"I Am The Law" is a single by the American Thrash Metal band "Anthrax". It has been released as a 12" Maxi-Single. "I Am The Law" has been released with different artwork (two versions) on the record's sleeve. This web-page has hi-res photos of the album covers, record label and a detailed description.
In 1987, Anthrax cemented their status as thrash metal titans with the release of their iconic single, "I Am The Law." This anthem of rebellion and raw power, inspired by the uncompromising comic book anti-hero Judge Dredd, remains a classic in their catalog and a defining song within the entire heavy metal genre.
The Sound: Fast, Furious, and Unforgettable
"I Am The Law" bursts from the speakers with an adrenaline-fueled assault of thrash metal intensity. Scott Ian's razor-sharp riffs and Charlie Benante's relentless drumming lay the foundation for an unyielding rhythm section. Joey Belladonna's vocals soar with an infectious energy, spitting out the defiant lyrics with punk-fueled attitude. The song maintains an unrelenting pace, punctuated by a melodic solo that cuts through the sonic onslaught.
Icon of a Dystopian Future
Inspired by the uncompromising Judge Dredd, the lyrics to "I Am The Law" dive into a dystopian vision of a world where one figure holds absolute power. Dredd is the embodiment of order at any cost, and the song's repeated chant of "I am the law!" captures his unflinching authority. While there's undeniable power in the character's image, the lyrics also subtly hint at the dangers of unchecked authority and the erosion of individual freedom.
The B-Sides: Anthrax's Quirky Humor
Anthrax's "I Am the Law" 12" single often included quirky and humorous B-sides that showcased the band's lighter side. Tracks like "I'm The Man" and "Bud E. Luvbomb and Satan's Loungeband" delivered a playful, tongue-in-cheek contrast to the serious tone of the A-side. This demonstrated Anthrax's ability to balance intense thrash with their offbeat sense of humor.
Anthrax's iconic thrash metal anthem, "I Am The Law", delivers a sonic punch directly inspired by the uncompromising comic book character Judge Dredd. The song's relentless tempo and defiant lyrics delve into themes of power, control, and the potential dangers of unchecked authority within a dystopian world.
Judge Dredd: Icon of Dystopian Power
Judge Dredd, a central figure in the *2000 AD* comics, operates in the brutal dystopia of Mega-City One. As judge, jury, and executioner, Dredd wields absolute power over the populace. Anthrax's song latches onto his iconic phrase "I am the law!", embodying the character's unrelenting authority and unquestioned control.
Celebration and Critique
The song's power lies in its dual interpretations. On one hand, "I Am The Law" celebrates Judge Dredd's raw power and uncompromising nature. The blistering guitars and Joey Belladonna's soaring vocals build up an aura of invincibility, fitting for a figure who embodies the law.
However, just below the surface lurks a subtle critique. The dystopian setting in which Dredd operates reminds us that absolute authority can have devastating consequences. The song hints at the slippery slope between order and oppression, raising questions about the fine line between justice and tyranny.
Anthrax's Thrash Metal Edge
Musically, "I Am The Law" is a quintessential Anthrax track. The relentless drumming and razor-sharp guitar riffs create an atmosphere of controlled chaos, perfectly matching the Judge Dredd concept. While the song tackles a serious theme, Anthrax's signature sense of humor subtly peeks through, reminding listeners of the band's playful, rebellious nature.
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Collector's info: :
"I am the Law" Album artwork by Charlie Benante |
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Music Genre: Thrash Metal Music |
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Album Production Information: Producers Jon Zazula, Eddie Kramer, Anthrax. Jon Zazula: How did a record store shape metal forever? The Jon Zazula story – a must-read for music fans. Eddie Kramer: Iconic producer & engineer behind Hendrix, Zeppelin, & many more. Explore his life & work that shaped rock music history. Sound/recording engineers: Eddie Kramer, Chris Rutherford, Chip Schane, Paul Hammingson. George Marino (1947-2012) - Mastering Engineer George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music. |
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Record Label Information: Island Records 12 IS 316 |
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Media Format: 12" Maxi Single |
| Year & Country 1986 Made in Germany |
Personnel/Band Members and Musicians on: ANTHRAX - I Am The Law |
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Track Listing of: Anthrax I Am The Law |
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Album cover photos of : Anthrax I Am The Law |
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| Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ) |
Anthrax's thrash metal landmark "Among the Living" gets the classic vinyl treatment. Explore the Canadian & German 12" LP releases, featuring iconic tracks like the title track, "Caught in a Mosh," and "I Am the Law."
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"I Am The Law" bursts from the speakers with an adrenaline-fueled assault of thrash metal intensity. Scott Ian's razor-sharp riffs and Charlie Benante's relentless drumming lay the foundation for an unyielding rhythm section
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The title track, "I'm The Man", became an anthem of self-aggrandizing fun. Borrowing heavily from the hip-hop vernacular, Joey Belladonna rapped and boasted his way through the song over a funky, infectious beat.
- I'm The Man ( 1987, Europe ) - I'm The Man ( 1987, USA )
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The title track, "Make Me Laugh," is a quirky and surprisingly melodic departure from their usual thrash assault. Borrowing its primary riff from a vintage TV game show theme song, Anthrax infuse it with metal energy.
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The title track "Antisocial" is a cover of the French punk rock band Trust and was one of the highlights of Anthrax's live shows during this period. The French version of the song adds a unique twist to the already intense
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"Spreading the Disease" is a relentless assault of thrash metal brilliance. The album opens with the electrifying "A.I.R," a blistering ode to headbanging and mosh pits. Songs like "Madhouse," "Armed and Dangerous"
- Spreading the Disease ( 1985, Canada ) - Spreading the Disease ( Germany, EEC )
The album kicks off with "Be All, End All," a fast-paced, riff-heavy song that sets the tone for the rest of the record. This is followed by "Out of Sight, Out of Mind," a song that features catchy guitar riffs and a driving drum beat.
- State of Euphoria ( 1988, Germany ) - State of Euphoria ( 1988, USA )
