- Rare 1973 French Vinyl Gem
"Houses of the Holy" is the fifth studio album by the English rock band Led Zeppelin, released by Atlantic Records on 28 March 1973. The album title is a dedication by the band to their fans who appeared at venues they dubbed "Houses of the Holy." It was the first Led Zeppelin album (apart from their fourth album) to not officially be titled after the band. It was also the first of the band's albums to be composed of completely original material. It represents a musical turning point for Led Zeppelin, as they began to use more layering and production techniques in recording their songs.
Led Zeppelin's "Houses of the Holy" is an iconic 12" vinyl LP album that marked a significant milestone in the band's career. Released on 28 March 1973, by Atlantic Records, this album showcases Led Zeppelin's artistic evolution and musical exploration. With its distinctive sound, diverse range of songs, and innovative production techniques, "Houses of the Holy" remains a timeless classic.
The title of the album, "Houses of the Holy", holds a special meaning for Led Zeppelin. It is a tribute to the fans who faithfully attended their concerts, which they fondly referred to as "Houses of the Holy". This dedication demonstrates the band's deep appreciation for their supporters and the powerful connection they felt with their audience.
Unlike their previous albums, "Houses of the Holy" is the first Led Zeppelin album, apart from their fourth self-titled release, that does not carry the band's name in its title. This departure from convention highlights the band's desire to explore new musical territories and break away from established norms. Led Zeppelin sought to create a body of work that would stand on its own and be recognized as a unique artistic achievement.
The album is comprised entirely of original material, marking a significant departure from their previous albums that included both original songs and covers. Led Zeppelin's decision to focus solely on original compositions showcased their growth as songwriters and their desire to push boundaries. The band members, Robert Plant, Jimmy Page, John Paul Jones, and John Bonham, infused their individual talents and creative energies into crafting a cohesive and diverse collection of songs.
Side One of the album opens with "The Song Remains the Same", a powerful and energetic track that sets the tone for the rest of the album. It combines intricate guitar riffs from Jimmy Page, thunderous drums from John Bonham, and Robert Plant's signature soaring vocals. The song is an excellent example of Led Zeppelin's ability to create a captivating and dynamic sound.
"The Rain Song" follows, showcasing the band's more melodic side. It features a beautiful combination of acoustic and electric guitars, accompanied by Robert Plant's heartfelt vocals. This track exemplifies Led Zeppelin's ability to balance heavy rock elements with introspective and emotive songwriting.
"Over the Hills and Far Away" is a standout track on Side One, featuring a catchy guitar riff and infectious melodies. It demonstrates Led Zeppelin's ability to craft memorable hooks while maintaining their distinctive sound. The song's dynamic shifts and intricate instrumentation showcase the band's musical prowess.
"The Crunge" concludes Side One with its funk-infused rhythm and playful lyrics. This track displays Led Zeppelin's versatility, as they incorporate elements of funk and soul into their hard rock sound. It highlights the band's willingness to experiment with different genres and push the boundaries of their music.
Side Two of the album opens with "Dancing Days", a vibrant and energetic track that showcases Led Zeppelin's more upbeat side. With its infectious rhythm and catchy chorus, this song exemplifies the band's ability to create music that is both memorable and engaging.
"D'yer Mak'er" follows, demonstrating Led Zeppelin's willingness to experiment with different musical styles. With its reggae-inspired rhythm and playful lyrics, this track showcases the band's ability to incorporate diverse influences into their music, creating a unique and distinctive sound.
"No Quarter" stands out as a haunting and atmospheric track on the album. It features John Paul Jones' mesmerizing keyboard work and Robert Plant's evocative vocals. The song's moody ambiance and intricate arrangements make it one of the album's standout moments.
"The Ocean" concludes the album on an explosive note. With its driving rhythm, thunderous drums, and powerful vocals, this track exemplifies the raw energy
and intensity for which Led Zeppelin is renowned. It serves as a fitting finale to an album that showcases the band's musical evolution and artistic growth.
Led Zeppelin's "Houses of the Holy" is a testament to the band's musical prowess, innovative spirit, and artistic vision. It represents a turning point in their career, as they explored new sonic territories and incorporated diverse influences into their music. With its timeless appeal and enduring popularity, "Houses of the Holy" remains an essential addition to any music lover's collection, particularly on the 12" vinyl LP format, which allows for a more immersive and authentic listening experience.
The front cover of Led Zeppelin's "Houses of the Holy" album generated significant controversy upon its release. Designed by the English art director Hipgnosis, the cover features a surreal and provocative image of naked children climbing on a rock formation. The band intended for the cover to capture a sense of innocence and wonder, but it sparked controversy and raised concerns about the appropriateness of depicting minors in a sexualized manner.
The controversial nature of the album cover led to various reactions and consequences. Several retailers and record stores either refused to stock the album or placed it in a brown paper bag to cover the cover art, deeming it inappropriate and offensive. In some countries, alternative cover art was used to avoid potential legal issues or censorship. For instance, in the United States, a different cover featuring an orange tinted version of the original artwork was released.
Led Zeppelin and their record label stood by their artistic vision, defending the cover as a representation of the album's themes rather than having any malicious intent. The band argued that the image symbolized the beauty and purity of youth and exploration, aligning with the album's title and content. However, the controversy surrounding the cover art remains a notable aspect of the album's history and reception.
Hard Rock Music
Atlantic ATL 50 014 (50014)
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1973 Made in France
Produced by Jimmy Page — not just the guitar wizard, but also the mastermind twiddling the studio knobs.
Engineered by Eddie Kramer, George Chkiantz, and Keith Harwood — each bringing their studio wizardry to shape this legendary record.
Recorded at Electric Lady Studios, New York, and Olympic Studios, London — because one legendary studio just wasn’t enough.
Album sleeve designed by Hipgnosis, the legendary British art design group that turned album covers into actual art. Their surreal vision perfectly matches Zeppelin's larger-than-life sound.
The album cover depicts a young boy climbing the Giant's Causeway in Northern Ireland, a UNESCO World Heritage Site known for its natural rock formations. The cover was criticized for being exploitative and disrespectful to the sacredness of the site. Some interpreted the image as a sexualization of children. The band denied any intentional offense and explained the cover was chosen for its visual appeal and connection to the album's title, which referred to their fans as their "Houses of the Holy."
Back cover image of "Houses of the Holy" — continuing the surreal, dreamlike visuals designed by Hipgnosis, keeping it weird since the '70s.
Original Custom Inner Sleeve #1 — proof that even inner sleeves got the deluxe Zeppelin treatment.
Original Custom Inner Sleeve #2 — yep, still rockin’ that Zeppelin mystique inside and out.
Detailed close-up of Side One record label from the 1973 French pressing of Led Zeppelin’s "Houses of the Holy." The label is visually divided into three horizontal color bands — green at the top, white in the center, and red-orange at the bottom — a classic Atlantic Records label layout from the era.
At the top center is the iconic multicolored Atlantic Records logo, with a large stylized "A" and swirling magenta design, enclosed in a bold black and yellow rectangle. Just below, the album title “LED ZEPPELIN – HOUSES OF THE HOLY” appears in a custom stylized font. The catalog number 50 014 is printed on the right side.
On the red-orange section, four track titles are listed in black text, with timings and songwriter credits:
1. The Song Remains the Same – 5:27 (Page/Plant)
2. The Rain Song – 7:37 (Page/Plant)
3. Over the Hills and Far Away – 4:45 (Page/Plant)
4. The Crunge – 3:12 (Bonham/Jones/Page/Plant)
Below the tracklist is the production credit: "Production: Jimmy PAGE". To the right, it reads “50014 A,” the matrix number, and the copyright year “Ⓟ 1973.” The words “STEREO” and “ONE” flank the center hole, which is punched cleanly through the label.
Fine text curves around the outer edge of the label, reading: “ALL RIGHTS OF THE MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED — UNAUTHORISED COPYING PUBLIC PERFORMANCE AND BROADCASTING OF THIS RECORD PROHIBITED — MADE IN FRANCE.”
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A legendary guitarist known for his innovative playing style and use of effects pedals. While not strictly a band, Hendrix's influence on rock guitar is undeniable, and his music shares some elements of blues and psychedelia with Led Zeppelin. Jimi Hendrix
Pioneered power pop and mod rock, known for their energetic live performances and Pete Townshend's distinctive guitar work. The Who's music is often heavier and more aggressive than Led Zeppelin's, but both bands share a love for extended jams and powerful vocals. The Who
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