- VITESSE - Self-Titled, Compilation 12" Vinyl LP Album
"Vitesse: Vitesse (Self-Titled, Compilation)" spins into the realm of Dutch Prog-Rock on the 12" Vinyl LP Album. This compilation is a curated collection of tracks recorded by Vitesse before 1979, offering a sonic journey through the early years of the band. Each track on this self-titled compilation resonates with the progressive rock spirit that defines Vitesse's musical evolution. A must-have for enthusiasts of Dutch Prog-Rock, this album encapsulates the band's formative period and stands as a cherished piece for collectors.
The self-titled compilation album by Dutch progressive rock band Vitesse, released on 12" vinyl LP, serves as a captivating time capsule of their early musical explorations. Emerging in the vibrant Dutch music scene of the 1970s, Vitesse embraced a unique blend of progressive rock, hard rock, and pop influences, crafting a sound that was both energetic and intricate.
Formed in 1975, Vitesse quickly gained recognition for their dynamic live performances and ambitious songwriting. The compilation album, released after their initial disbandment in 1982, captures the band's formative years, showcasing their evolving musical style and lyrical themes.
Musically, the album is a journey through various shades of progressive rock. From the driving rhythms and soaring guitar solos of "Out in the Country" to the introspective balladry of "Last Boat (From Ambon)," Vitesse demonstrates their versatility and willingness to experiment. The band's sound is characterized by complex arrangements, shifting time signatures, and a strong emphasis on melody.
At the forefront of Vitesse's sound was frontman Herman van Boeijen, whose charismatic stage presence and distinctive vocals became synonymous with the band's identity. Van Boeijen's lyrics often explored themes of personal freedom, social commentary, and the challenges of navigating a changing world.
The compilation album also highlights the contributions of other key members, including guitarist Jan van der Meij, bassist Peter Smid, drummer Herman Hollestelle, and keyboardist Ruud van Es. Their collective musicianship and collaborative spirit laid the foundation for Vitesse's unique sound.
The album's production, overseen by Pim Koopman, captures the raw energy and spontaneous spirit of Vitesse's early recordings. Recorded at various studios throughout the Netherlands, the album's sound is characterized by a warm, organic quality that allows the band's musicianship to shine through.
Despite their promising start, Vitesse's career was marked by internal conflicts and lineup changes. These challenges ultimately led to the band's disbandment, leaving behind a legacy of passionate music and unfulfilled potential.
In the evolving landscape of post-Beatles European rock, few Dutch bands captured the pulse of the moment quite like Vitesse. Formed in 1975, Vitesse became a fixture in the Netherlands’ vibrant rock scene, bridging the gap between 1970s classic rock and the slicker, sharper sounds of 1980s new wave. The band’s fluctuating lineups and stylistic shifts reflected not only internal artistic experimentation but also the broader transformations in popular music across two decades.
At the heart of Vitesse was Herman van Boeyen, a drummer whose relentless ambition and musical discipline defined the group. Van Boeyen, who had previously played with various Dutch bands, founded Vitesse with the goal of producing a high-energy rock act grounded in tight rhythms and accessible melodies. He would remain the band’s only constant member throughout its lifespan, often regarded as both its engine and its compass.
Vitesse’s earliest recordings, such as their debut album Vitesse (1976), showed a strong rock orientation with hints of glam and progressive influence—styles that still lingered in the Dutch scene at the time. The band’s follow-up, Out in the Country (1978), further honed their melodic sense, showcasing a shift toward a more concise and pop-oriented approach.
Despite solid musicianship, these initial efforts did not yet catapult Vitesse to mainstream success. Part of the challenge was the band's ever-changing lineup, a feature that would continue to define its history. Notably, during this period, Henny Vrienten, later of Doe Maar fame, briefly joined the band, contributing to its transitional sound before departing.
Vitesse’s fortunes changed in the early 1980s as they embraced the leaner aesthetics of new wave and power pop. With songs that combined catchy hooks, punchy guitar riffs, and precise drumming, they hit their commercial stride.
In 1982, the band released its biggest hit, "Rosalyn", a taut and infectious single that climbed into the Dutch Top 10. The track's success cemented Vitesse’s status as one of the leading Dutch rock acts of the era. Other notable songs like "Good Lookin’" and "Whole Lot of Travellin’" reinforced their appeal to both radio listeners and live audiences.
That same year saw the release of Live! 1982, a testament to their reputation as a compelling concert band, marked by tight instrumentation and charismatic performance.
Musically, Vitesse straddled genres: they weren’t strictly punk, nor entirely pop. They were often likened to British contemporaries such as The Police or Joe Jackson, blending reggae-influenced rhythm with pop songwriting and new wave aesthetics. What set them apart was the sheer rhythmic drive provided by van Boeyen’s drumming, anchoring a sound that was both muscular and danceable.
Despite their success, Vitesse could not sustain momentum in the changing musical climate of the late 1980s. By the early 1990s, their releases had diminished in impact, and the band ultimately faded from the public eye. Internal tensions, coupled with the pressures of constant reinvention, led to the group's dissolution by the mid-1990s.
Yet the legacy of Vitesse endures in Dutch music history. They are remembered not only for their hits and stage presence but for their role in bridging the golden age of 1970s rock with the streamlined polish of 1980s pop. In a country rich with musical innovation, Vitesse’s story is emblematic of the restless creativity that fueled a generation of Dutch musicians.
Herman van Boeijen is a Dutch drummer, bandleader, and producer best known as the founding force behind the rock band Vitesse. Active primarily during the late 1970s and 1980s, van Boeijen was a central figure in the Dutch new wave and rock scene. As the only permanent member of Vitesse throughout its many transformations, he defined the band's sound, vision, and work ethic.
Prior to forming Vitesse in 1975, Herman van Boeijen had worked as a session drummer and collaborated with various acts in the Dutch rock circuit. His technical precision and rhythmic drive earned him respect among musicians and producers alike. With Vitesse, he sought to create a band that combined musical craftsmanship with mainstream appeal, drawing inspiration from international rock, funk, and emerging new wave trends.
As the drummer and driving force behind Vitesse, van Boeijen oversaw a constantly shifting lineup that included talents like Rudi de Queljoe, Jan van der Meij, and even a young Henny Vrienten before his success with Doe Maar. Under van Boeijen’s direction, the band achieved several hits in the Dutch Top 40, most notably "Rosalyn" in 1982.
Vitesse was known for its energetic live performances and stylistic flexibility—qualities that reflected van Boeijen’s disciplined yet adventurous approach to music. Albums like Out in the Country, Rock Invader, and Live! 1982 capture the band at various creative peaks.
Herman van Boeijen’s drumming was crisp, tight, and heavily groove-oriented. He favored clarity and precision over flamboyance, aligning with the slick production styles of the early 1980s. His leadership extended beyond the drum kit; he co-produced albums, shaped the band's artistic direction, and navigated the complex realities of the Dutch music industry.
After Vitesse disbanded in the early 1990s, van Boeijen gradually stepped away from the public eye. Unlike many of his contemporaries, he did not pursue a solo career or enter the mainstream media. His post-Vitesse years remain largely private, though his contributions to Dutch rock are still acknowledged by fans and musicians familiar with the era.
Herman van Boeijen remains a respected figure in the history of Dutch popular music. As a drummer, he brought both precision and punch. As a bandleader, he exemplified perseverance and artistic vision. His work with Vitesse helped define an era in which Dutch rock found a unique and confident voice.
Rudi de Queljoe is a respected Dutch guitarist, best known for his work with the bands Brainbox and Vitesse during the 1970s and 1980s. His career is deeply tied to the evolution of Dutch rock, especially in its formative years when the Netherlands was producing a strong stream of internationally aware, technically skilled musicians.
Born in the Dutch East Indies (now Indonesia), Rudi later moved to the Netherlands. As part of the Indo-Dutch community, he brought a unique cultural and musical sensibility to Dutch rock, blending Western and Eastern influences into a soulful, rhythmic guitar style.
Rudi joined Brainbox as a replacement for the legendary Jan Akkerman. He helped carry the band’s progressive and blues rock sound into a more groove-oriented direction. His guitar work was key in maintaining the group’s momentum into the early 1970s.
Later, Rudi became a member of Vitesse, founded by drummer Herman van Boeyen. His contributions during the band's shift toward a tighter, new wave-influenced sound were significant. Though not always a core member, his guitar work added depth and energy to their studio and live recordings.
Rudi de Queljoe is known for:
Nederbeat, Pop-Rock, Funk-Soul
United Artists Records – UAG 30250
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1979 UK ( United Kingdom )
This is the front cover of the 12-inch vinyl LP album Vitesse - Vitesse (Self-Titled, Compilation), released in 1979. The artwork is striking in its minimalism and bold design.
The entire cover is dominated by a stylized version of the band's name, Vitesse, rendered in a sharp, sweeping script that conveys motion and speed. The logo is slanted diagonally from the lower left to the upper right, with elongated lines giving it a sense of propulsion. The main text is a vivid gradient of bright yellow and orange, outlined with a fine red border that creates a three-dimensional effect.
The logo is set against a deep, atmospheric background made up of swirling shades of dark blue and gray, resembling storm clouds or abstract mist, creating a moody and dramatic backdrop. This contrast makes the logo appear almost luminous. At the very top of the cover, in a small and understated sans-serif font, the word VITESSE appears in white uppercase letters, aligned center.
This visually impactful cover emphasizes the band’s energetic and modern identity in the Dutch rock scene of the late 1970s, using minimal text and a strong graphic focus to leave a memorable impression.
This is the back cover of the 12-inch vinyl LP album Vitesse - Vitesse (Self-Titled, Compilation), released in 1979. The visual design mirrors the front cover with a continued use of the moody, dark blue cloudy background that gives the album a dynamic and almost cinematic atmosphere.
Dominating the upper half of the cover is the large, diagonal Vitesse band logo, boldly rendered in yellow and orange with red outlines and a light blue oval background, conveying motion and energy. Above the logo, the full tracklisting is printed in all caps white text, separated into Side 1 and Side 2. Song titles are listed horizontally across the top of the sleeve, showcasing the complete contents of the compilation.
Directly beneath the logo is a row of four band member photographs, each enclosed in a square frame with their name and role captioned in small white uppercase letters:
Along the bottom are detailed production credits, naming producers, engineers, and visual designers. Notable credits include Gerrit Jan Leenders and Vitesse as producers, Jan van Vrijaldenhoven and Mike Stavrou as engineers, and artwork by Corners with design by Les May.
The UA (United Artists) logo is placed in the bottom right, confirming this as the 1979 UK release, catalog number UAG 30250. This version is distinct from other international editions due to its specific artwork, layout, and compilation tracklist.
This image shows Side One of the 12-inch vinyl LP Vitesse - Vitesse (Self-Titled, Compilation), released by United Artists Records in 1979. The record label is a classic cream/beige color with clean, centered typography in maroon and black.
Prominently displayed at the top is the stylized maroon UA (United Artists Records) logo, positioned above the full album title VITESSE. To the right of the spindle hole, the catalog number UAG 30250A is printed, indicating this is Side One of the UK pressing.
Seven tracks are listed, all credited to members of the band:
Below the track listing, production credits appear:
Produced by: Gerrit Jan Leenders (track 1), rest by Vitesse
Engineered by: Jan van Vrijaldenhoven and Mike Stavrou
Assistant Engineers: Michael Beekman and Tim Cuthbertson
The label also notes copyright and publishing rights: © 1979 Liberty / United Records Ltd. It specifies “All rights of the record producer and of the owner of the recorded work reserved,” a typical legal disclaimer for vinyl issues of the time.
This image shows Side Two of the 12-inch vinyl LP Vitesse - Vitesse (Self-Titled, Compilation), released by United Artists Records in 1979. Like Side One, the label has a cream-colored background with maroon and black print, consistent with United Artists’ late-70s visual identity.
At the top is the bold, stylized UA (United Artists Records) logo in maroon, centered above the catalog number UAG 30250B. The band name VITESSE appears prominently below the spindle hole, followed by a detailed track listing of seven songs:
The publishing credits mostly reference EMI Music Publishing Ltd., except for track 5 which is under Copyright Control, hinting at a broader or different rights arrangement for that particular song.
Production credits at the bottom mirror those on Side One:
Produced by: Gerrit Jan Leenders (selected tracks), and by Vitesse
Engineered by: Jan van Vrijaldenhoven and Mike Stavrou
Assistant Engineers: Michael Beekman and Tim Cuthbertson
Copyright information reads: © 1979 Liberty / United Records Ltd. The label also includes a standard notice prohibiting unauthorized reproduction, public performance, and broadcasting.
Between 1960 and 1980, the Netherlands witnessed a musical boom as several bands found their unique voices and even international success. Unbound by a single genre, they shared a drive for musicality, originality, and expression. Here's a look at the most important players of that era.
Formed in 1961 in Beverwijk, Bintangs are one of the oldest still-active Dutch rock bands. Their sound, rooted in raw rhythm & blues, was gritty and unpolished. While they never had a major international breakthrough, they laid the groundwork for the Dutch rock culture with energetic live shows.
Founded by Harry Muskee and Eelco Gelling, they brought heartfelt blues to the Netherlands. Collaborations with blues legends like Eddie Boyd validated their authenticity. Albums like Desolation (1966) are now considered classics of Dutch pop history.
Led by keyboardist Rick van der Linden, Ekseption fused classical compositions by Bach and Beethoven with jazz-rock and psychedelia. Their instrumental prowess made complex music accessible, with their take on Bach's Fifth Symphony becoming a hit.
With guitarist Jan Akkerman and flutist/keyboardist Thijs van Leer, Focus created a unique blend of symphonic rock, jazz, and baroque. Hits like Hocus Pocus and Sylvia earned them international success, especially in the US and UK.
Later renamed Golden Earring, the band evolved from a 1960s beat group to stadium rock legends. Their international hit Radar Love (1973) remains a rock radio staple. They combined hard rock with pop and psychedelia across decades.
Founded by Ton Scherpenzeel and Pim Koopman in 1972, Kayak leaned into melodic, theatrical prog rock. While not breaking into the US market, they found a strong European following. Their ballad Ruthless Queen (1979) became a hallmark.
Among the few Dutch blues-rock bands with success abroad, especially in Poland and Germany. With Ted Oberg and Nicko Christiansen, they merged Chicago blues with European flavor in tracks like Wang Dang Doodle.
Formed by Dutch-Moluccan musicians, Massada fused Latin rhythms with rock and funk. Their 1978 hit Sajang É showcased their cultural roots and musical innovation, offering a fresh sound to Dutch audiences.
Founded by Herman van Boeyen, Vitesse constantly shifted styles—from funk to new wave. They achieved success in the early 1980s with hits like Rosalyn and Good Looking, influencing the Dutch pop scene.
This era was a golden age for Dutch rock. These bands proved that the Netherlands was not just following global trends but innovating with its own sound. From raw blues to virtuosic prog and Latin fusion, each group contributed to a rich musical heritage that still echoes today.
This album "BINTANGS Rhythm & Blues PROMO " is a 12" Promotional LP and has been distributed to DJ's. The label has "Special DJ Pleaser" printed on it (near 3''o clock) . This EP holds four tracks and introduces you to Bintangs' music: Rock, Rock, Rhythm & Blues,it must be be going round. Pieter Puntschoen
Learn moreCuby & The Blizzards' 'Appleknockers Flophouse' 7" Vinyl Single, released on 24 November 1969, is a blues-rock gem. This Dutch band, led by Harry Muskee, crafted a gritty, raw sound. The single, featuring the title track and 'Because of Illness' showcases their bluesy prowess and marked a pivotal moment in European blues-rock history.
Learn moreIn 1967, Cuby & The Blizzards released "Groeten Uit Grollo," a seminal 12" vinyl LP album that introduced pianist Herman Brood to the band. This blues masterpiece delivers a timeless journey through the Dutch blues scene, featuring tracks like "Another Day, Another Road" and "Another Land." With its soulful storytelling, this album remains a cornerstone of European blues-rock history.
Learn moreCuby & The Blizzards' 1970 7" Picture Sleeve Vinyl Single features two tracks, 'Thursday Night' and 'Wee Wee Baby.' These Dutch blues-rock legends deliver their signature sound with raw energy and soul. This single captures a snapshot of their musical prowess, making it a must-have for collectors of the era's vinyl gems.
Learn moreEkseption's iconic single: Beethoven's "5th" gets a prog-rock makeover, paired with the explosive energy of "Sabre Dance". A must-have for adventurous music fans!
Learn moreEkseption's "Classic In Pop" reimagines your favorite classical hits with a prog-rock twist! Bach, Beethoven, and more get a thrilling, modern makeover.
Learn moreIn the heart of the Dutch countercultural movement of the late 1960s, a progressive rock band named Focus emerged, ready to push the boundaries of musical exploration. Their debut album, "In and Out of Focus," released in 1970, was a testament to their innovative spirit and technical prowess.
Learn moreIn 1973, Dutch progressive rock band Focus took the stage at the legendary Rainbow Theatre in London. The energy of that night was captured on their live album, "Focus – Live At the Rainbow," released on 12" vinyl with a distinctive gimmick die-cut gatefold cover featuring two flaps.
Learn moreBy the mid-70s, Focus had solidified their position as one of the leading progressive rock bands, known for their virtuosic musicianship and eclectic sound. "Ship of Memories" arrived at a time when the band was transitioning between lineups and exploring new musical directions.
Learn more"Golden Earring's 1975 compilation album, 'The Best Of Golden Earring 10 Years 20 Hits,' is a sonic journey through the vibrant '70s rock scene. Released by Arcade Records, the LP features iconic tracks like 'Radar Love' and 'Another 45 Miles,' showcasing the Dutch band's musical evolution. This collectors' gem, in 12" Vinyl LP format, transcends time, highlighting Golden Earring's enduring legacy in the annals of rock history."
The Best Of Golden Earring 10 Years 20 Hits 12" Vinyl LPGolden Earring's 1976 album, "Contraband," epitomizes the 1970s rock scene. The LP, a blend of live energy and studio innovation, mirrors the era's musical evolution. Characterized by analog warmth, the production reflects meticulous attention. The album cover, a visual ode to 1970s European aesthetics, complements the LP's sonic journey. "Contraband" remains a cherished artifact, encapsulating the spirit of a musical epoch.
Contraband 12" Vinyl LPGolden Earring's 1976 album, "To The Hilt," is a sonic masterpiece featuring a fusion of rock, prog, and hard rock. Produced by the band and Fred Haayen, it showcases meticulous sound engineering by John Kriek and Robert Ash. The iconic album cover, designed by Hipgnosis, reflects the surreal and hypnotic spirit of the music.
To The Hilt 12" Vinyl LP AlbumGolden Earring's Live Vinyl 2LP Album, released in 1977 Germany, epitomizes the musical spirit of the era. Produced by John Kriek for Red Bullet Productions, the album seamlessly captures the raw energy of the band's live performance. With a striking cover illustration by Koos van Oostrom and photography by Paul Gerritsma and Dorine v/d Valk, it became a cultural touchstone, leaving an enduring legacy in the musical landscape of 1977.
Live ( Double LP ) 12" 2LP VinylGolden Earring's 1980 release, "Prisoner Of The Night" (titled "Long Blond Animal" in the USA), epitomizes the dynamic crossroads of rock music in the early '80s. Meticulously produced, it blends the band's mature sound with Robert Jan Stips' unique contributions. From infectious energy to introspective moments, the album remains a sonic masterpiece, leaving an indelible mark on Dutch rock history and influencing subsequent generations.
Prisoner Of The Night 12" Vinyl LPThe Golden Earrings' 1967 release, "Winter Harvest," encapsulates the Nederbeat spirit of the late '60s. Recorded during 1965-66, the album, with the 'S' in the band's name, captures the essence of Dutch counterculture and musical experimentation. The LP's production reflects the technical challenges of the era, offering a raw, authentic sound. This timeless gem stands as a testament to the band's evolution and its role in shaping the dynamic cultural landscape of the 1960s.
Winter Harvest Nederbeat 12" Vinyl LPIn the heart of the mid-70s, amidst the swirling chaos of prog rock's heyday, Dutch outfit KAYAK unleashed a live album that captured the raw energy and intricate musicality of their prime. "EyeWitness" is a double-LP live set recorded during their 1977 European tour
Eyewitness (Live) 12" Vinyl LPKAYAK had navigated the shifting tides of the music industry for nearly a decade. They'd witnessed the rise and fall of prog, the emergence of punk, and the ever-changing tastes of the public. Yet, throughout it all, they remained committed to their own unique brand of symphonic rock
The Last Encore 12" Vinyl LPKAYAK emerged from the fertile Dutch prog scene, a hotbed of experimentation and virtuosity. They drew from the genre's well-established tropes – intricate song structures, shifting time signatures, and symphonic flourishes – but infused them with a uniquely European sensibility.
Merlin 12" Vinyl LP"Periscope Life" is a testament to this transformation. Gone are the sprawling epics and intricate arrangements of their earlier work. In their place are shorter, punchier songs driven by synthesizers, drum machines, and a newfound emphasis on rhythm. Ton Scherpenzeel's keyboards
Periscope Life 12" Vinyl LPIn 1978, Dutch progressive rock stalwarts Kayak released their sixth studio album, "Phantom of the Night." This collection marked a stylistic shift for the band, showcasing a more polished pop-rock sound while retaining their signature symphonic flourishes.
Phantom Of The Night 12" Vinyl LPL.B. Boogie / Johnny W. is a classic 7-inch single from 1972 by Dutch blues rock legends Livin' Blues. Featuring a powerful A-side boogie track and a soulful ballad on the flip, this record captures the band's dynamic range and gritty sound, marking one of their standout releases during the peak of the Nederblues era.
Learn moreWang Dang Doodle is the 1970 breakthrough album by Dutch blues rock pioneers Livin' Blues. With raw vocals and searing guitar work, the band reinterprets Willie Dixon’s classic on the title track and delivers a fierce blend of electric blues across the LP. A landmark of Nederblues, it firmly established their reputation across Europe.
Learn moreMassada's "Pukul Tifa" 12" LP Vinyl Album, released in 1979, is a captivating offering from the Dutch Latin Fusion band. Recorded at the Relight Studio in Hilvarenbeek, this album is a musical journey that defies boundaries. The accompanying web page provides high-resolution images of the album cover and record label, along with a comprehensive description, making it a valuable resource for fans of this unique fusion sound.
MASSADA - Pukul Tifa 12" Vinyl LP AlbumMassada's "Pusaka" Gatefold 12" Vinyl LP Album, released in 1980, showcases the Dutch/Moluccan band's musical prowess. Highlighted by the hit track "Sajang É", the album also features guest singers from "Rainbow Train". "Pusaka", a term of Indonesian origin, translates to "heirloom" or "heritage", reflecting the band's diverse cultural influences and their commitment to preserving and sharing their musical legacy.
MASSADA - Pusaka 12" Vinyl LP Album"Vitesse: Self-Titled, Compilation" spins into the realm of Dutch Prog-Rock on the 12" Vinyl LP Album. This compilation is a curated collection of tracks recorded by Vitesse before 1979, offering a sonic journey through the early years of the band. Each track on this self-titled compilation resonates with the progressive rock spirit that defines Vitesse's musical evolution. A
Vitesse Self-Titled