- EMIDISC 1st German Release
Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.
In the rich tapestry of Pink Floyd's discography, "Relics" stands out as a remarkable compilation that captures the essence of the band's early years. Released as a 12" Vinyl LP, the first German issue of "Relics" holds a special place in the hearts of collectors and fans alike, showcasing the band's evolution during a pivotal time in the music industry.
This genuine 1st issue from Germany can be identified by distinct features on the album cover and record label. The upper left corner of the front cover proudly displays the catalog number 1C 048-50 740, accompanied by the iconic Emidisc logo in the upper right corner. Turning to the back cover, the EMI logo in the upper left corner and the catalog number 1C 048-50 740 L in the upper right corner further authenticate its origin.
The record label itself is a testament to its German provenance, boasting an orange background with the Emidisc logo on the upper left quartet against a black background. Notably, the absence of an LC code on the label distinguishes it as a true relic of the era.
"Relics" is not merely a compilation but a musical journey through the Syd Barrett era, featuring hit singles like "Arnold Layne" and "See Emily Play," as well as B-sides to three other singles. One of its gems is the previously unreleased studio recording of Roger Waters' composition, "Biding My Time," a rare treat for fans who had previously only experienced it in the electrifying atmosphere of live performances during "The Man/The Journey" concert sequence.
The producers behind this masterpiece, Joe Boyd and Norman Smith, played crucial roles in shaping the sonic landscape of Pink Floyd during this time. Meanwhile, the album's artwork, skillfully crafted by Nick Mason, adds a visual dimension to the auditory brilliance within.
Music Genre: Progressive Rock, Psychedelic AcidMusic |
Album Production Information: Producers: Joe Boyd, Norman Smith Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands. Early Life and Career Beginnings: Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight. Collaboration with Pink Floyd: Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision. "The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity. Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" ( 1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album. Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band. Legacy and Impact: Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time. While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre. Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers. Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide. Album Artwork: Nick Mason |
Record Label & Catalognr: Emidisc 1C 048-50 740 L , 160 grams vinyl |
Media Format: 12" Vinyl LP Gramophone |
Country of Origin: Made in Germany |
Band Members and Musicians on: Pink Floyd Relics Emidisc 1st Issue |
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Complete Track Listing of: Pink Floyd Relics Emidisc 1st Issue |
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Album cover photos of : Pink Floyd Relics Emidisc 1st Issue |
Photo of Front Cover |
Photo of Album's Back Cover |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
EMI 1A 022-58103 , 1980 , EEC
Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.
Learn moreMusic For Pleasure MFP 50397 , 1971 , England
Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.
Learn moreEmidisc 2C 048-50.740 , 1971 , France
Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.
Learn moreEmidisc – 1 C 048-50 740 L , 1971 , France Export Edition
Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.
Learn moreEmidisc 1C 048-50 740 , 1971 , Germany
Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.
Learn moreHarvest 1C 048-50 740 , 1971 , EEC Export Edition
Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.
Learn moreStarline SRS 5071 , , Gt Britain
Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.
Learn moreEmidisc – 5C 048-5074 , 1971 , Netherlands
This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.
Learn more