album, "The Pros and Cons of Hitch Hiking", in 1984, which was followed by several critically acclaimed albums, including "Radio K.A.O.S" (1987), "Amused to Death" (1992), and "Is This the Life We Really Want?" (2017). Waters' solo work often continued his exploration of sociopolitical issues and personal introspection.

    Apart from his musical pursuits, Waters has been actively involved in various political and social causes. He is known for his advocacy of human rights and has used his platform to raise awareness about global conflicts and injustices. His concerts often incorporate political and social messages, promoting peace and social equality.

    Roger Waters' contributions to music and his influence on rock as a genre are immeasurable. His introspective songwriting, powerful vocals, and willingness to tackle complex subjects have earned him a dedicated fan base worldwide. Despite the challenges he faced throughout his career, Waters continues to be a prolific artist and an influential figure in the music industry.

  • Nick Mason - percusssion

    Nick Mason, born Nicholas Berkeley Mason on 27 January 271944, in Birmingham, England, is an English drummer and a founding member of the legendary rock band Pink Floyd. Throughout his career, Mason has established himself as a remarkable musician, renowned for his innovative drumming style and contributions to the band's sound.

      more...

    From a young age, Mason displayed a passion for music and a natural talent for drumming. He honed his skills by actively playing drums in various bands during his early years. However, it was in 1965 that his destiny took a momentous turn when he co-founded Pink Floyd alongside Syd Barrett, Roger Waters, and Richard Wright. This collaborative effort would forever shape the landscape of rock music.

    As a core member of Pink Floyd, Mason has been the only constant presence throughout the band's illustrious history. His skillful drumming and rhythmic sensibility became an integral part of Pink Floyd's distinctive sound. Mason's ability to create intricate patterns, blend diverse influences, and experiment with unconventional time signatures elevated the band's compositions to new heights.

    Pink Floyd's discography stands as a testament to Mason's enduring talent and musicianship. He has played on all of the band's studio albums, contributing his signature drumming style to their groundbreaking works. Albums such as "The Dark Side of the Moon", "Wish You Were Here", "Animals", and "The Wall" showcase Mason's mastery of his craft, as he skillfully weaves complex rhythms and textures into the band's sonic tapestry.

    In addition to his studio work, Mason's live performances and concerts have captivated audiences worldwide. His energetic and precise drumming provided the backbone for Pink Floyd's immersive and visually stunning live shows. Mason's contributions to the band's stage productions were instrumental in creating unforgettable concert experiences that transcended traditional boundaries.

    Beyond his work with Pink Floyd, Mason has pursued various side projects and collaborations, displaying his versatility as a musician. He has released solo albums, composed soundtracks for films, and worked with other artists across different genres. These endeavors highlight his ability to continually evolve and explore new musical territories while maintaining his distinctive drumming style.

    Nick Mason's impact on the music industry extends far beyond his achievements with Pink Floyd. His dedication to his craft, innovative drumming techniques, and unwavering commitment to musical excellence have solidified his status as one of the greatest drummers in rock music. His contributions to Pink Floyd's legacy and the broader landscape of music have left an indelible mark that continues to inspire generations of musicians and fans alike.

  • Syd Barrett - Guitar

    Syd Barrett was an English singer, songwriter and musician, who is best known as the original lead vocalist, guitarist, and principal songwriter of the rock band Pink Floyd. He was born Roger Keith Barrett on January 6, 1946, in Cambridge, England. He played an important role in the early development of Pink Floyd and was the main creative force behind the band's first album, "The Piper at the Gates of Dawn" (1967).

    Read more...

    Syd Barrett's last album with Pink Floyd was their debut album, "The Piper at the Gates of Dawn" which was released in August 1967. The album was recorded at Abbey Road Studios in London, and features Barrett as the main songwriter and vocalist, with Roger Waters, Richard Wright, Nick Mason and himself as band members. The album received generally positive reviews and helped establish Pink Floyd as an important band in the emerging psychedelic rock scene of the late 1960s. text

    After the album's release, Syd Barrett's behavior and commitment to the band became increasingly erratic due to his heavy use of psychedelic drugs, particularly LSD. As a result, he was eventually replaced by David Gilmour as the band's lead vocalist and guitarist in 1968, and did not participate in the recording of any further Pink Floyd albums.

  • Dave Gilmour - Guitar, vocals

    David Gilmour (Full-name: David Jon Gilmour) is an English musician, singer, and songwriter, best known as the guitarist, co-lead vocalist and one of the main songwriters of the rock band Pink Floyd. He was born on 6 March 1946, in Cambridge, England.

      more...

    Gilmour began playing guitar at a young age and formed his first band, Jokers Wild, in 1962. He later joined the band Bullitt, which also included future Pink Floyd member, Roger Waters. In 1968, he was invited to join Pink Floyd as a replacement for the band's original lead vocalist and guitarist, Syd Barrett, who had become increasingly unreliable due to his use of psychedelic drugs.

    Gilmour quickly established himself as an integral member of Pink Floyd, contributing to the band's songwriting and providing lead vocals on many of their songs. He played an important role in the band's success, particularly with the release of their critically acclaimed and commercially successful album "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975) and "The Wall" (1979)

    In addition to his work with Pink Floyd, Gilmour has also released several solo albums, including "David Gilmour" (1978), "About Face" (1984), "On an Island" (2006), "Rattle That Lock" (2015) and "No One Home" (2020)

    Throughout his career, Gilmour has been recognized as one of the greatest guitar players of all time and has been awarded with numerous accolades, including several Ivor Novello Awards, and was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd in 1996. He continues to perform and record music, and remains an influential figure in the music industry

    He is the first child of Douglas Gilmour and Sylvia Wilson.

    On 7 July 1975, he married Virginia "Ginger", Hasenbein. He married Polly Samson in 1994. He was 29 years old when he married Virginia "Ginger", Hasenbein. He was 48 years old when he married Polly Samson. He got divorced from Virginia "Ginger", Hasenbein around 1994.

  • Rick Wright - keyboards, vocals

    Rick "Richard" Wright, born on 28 July 1943, was an English musician and songwriter best known as a founding member and keyboardist of the progressive rock band Pink Floyd. He made significant contributions to the band's sound with his skillful playing of the piano, organ, mellotron, vibraphone, and his occasional vocal performances. Wright's musical talent and innovative approach to keyboards played a crucial role in shaping Pink Floyd's unique sound.

      more...

    Richard William Wright was born in Hatch End, Middlesex, England. His passion for music developed at a young age, and he began playing the piano at the age of seven. Wright's formal music education began at the Regent Street Polytechnic in London, where he studied architecture. It was during this time that he met future Pink Floyd members Roger Waters and Nick Mason. The trio formed several bands together, ultimately leading to the creation of Pink Floyd in 1965, with the addition of Syd Barrett.

    Wright's keyboard skills and melodic sensibilities became an integral part of Pink Floyd's sound. He was known for his ability to create atmospheric textures and intricate arrangements that complemented the band's progressive and psychedelic rock style. Wright's use of the Hammond organ, Mellotron, and later, synthesizers, helped define the band's sonic identity.

    During Pink Floyd's early years, Wright shared songwriting duties with Waters and Barrett, contributing tracks such as "Remember a Day" and "See-Saw". However, as Waters took on a more dominant role in the band's songwriting, Wright's contributions diminished, leading to some tensions within the group. Despite this, Wright remained an essential creative force, particularly in the studio, where his keyboard work added depth and richness to the band's recordings.

    Wright's contributions to Pink Floyd extended beyond his instrumental prowess. He provided backing and occasional lead vocals on several songs, including "Time", "Echoes", and "The Great Gig in the Sky". His soft and haunting voice added a unique touch to the band's repertoire, showcasing his versatility as a musician.

    However, as Pink Floyd's success grew, so did the internal conflicts. Following the release of the album "The Wall" in 1979, tensions within the band reached a breaking point, and Wright left Pink Floyd during the recording of their subsequent album, "The Final Cut". Following his departure, he embarked on a solo career, releasing albums such as "Wet Dream" (1978) and "Broken China" (1996).

    Wright's solo work showcased his talents as a composer and his penchant for atmospheric and introspective music. He continued to explore different musical styles, incorporating elements of jazz and classical music into his compositions. Despite pursuing solo projects, Wright remained closely connected to his Pink Floyd bandmates and made guest appearances on their albums and during their live performances.

    In 1987, Wright officially reunited with Pink Floyd, and the band released the album "A Momentary Lapse of Reason". Wright's return injected new energy into the group and helped recapture some of their earlier magic. He played a significant role in subsequent albums, including "The Division Bell" (1994) and "The Endless River" (2014).

    Rick Wright's contributions to Pink Floyd's legacy cannot be overstated. His keyboard wizardry and musical intuition were vital in creating the band's sonic landscapes and iconic albums. While often overshadowed by the larger-than-life personas of other band members, Wright's quiet and understated presence made an indelible mark on the history of rock music.

    Tragically, Rick Wright passed away on September 15, 2008, after a battle with cancer. His untimely death left a void in the world of music, but his remarkable
    legacy lives on through his timeless contributions to Pink Floyd's discography and the lasting impact he made on the world of progressive rock.

Track Listing of: Pink Floyd Relics Emidisc 1st Issue
    Tracks on the Relics Album:
  • Arnold Layne (Syd Barrett) 2:56
  • Interstellar Overdrive (Syd Barrett/Roger Waters/Rick Wright/Nick Mason) 9:43
  • See Emily Play (Syd Barrett) 2:53
  • Remember a Day (Rick Wright) 4:29
  • Paint Box (Rick Wright) 3:33
  • Julia Dream (Roger Waters) 2:37
  • Careful With That Axe, Eugene (David Gilmour/Roger Waters/Rick Wright/Nick Mason) 7:11
  • Cirrus Minor (Roger Waters) 5:18
  • The Nile Song (Roger Waters) 3:25
  • Biding My Time (Roger Waters) 5:18 (Previously unreleased)
  • Bike (Syd Barrett) 3:21
Album cover photos of : Pink Floyd Relics Emidisc 1st Issue
Photo of Front Cover 
High Resolution Photo #1 PINK FLOYD Relics DE1  
Photo of Album's Back Cover  
High Resolution Photo #2 PINK FLOYD Relics DE1  
Photo of Record Label 
High Resolution Photo #3 PINK FLOYD Relics DE1  

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Index of PINK FLOYD's Relics Vinyl Album Discography and Album Cover Gallery
PINK FLOYD - Relics (Europe) 12" Vinyl LP
PINK FLOYD - Relics (Europe) album front cover
PINK FLOYD - Relics (Europe) record label

EMI 1A 022-58103  , 1980 , EEC

Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.

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PINK FLOYD - Relics (England) 12" Vinyl LP
PINK FLOYD - Relics (England) album front cover
PINK FLOYD - Relics (England) record label

  Music For Pleasure MFP 50397 , 1971 , England

Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

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PINK FLOYD - Relics (France) 12" Vinyl LP
PINK FLOYD - Relics (France) album front cover
PINK FLOYD - Relics (France) record label

  Emidisc 2C 048-50.740 , 1971 , France

Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.

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PINK FLOYD - Relics (France Export) 12" Vinyl LP
PINK FLOYD - Relics (France Export) album front cover
PINK FLOYD - Relics (France Export) record label

 Emidisc – 1 C 048-50 740 L , 1971 , France Export Edition

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

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PINK FLOYD - Relics (Germany 1st Release) 12" Vinyl LP
PINK FLOYD - Relics (Germany 1st Release) album front cover
PINK FLOYD - Relics (Germany 1st Release) record label

Emidisc 1C 048-50 740 , 1971 , Germany

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

Learn more
PINK FLOYD - Relics (EEC Germany) 12" Vinyl LP
PINK FLOYD - Relics (EEC Germany) album front cover
PINK FLOYD - Relics (EEC Germany) record label

 Harvest 1C 048-50 740 , 1971 , EEC Export Edition

Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.

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PINK FLOYD - Relics (Gt Britain) 12" Vinyl LP
PINK FLOYD - Relics (Gt Britain) 
 album front cover
PINK FLOYD - Relics (Gt Britain) 
 record label

Starline SRS 5071 , , Gt Britain

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

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PINK FLOYD - Relics (Netherlands) 12" Vinyl LP
PINK FLOYD - Relics (Netherlands)  album front cover
PINK FLOYD - Relics (Netherlands)  record label

Emidisc – 5C 048-5074 , 1971 , Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

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