LIVIN' BLUES - L.B. Boogie b/w Johnny W. - 7" Vinyl SIngle

- Johnny W. is short for Johnny Walker (The Whiskey)

Livin' Blues' 7" vinyl single L.B. Boogie / Johnny W. features two classic blues rock songs, one a hard-driving rocker and the other a soulful ballad. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

 

Front Cover Photo Of LIVIN' BLUES - L.B. Boogie / Johnny W. 7" Vinyl Single

Description:

Livin' Blues - L.B. Boogie / Johnny W. is a 7" vinyl single released in February 1972 by the Dutch blues rock band Livin' Blues. The A-side, "L.B. Boogie," is a hard-driving blues rocker with a catchy riff. The B-side, "Johnny W.," is a slower, more soulful blues ballad. Both songs were written by the band's lead singer, Lonnie Brooks.

The single was a commercial success, reaching number 11 on the Dutch charts. It helped to establish Livin' Blues as one of the leading blues rock bands in Europe. The single was also well-received by critics, who praised the band's powerful musicianship and Brooks' soulful vocals.

"L.B. Boogie" and "Johnny W." are two of Livin' Blues' most popular songs. They have been featured on numerous compilation albums and have been covered by many other artists. The songs continue to be enjoyed by fans of blues rock music today.

Here is a more detailed summary of each song:

  • L.B. Boogie is a hard-driving blues rocker with a catchy riff. The song opens with a driving guitar riff played by Lonnie Brooks. The rest of the band joins in, and the song quickly builds to a powerful crescendo. Brooks' vocals are soulful and passionate, and he delivers the lyrics with conviction. The song is a perfect example of Livin' Blues' hard-driving blues rock sound.
  • Johnny W. is a slower, more soulful blues ballad. The song opens with a simple piano melody played by John Engels. Brooks' vocals are soft and tender, and he sings the lyrics with great feeling. The song is a moving ballad about a man who is lost in love. It is one of Brooks' most personal songs, and it is a powerful example of his vocal talent.

Livin' Blues - L.B. Boogie / Johnny W. is a classic 7" vinyl single by one of the leading blues rock bands in Europe. The single features two great songs, and it is a must-have for fans of blues rock music.

Music Genre:

Blues, Blues Rock, Nederblues, Nederpop
Producers:  Produced by Jaap Eggermont, Red Bullet Productions, Dayglow Music
Tracks side 1:  L.B. Boogie (Christiansen, Oberg, La Grand) 
Tracks side 2:  Johnny W.

Record Label & Catalognr:

Philips 6075 135 (6075135)

Vinyl Record Format:

 7" Single, PS Picture Sleeve  
Country: Made in Holland
Front Cover Photo Of LIVIN' BLUES - L.B. Boogie / Johnny W. 7" Vinyl Single

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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Close up of record's label LIVIN' BLUES - L.B. Boogie / Johnny W. 7" Vinyl Single Side One:
Close up of record's label LIVIN' BLUES - L.B. Boogie / Johnny W. 7" Vinyl Single Side One

Record Label Details: © Copyright ℗ Sound Copyright

The Golden Era of Dutch Progressive and Rock Music (1960–1980)

Between 1960 and 1980, the Netherlands witnessed a musical boom as several bands found their unique voices and even international success. Unbound by a single genre, they shared a drive for musicality, originality, and expression. Here's a look at the most important players of that era.

BINTANGS

Formed in 1961 in Beverwijk, Bintangs are one of the oldest still-active Dutch rock bands. Their sound, rooted in raw rhythm & blues, was gritty and unpolished. While they never had a major international breakthrough, they laid the groundwork for the Dutch rock culture with energetic live shows.

CUBY & THE BLIZZARDS

Founded by Harry Muskee and Eelco Gelling, they brought heartfelt blues to the Netherlands. Collaborations with blues legends like Eddie Boyd validated their authenticity. Albums like Desolation (1966) are now considered classics of Dutch pop history.

EKSEPTION

Led by keyboardist Rick van der Linden, Ekseption fused classical compositions by Bach and Beethoven with jazz-rock and psychedelia. Their instrumental prowess made complex music accessible, with their take on Bach's Fifth Symphony becoming a hit.

FOCUS

With guitarist Jan Akkerman and flutist/keyboardist Thijs van Leer, Focus created a unique blend of symphonic rock, jazz, and baroque. Hits like Hocus Pocus and Sylvia earned them international success, especially in the US and UK.

GOLDEN EARRINGS

Later renamed Golden Earring, the band evolved from a 1960s beat group to stadium rock legends. Their international hit Radar Love (1973) remains a rock radio staple. They combined hard rock with pop and psychedelia across decades.

KAYAK

Founded by Ton Scherpenzeel and Pim Koopman in 1972, Kayak leaned into melodic, theatrical prog rock. While not breaking into the US market, they found a strong European following. Their ballad Ruthless Queen (1979) became a hallmark.

LIVIN' BLUES

Among the few Dutch blues-rock bands with success abroad, especially in Poland and Germany. With Ted Oberg and Nicko Christiansen, they merged Chicago blues with European flavor in tracks like Wang Dang Doodle.

MASSADA

Formed by Dutch-Moluccan musicians, Massada fused Latin rhythms with rock and funk. Their 1978 hit Sajang É showcased their cultural roots and musical innovation, offering a fresh sound to Dutch audiences.

VITESSE

Founded by Herman van Boeyen, Vitesse constantly shifted styles—from funk to new wave. They achieved success in the early 1980s with hits like Rosalyn and Good Looking, influencing the Dutch pop scene.

Conclusion: An Eclectic Musical Legacy

This era was a golden age for Dutch rock. These bands proved that the Netherlands was not just following global trends but innovating with its own sound. From raw blues to virtuosic prog and Latin fusion, each group contributed to a rich musical heritage that still echoes today.

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