PINK FLOYD - Relics 12" Vinyl LP Album

- Made in France for Distribution in Germany

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

large album front cover photo of: Relics
"Relics" Album Description:

In the vibrant musical landscape of the early 1970s, Pink Floyd's "Relics" emerged as a compilation album that not only captured the essence of the band but also paid homage to the creative genius of Syd Barrett. This article delves into the nuances of this 12" vinyl LP, a remarkable piece made in France for distribution in Germany, and explores the distinctive attributes that make it a collector's treasure.

Album Cover Aesthetics: A Fusion of Art and Identity

The front cover of "Relics" is a visual symphony where the album's title and the iconic Pink Floyd band name grace the upper left, setting the tone for the musical journey within. The catalog number "1 C 048-50 740" is elegantly printed in the top left corner, while the EMIDISC logo, a hallmark of quality, finds its place in the top right corner.

Decoding the Back Cover: Unraveling Unique Features

The back cover of this version stands out with the boxed EMI Company logo in the top left and the catalog number "1 C 048-50 740 L" in the top right. A notable detail near the bottom provides insight into the album's distribution, stating, "EMIDISC is a product of EMI-Group Companies issued in Germany by ELECTROLA GMBH., Köln, in Netherlands by N.V. Bovema, Heemstede."

Exploring the Record Label: A Feast for the Eyes and Ears

Turning our attention to the record label, this particular release of "Relics" boasts a Black/Yellow(Orangish) design, a visual delight for vinyl enthusiasts. Notably, there is no label code on the record's label, but the presence of the Rights Society "GEMA" in the upper right half emphasizes the album's association with German music copyright protection.

The catalog number "1 C 048-50 740" is strategically placed right of the spindle hole, guiding collectors to its unique identity. The rim-text, intriguingly printed in the French language, gracefully runs from 12 o'clock to 9 o'clock, with the final words declaring, "MADE IN FRANCE BY PATHE MARCONI."

Matrix and Run-out Code: A Glimpse into the Manufacturing Process

The matrix and run-out codes further authenticate the provenance of this vinyl masterpiece. Stamped on the A side is the matrix/run-out code: "50740 A 21 C M6 279506," while the B side proudly displays "50740 B 21 D M6 279751."

Collector's notes for PINK FLOYD - Relics ( detailed background information on the persons working on this album)

This PINK FLOYD - Relics can be identified / distinguished by the following attributes :

Album Front Cover Details:

  • The album's title "Relics" and the band-name "Pink Floyd" are printed in the upper left of the album cover.
  • The catalognr "1 C 048-50 740" is printed in the top left corner of the front cover.
  • The EMIDISC logo is printed in the top right corner of the album's front cover.

Album Back Cover Details:

How does the album back cover be different from other versions

  • The top left of the album back cover shows the "EMI" Company logo (boxed)
  • The top right corner of the cover shows the catalognr: 1 C 048-50 740 L
  • Near the bottom of the cover is the text:

"EMIDISC is a product of EMI-Group Companies issued in Germany by ELECTROLA GMBH., Köln, in Netherlands by N.V. Bovema, Heemstede."

Album Record Label Details:

Record label information:

  • The Record Label of this release of "Relics" is Black/Yellow(Orangish)
  • There is NO label code on the record's label.
  • The Rights Society "GEMA" is printed in the upper right half near 1 o'clock
  • The catalognr "1 C 048-50 740" is printed right of the spindle hole in the direction of 3 o'clock
  • The rim-text runs from 12 o'clock to 9 o'clock and is printed in the French language.
  • The last words on the rim-text are: "MADE IN FRANCE BY PATHE MARCONI".

Matrix and run-out code

Matrix / Runout (Runout stamped A side): 50740 A 21 C M6 279506
Matrix / Runout (Runout stamped B side): 50740 B 21 D M6 279751

Album Fact Sheet: PINK FLOYD - Relics

Music Genre:

 Acid/Psych Rock, Prog Rock 

Record Label Information:

 Emidisc – 1 C 048-50 740 L

Record Format:

 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

  1971 Made in France for distribution in Germany
Personnel/Band Members and Musicians on: PINK FLOYD - Relics
    Band-members, Musicians and Performers
  • Syd Barrett – Lead And Rhythm Guitar , Vocals
  • David Gilmour - – Lead And Rhythm Guitar , Vocals

    David Gilmour (Full-name: David Jon Gilmour) is an English musician, singer, and songwriter, best known as the guitarist, co-lead vocalist and one of the main songwriters of the rock band Pink Floyd. He was born on 6 March 1946, in Cambridge, England.

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    Gilmour began playing guitar at a young age and formed his first band, Jokers Wild, in 1962. He later joined the band Bullitt, which also included future Pink Floyd member, Roger Waters. In 1968, he was invited to join Pink Floyd as a replacement for the band's original lead vocalist and guitarist, Syd Barrett, who had become increasingly unreliable due to his use of psychedelic drugs.

    Gilmour quickly established himself as an integral member of Pink Floyd, contributing to the band's songwriting and providing lead vocals on many of their songs. He played an important role in the band's success, particularly with the release of their critically acclaimed and commercially successful album "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975) and "The Wall" (1979)

    In addition to his work with Pink Floyd, Gilmour has also released several solo albums , including "David Gilmour" (1978), "About Face" (1984), "On an Island" (2006), "Rattle That Lock" (2015) and "No One Home" (2020)

    Throughout his career, Gilmour has been recognized as one of the greatest guitar players of all time and has been awarded with numerous accolades, including several Ivor Novello Awards, and was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd in 1996. He continues to perform and record music, and remains an influential figure in the music industry

    He is the first child of Douglas Gilmour and Sylvia Wilson.

    On 7 July 1975, he married Virginia "Ginger", Hasenbein. He married Polly Samson in 1994. He was 29 years old when he married Virginia "Ginger", Hasenbein. He was 48 years old when he married Polly Samson. He got divorced from Virginia "Ginger", Hasenbein around 1994.

  • Nick Mason – Drums, Percussion
  • Roger Waters – Bass Guitar, Vocals

    George Roger Waters, known by his stage name Roger Waters, was born on 6 September 1943 in Great Bookham, Surrey, England. He grew up in a musical family, with his father Eric Fletcher Waters being a schoolteacher and a talented pianist. Waters developed a passion for music at an early age, learning to play the piano and the clarinet.

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    In his teenage years, Waters discovered rock and roll music, which ignited his desire to pursue a career in the industry. He formed his first band, The Abdabs, in 1962 while attending Regent Street Polytechnic (now the University of Westminster) in London. The Abdabs later evolved into Sigma 6 and eventually became Pink Floyd in 1965, with Waters on bass guitar and vocals.

    As a founding member of Pink Floyd, Waters played a pivotal role in shaping the band's sound and artistic direction. He quickly established himself as the primary lyricist and conceptual leader of the group. Waters' introspective and thought-provoking lyrics became a signature element of Pink Floyd's music, exploring themes of alienation, politics, and human nature.

    Throughout his tenure with Pink Floyd, Waters penned many of the band's most iconic songs, including "The Wall", "Wish You Were Here", "Another Brick in the Wall", and "Money". His creative vision and innovative ideas led to the production of several groundbreaking albums, such as "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975), and "The Wall" (1979), which are considered timeless classics in the realm of rock music.

    Waters' contributions extended beyond his songwriting abilities. He also provided lead vocals on numerous Pink Floyd tracks and was recognized for his exceptional bass guitar skills. His stage presence and charismatic performances captivated audiences around the world during the band's live shows.

    However, tensions within Pink Floyd began to escalate in the late 1970s, leading to conflicts over creative control and personal differences between the band members. These tensions culminated in Waters' departure from Pink Floyd in 1985, after which the band continued without him.

    Following his departure from Pink Floyd, Waters embarked on a successful solo career. He released his debut solo album, "The Pros and Cons of Hitch Hiking", in 1984, which was followed by several critically acclaimed albums, including "Radio K.A.O.S" (1987), "Amused to Death" (1992), and "Is This the Life We Really Want?" (2017). Waters' solo work often continued his exploration of sociopolitical issues and personal introspection.

    Apart from his musical pursuits, Waters has been actively involved in various political and social causes. He is known for his advocacy of human rights and has used his platform to raise awareness about global conflicts and injustices. His concerts often incorporate political and social messages, promoting peace and social equality.

    Roger Waters' contributions to music and his influence on rock as a genre are immeasurable. His introspective songwriting, powerful vocals, and willingness to tackle complex subjects have earned him a dedicated fan base worldwide. Despite the challenges he faced throughout his career, Waters continues to be a prolific artist and an influential figure in the music industry.

  • Rick Wright – Organ, Piano, Mellotron, Vocals
  • Guest Musicians:
  • Norman Smith – Drums And Backing Vocals

    Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. With his expertise and innovative techniques, Smith played a pivotal role in shaping the distinctive sound and success of one of rock music's most influential bands.

    Early Life and Career Beginnings:

    Born on 22 February 1923, in Edmonton, North London, England, Norman Smith developed a deep passion for music from an early age. After serving in World War II as a pilot, he channeled his musical aspirations and joined EMI Studios in London as a sound engineer in the 1950s. Smith's technical prowess and dedication to his craft propelled him into the spotlight.

    Collaboration with Pink Floyd:

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    Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

    "The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

    Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" ( 1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

    Smith's contribution to Pink Floyd's early discography extended beyond production. He also provided backing vocals and even played piano on some tracks. His versatility as a musician complemented his role as a producer, further enhancing the creative synergy between Smith and the band.

    Legacy and Impact:

    Norman Smith's work with Pink Floyd showcased his ability to understand and amplify an artist's vision. His collaboration with the band during their formative years played a crucial role in shaping their sound and setting them on a path to become one of the most influential rock acts of all time.

    While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

    Norman Smith's commitment to innovation and his unwavering dedication to capturing the essence of an artist's vision made him a revered figure in the music industry. His work with Pink Floyd exemplifies his ability to push boundaries and create timeless recordings that continue to inspire generations of musicians and producers.

    Norman Smith's extraordinary collaboration with Pink Floyd has left an enduring impact on the band's legacy and the evolution of rock music as a whole. His innovative production techniques and artistic sensibilities continue to be celebrated and appreciated by music enthusiasts worldwide.

Complete Track-listing of the album "PINK FLOYD - Relics"

The detailed tracklist of this record "PINK FLOYD - Relics" is:

    Track-listing Side One:
  1. Arnold Layne
  2. Interstellar Overdrive
  3. See Emily Play
  4. Remember A Day
  5. Paintbox
    Track-listing Side Two:
  1. Julia Dream
  2. Careful With That Axe, Eugene
  3. Cirrus Minor
  4. The Nile Song
  5. Biding My Time
  6. Bike
High Resolution and Quality Photos of Complete Album Covers  "PINK FLOYD - Relics"
High Resolution Photo #10 PINK FLOYD Relics Germany / France

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Album Back Cover  Photo of "PINK FLOYD - Relics"

High Resolution Photo #11 PINK FLOYD Relics Germany / France

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High Resolution Photo #12 PINK FLOYD Relics Germany / France

Enlarged & Zoomed photo of "PINK FLOYD - Relics" Record's Label

Using the marked/"highlighted" rectangles below , you will be able to correctly identify this release of the album.

High Resolution Photo #15 PINK FLOYD Relics Germany / France
Photo of "PINK FLOYD - Relics" 12" LP Record - Side One:
High Resolution Photo #13 PINK FLOYD Relics Germany / France
Photo of "PINK FLOYD - Relics" 12" LP Record - Side Two:
High Resolution Photo #14 PINK FLOYD Relics Germany / France

 

Index of PINK FLOYD's Relics Vinyl Album Discography and Album Cover Gallery
PINK FLOYD - Relics (Europe) 12" Vinyl LP
PINK FLOYD - Relics (Europe) album front cover
PINK FLOYD - Relics (Europe) record label

EMI 1A 022-58103  , 1980 , EEC

Pink Floyd's "Relics," a 1980 European release on the EMI "Music For Pleasure Record Label," encapsulates the band's early brilliance. Highlighting Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," it unveils a previously-unreleased gem, "Biding My Time" by Roger Waters. Recognizable by the "MFP" logo, gradient purple background, and "MADE IN EEC" inscription, this vinyl LP, with Nick Mason's artwork, stands as a timeless relic, offering a sonic journey through Pink Floyd's formative years.

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PINK FLOYD - Relics (England) 12" Vinyl LP
PINK FLOYD - Relics (England) album front cover
PINK FLOYD - Relics (England) record label

  Music For Pleasure MFP 50397 , 1971 , England

Pink Floyd's "Relics," a 1971 release from England, encapsulates the band's Syd Barrett era with hits like "Arnold Layne" and "See Emily Play." The album, adorned with distinctive purple typography, is a collector's gem. Noteworthy for its unreleased track, "Biding My Time," and identifiable by the Music For Pleasure label with red and black background, this vintage vinyl, cataloged as MFP 50397, is a sonic and visual journey through Pink Floyd's evolution.

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PINK FLOYD - Relics (France) 12" Vinyl LP
PINK FLOYD - Relics (France) album front cover
PINK FLOYD - Relics (France) record label

  Emidisc 2C 048-50.740 , 1971 , France

Pink Floyd's "Relics" French 2nd EMIDISC 12" Vinyl LP Album is a collector's gem, distinguished by its red and blue "Boxed" title and striking yellow-and-black EMIDISC label. Released in 1971, this compilation of iconic tracks encapsulates the band's evolution. With its unique design and historical context, this edition is a sought-after treasure, showcasing Pink Floyd's enduring influence on music and its timeless appeal to enthusiasts and collectors.

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PINK FLOYD - Relics (France Export) 12" Vinyl LP
PINK FLOYD - Relics (France Export) album front cover
PINK FLOYD - Relics (France Export) record label

 Emidisc – 1 C 048-50 740 L , 1971 , France Export Edition

Pink Floyd's "Relics," a 1971 compilation album, is a collector's gem made in France for German distribution. The album cover, adorned with the iconic band name and catalog number, exudes aesthetic charm. The back cover reveals unique features, including distribution details. The vinyl's label, a visual delight in Black/Yellow(Orangish), bears the GEMA rights society stamp. Matrix and run-out codes authenticate its origin, making "Relics" a timeless piece in the musical tapestry of the early 1970s.

Learn more
PINK FLOYD - Relics (Germany 1st Release) 12" Vinyl LP
PINK FLOYD - Relics (Germany 1st Release) album front cover
PINK FLOYD - Relics (Germany 1st Release) record label

Emidisc 1C 048-50 740 , 1971 , Germany

Pink Floyd's "Relics" 12" Vinyl LP, a genuine 1st German release, stands as a collector's gem. Marked by unique identifiers like catalog numbers and distinctive labels, it encapsulates the band's early years, featuring Syd Barrett-era hits and rare studio recordings. With iconic producers and Mason's artwork, "Relics" is a timeless testament to Pink Floyd's musical evolution, cherished by fans as a captivating relic from a pivotal period.

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PINK FLOYD - Relics (EEC Germany) 12" Vinyl LP
PINK FLOYD - Relics (EEC Germany) album front cover
PINK FLOYD - Relics (EEC Germany) record label

 Harvest 1C 048-50 740 , 1971 , EEC Export Edition

Pink Floyd's 1971 "Relics" 12" vinyl, crafted for distribution in Germany, compiles Syd Barrett-era hits like "Arnold Layne" and "See Emily Play," alongside rare B-sides. The album unveils a previously-unreleased studio recording of Roger Waters' "Biding My Time." Producers Joe Boyd and Norman Smith, along with Nick Mason's artwork, contribute to the album's allure. Collectors value specific identifiers, such as catalognr 1C 048-50 740 and the "MADE IN EEC" label, making it a prized piece in Pink Floyd's discography.

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PINK FLOYD - Relics (Gt Britain) 12" Vinyl LP
PINK FLOYD - Relics (Gt Britain) 
 album front cover
PINK FLOYD - Relics (Gt Britain) 
 record label

Starline SRS 5071 , , Gt Britain

Pink Floyd's "Relics," an original 1967 UK pressing on Starline, epitomizes the band's early experimental sound. Produced by Norman Smith and Joe Boyd, with Nick Mason's artwork, it's a sonic time capsule showcasing their evolution. The blue label, black lettering, and "Made in Gt Britain" stamp near 3 o'clock add vintage authenticity. Cataloged as Starline SRS 5071, this compilation remains a pivotal artifact in Pink Floyd's musical journey.

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PINK FLOYD - Relics (Netherlands) 12" Vinyl LP
PINK FLOYD - Relics (Netherlands)  album front cover
PINK FLOYD - Relics (Netherlands)  record label

Emidisc – 5C 048-5074 , 1971 , Netherlands

This album "Relics" is a compilation album of early "Pink Floyd" recordings and is most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. It also includes a previously-unreleased, studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man/The Journey" concert sequence.

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