In the murky depths of the early 80s, as the bloated carcass of prog rock sank slowly beneath the waves, Dutch stalwarts KAYAK surfaced with a surprising new sound. "Periscope Life," their 1980 offering, was a radical departure from their symphonic rock roots, a daring plunge into the uncharted waters of new wave and synth-pop.
Historical Context and Musical Exploration
KAYAK had navigated the treacherous currents of the music industry for over a decade. They had witnessed the rise and fall of prog, the emergence of punk, and the ever-shifting tides of public taste. But instead of clinging to the wreckage of their past, they embraced the winds of change, transforming themselves into a leaner, meaner, and decidedly more electronic outfit.
"Periscope Life" is a testament to this transformation. Gone are the sprawling epics and intricate arrangements of their earlier work. In their place are shorter, punchier songs driven by synthesizers, drum machines, and a newfound emphasis on rhythm. Ton Scherpenzeel's keyboards, once the backbone of their symphonic sound, now take on a sharper, more angular edge. Max Werner's vocals, once soaring and operatic, are now delivered with a cool, detached swagger.
The album's title track, "Periscope Life," quickly became a fan favorite, with its catchy chorus and driving beat. The song's lyrics, which touch on themes of isolation and alienation, resonated with listeners who were grappling with the uncertainties of the changing world.
Another standout track is "Stop That Song," a danceable number that showcased the band's newfound love of electronic rhythms. Its pulsing bassline and infectious melody made it a staple of alternative radio stations, earning KAYAK a new generation of fans.
Genre and Controversies
KAYAK's new sound was not without its detractors. Some longtime fans were dismayed by the band's abandonment of their prog roots, accusing them of selling out to commercial interests. Others praised their willingness to evolve and embrace new sounds, hailing "Periscope Life" as a bold and innovative move.
The controversy surrounding the album only fueled its popularity. It became a hit in Europe, reaching the top of the charts in the Netherlands and earning critical acclaim from those who appreciated its fresh approach.
Production Team and Recording Studio
"Periscope Life" was recorded at Wisseloord Studios in Hilversum, Netherlands, a state-of-the-art facility that had hosted numerous Dutch acts. The album was produced by KAYAK themselves, a testament to their commitment to artistic control. They enlisted the help of engineer John Kriek, whose expertise in electronic music helped to shape the album's unique sound.
The production is slick and polished, showcasing the band's newfound love of synthesizers and drum machines. The album's mix is particularly impressive, with the various elements of the band's sound – vocals, keyboards, guitars, drums – blending seamlessly to create a cohesive and dynamic listening experience.
