Anthrax's "Fistful of Metal" gets a visual makeover with this picture disc 12" vinyl LP, released on the iconic MFN (Music For Nations) Records label. This collector's edition not only delivers the thrash metal intensity of Anthrax's debut album but adds a visual dimension, featuring unique artwork. A fusion of auditory brilliance and visual allure, it's a must-have for metal enthusiasts. This web-page has hi-res photos of the album covers, record label and a detailed description.
Album Description:
Anthrax is a legendary American thrash metal band that has been active since 1981. They are one of the so-called "Big Four" of thrash metal, along with Metallica, Megadeth, and Slayer. The band's debut album, "Fistful of Metal," was released in 1984 and is considered a classic of the genre. The album has been reissued several times, including a special limited edition picture disc 12" vinyl LP album. The picture disc 12" vinyl LP album of "Fistful of Metal" features the iconic cover art of the album, which depicts a hand holding a chain wrapped around a fist, with the Anthrax logo in the background. The picture disc is a special type of vinyl record that has a picture or design printed on one or both sides of the disc, instead of the traditional black vinyl. This type of record has become popular among collectors and fans of vinyl, as it adds a visual element to the listening experience. The album "Fistful of Metal" is a thrash metal masterpiece that showcases the band's raw energy, speed, and aggression. The album features fast and furious tracks like "Deathrider," "Metal Thrashing Mad," and "Panic," as well as slower, more melodic songs like "Soldiers of Metal" and "Howling Furies." The album also features a cover of the Alice Cooper classic "I'm Eighteen," which showcases the band's ability to put their own spin on a classic song. The lyrics on "Fistful of Metal" are typical of the thrash metal genre, with themes of violence, rebellion, and anti-establishment sentiment. The song "Metal Thrashing Mad" is a classic example of this, with lyrics like "The power chords ring out loud and clear/It's gonna bend, distort, and make it sheer." The album also features songs about heavy metal culture, such as "Soldiers of Metal," which proclaims "We are soldiers of metal/And we rule the night." |
Music Genre: Heavy Thrash Metal Music |
Production Information: Producers: Jon Zazula, Carl Canedy. Carl Canedy a highly respected figure in the world of heavy metal music. He is best known as the drummer and co-founder of the American heavy metal band, The Rods. Canedy has been an influential figure in the genre for several decades, and his contribution to the heavy metal music scene has been widely recognized by fans and musicians alike. Canedy was born on 25 August 1955, in Syracuse, New York, and grew up in a musical family. His father was a saxophonist and his mother played the piano, so it's no surprise that Canedy developed a passion for music at a young age. He started playing the drums when he was just ten years old and soon realized that he had a talent for it. By the time he was a teenager, he was already playing in local bands and quickly made a name for himself in the music scene. In 1979, Canedy co-founded The Rods , along with guitarist David “Rock” Feinstein and bassist Garry Bordonaro. The band was known for its energetic live performances and its blend of classic rock and heavy metal elements. They quickly gained a loyal following and released their first album, "Rock Hard," in 1981. The album was well-received by fans and critics and was considered a classic in the heavy metal genre. Throughout his career, Canedy has been known for his powerful drumming style, which has been described as aggressive, hard-hitting, and energetic. He has been a driving force behind The Rods’ sound, and his drumming has been an integral part of the band's success. He has also been praised for his musical versatility, as he is able to play a wide range of musical styles, from hard rock to heavy metal. In addition to his work with The Rods, Canedy has also collaborated with a number of other artists and bands, including the legendary guitarist Ronnie James Dio. He has also been involved in several musical projects outside of The Rods, including recording sessions, live performances, and drum clinics. Chris "Dr Metal" Bubacz, born on 12 April 1955, is a renowned sound engineer who made a significant impact on the Heavy Metal scene of the 1980s. With his exceptional talent and dedication to achieving the perfect sound, he became a driving force behind the success of several influential bands, including Metallica, Anthrax, and Znöwhite. Born and raised in a small town in the United States, Bubacz developed a deep passion for music at an early age. Fascinated by the technical aspects of sound and recording, he spent countless hours experimenting with audio equipment, building his own amplifiers, and dissecting albums to understand their production techniques. Bubacz's journey into the world of Heavy Metal began in the late 1970s when he moved to a bigger city to pursue a career in sound engineering. He started working at a local recording studio, learning the ropes of the profession and honing his skills. His dedication and keen ear for detail quickly earned him a reputation as a rising talent. In the early 1980s, Bubacz's path crossed with Metallica, an emerging force in the world of Heavy Metal. Impressed by his technical expertise and passion for the genre, the band invited him to work on their second studio album, "Ride the Lightning." Bubacz's contribution to the album's sound proved to be transformative, capturing the raw energy and aggression that became synonymous with Metallica's early years. Following the success of "Ride the Lightning," Bubacz's reputation soared, and his services were in high demand within the Heavy Metal community. Bands like Anthrax and Znöwhite sought out his expertise to achieve the perfect sonic landscape for their albums. With his meticulous attention to detail and innovative recording techniques, Bubacz played a crucial role in shaping the sound of each band he worked with. He had a remarkable ability to capture the intensity of live performances while maintaining clarity and balance within the recordings. During his tenure as a sound engineer, Bubacz worked on numerous groundbreaking albums, including Metallica's "Master of Puppets," Anthrax's "Among the Living," and Znöwhite's "Act of God." These albums not only became influential within the Heavy Metal genre but also helped solidify Bubacz's status as one of the most sought-after sound engineers of the era. Bubacz's work extended beyond the recording studio. He often accompanied bands on tour, ensuring their live performances matched the sonic excellence of their studio albums. His commitment to quality and his ability to adapt to different venues and equipment made him an invaluable asset on the road. Despite his tremendous success, Bubacz remained humble and focused on his craft. He continued to explore new recording techniques, pushing the boundaries of what was possible within the Heavy Metal genre. His innovative approach to sound engineering left an indelible mark on the music industry, inspiring countless aspiring sound engineers and musicians. After the 1980s, Bubacz continued to work on various projects, collaborating with a wide range of artists across different genres. While his contributions to the Heavy Metal scene remain legendary, he proved his versatility by adapting his skills to diverse musical styles. Chris "Dr Metal" Bubacz's pioneering work as a sound engineer in the 1980s cemented his place in Heavy Metal history. His dedication, passion, and unwavering commitment to capturing the essence of the genre through sound made him a highly respected figure in the industry. Today, his legacy lives on, influencing generations of musicians and sound engineers who strive to replicate his unparalleled contributions to the world of Heavy Metal. Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers. Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene. Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history. In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry. Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track. Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio. |
Record Label & Catalognr: Music For Nations MFN 14 PPrecious Metal Music, Bizarre Music. |
Media Format: 12" Picture Disc |
Year and Country: Made in UK |
Band Members and Musicians on: Anthrax Fistful of Metal |
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Complete Track Listing of: Anthrax Fistful of Metal |
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Anthrax's thrash metal landmark "Among the Living" gets the classic vinyl treatment. Explore the Canadian & German 12" LP releases, featuring iconic tracks like the title track, "Caught in a Mosh," and "I Am the Law."
- Among the Living ( Canada ) - Among the Living ( Germany )Anthrax's "Armed and Dangerous" 12" Vinyl LP Album is a classic of the thrash metal genre and an essential addition to any serious metal collector's library. The album's raw energy, aggressive riffs
Learn more"Chris Tetley Interview Rock Saga"s 12" Picture Disc is a must-have for any Anthrax fan. The interview provides a rare glimpse into the minds of two of the band's most creative members,
Learn more"Fistful of Metal" is a thrash metal masterpiece that showcases the band's raw energy, speed, and aggression. The album features fast and furious tracks like "Deathrider," "Metal Thrashing Mad,"
Learn more"I Am The Law" bursts from the speakers with an adrenaline-fueled assault of thrash metal intensity. Scott Ian's razor-sharp riffs and Charlie Benante's relentless drumming lay the foundation for an unyielding rhythm section
Learn moreThe title track, "I'm The Man", became an anthem of self-aggrandizing fun. Borrowing heavily from the hip-hop vernacular, Joey Belladonna rapped and boasted his way through the song over a funky, infectious beat.
- I'm The Man ( 1987, Europe ) - I'm The Man ( 1987, USA )The album consisted of interviews with the band members interspersed with excerpts from their live performances. The interviews were conducted by various radio and television hosts, and the band members
Learn moreThe title track, "Make Me Laugh," is a quirky and surprisingly melodic departure from their usual thrash assault. Borrowing its primary riff from a vintage TV game show theme song, Anthrax infuse it with metal energy.
Learn moreThe title track "Antisocial" is a cover of the French punk rock band Trust and was one of the highlights of Anthrax's live shows during this period. The French version of the song adds a unique twist to the already intense
Learn more"Spreading the Disease" is a relentless assault of thrash metal brilliance. The album opens with the electrifying "A.I.R," a blistering ode to headbanging and mosh pits. Songs like "Madhouse," "Armed and Dangerous"
- Spreading the Disease ( 1985, Canada ) - Spreading the Disease ( Germany, EEC )The album kicks off with "Be All, End All," a fast-paced, riff-heavy song that sets the tone for the rest of the record. This is followed by "Out of Sight, Out of Mind," a song that features catchy guitar riffs and a driving drum beat.
- State of Euphoria ( 1988, Germany ) - State of Euphoria ( 1988, USA )