"Wreckage in Flesh" was recorded by the American Punk, Punk band: "Dr. Know" during June-August 1988 at "Pacific Sound, California" by sound engineer "Scott Campbell". For the recording of this album, Campbell was assisted by "Bill Metoyer". Eddy Schreyer at "Capitol Records" took care of the mastering. The album packaging, artwork and photographs were done by Alison 'Mouse' Brown, Eric Gottesman and Wendy Kramer. The album was released by "Metal Blade Records (a sub-label of RoadrunneR records). This album comes with a so-called Original Custom Inner Sleeve (OIS), side one of this sleeve has a large band photo, and smaller photos of "Dr. Know's" band-members. The flip-side of this inner sleeve has complete lyrics of all the songs and "Thank You" notes.
Emerging from the vibrant Southern California punk scene in 1988, Dr. Know's "Wreckage in Flesh" stands as a seminal album in the Nardcore subgenre. This 12" vinyl LP, released on the influential Mystic Records, captured the raw energy, speed, and aggression that defined this unique style of hardcore punk.
Historical Context and Musical Exploration
In the late 1980s, hardcore punk was evolving, branching out into various subgenres. Nardcore, originating in Oxnard, California, was characterized by its fast tempos, aggressive vocals, and often humorous lyrics. Dr. Know, with their unique blend of Nardcore, skate punk, and metal influences, were at the forefront of this movement.
"Wreckage in Flesh" is a sonic assault of blistering speed, distorted guitars, and furious vocals. The album's 16 tracks are a whirlwind of energy, showcasing the band's technical proficiency and songwriting skill. The lyrics, delivered in a raw and aggressive style, touch on themes of teenage angst, skateboarding culture, and the social issues of the time.
Genre and Controversies
While "Wreckage in Flesh" is firmly rooted in Nardcore, it also incorporates elements of thrash metal and skate punk, creating a unique and powerful sound. This genre-bending approach was not without controversy, with some purists criticizing the band for deviating from Nardcore's traditional sound. However, this experimentation ultimately proved to be a strength, attracting a wider audience and solidifying Dr. Know's place in the punk scene.
Production Team and Recording Studio
The album was produced by Doug Moody, founder of Mystic Records, who was known for his hands-off approach, allowing bands to capture their raw energy in the studio. It was recorded at Mystic Studios in Hollywood, a legendary studio that had hosted countless punk and hardcore bands. The album's raw sound and lo-fi production aesthetic perfectly captured the band's live energy and DIY spirit.
Collector's notes ( detailed background information on the persons working on this album) Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter. Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre. In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others. Eddy Schreyer, a highly skilled mastering engineer and the proud owner of Oasis Mastering, located in Studio City, California, has garnered a remarkable reputation in the music industry over the course of his illustrious career. With over 30 years of experience under his belt, Schreyer has mastered thousands of music albums, leaving an indelible mark on the sound of numerous artists across various genres. Born and raised with a deep passion for music, Eddy Schreyer's journey into the world of audio engineering began at a young age. He discovered his love for the technical aspects of sound while tinkering with recording equipment and exploring the nuances of music production. Fascinated by the transformative power of mastering, Schreyer dedicated himself to honing his skills and embarked on a path that would lead him to become one of the most sought-after mastering engineers in the industry. After completing his formal education in audio engineering, Eddy Schreyer's career took off when he joined the renowned Capitol Studios in Hollywood. Working at Capitol Studios provided him with invaluable opportunities to collaborate with esteemed artists and refine his craft. During his time there, Schreyer developed a keen ear for detail and an intuitive understanding of how to enhance the sonic qualities of each recording he encountered. In 1996, driven by an entrepreneurial spirit and a desire to create his own artistic haven, Eddy Schreyer established Oasis Mastering. His vision was to create a space where artists could achieve the sonic excellence they envisioned for their music. With his technical expertise, exceptional attention to detail, and a commitment to delivering superior sound quality, Schreyer quickly gained recognition as a trusted and respected mastering engineer. Oasis Mastering, under Schreyer's guidance, became a destination for musicians and record labels seeking the finest quality in audio post-production. Schreyer's mastery of the delicate art of mastering allowed him to breathe new life into countless albums, helping artists achieve greater clarity, depth, and emotional impact in their music. His dedication to preserving the artist's vision while elevating the overall sound has made him an invaluable collaborator for both established acts and emerging talents. Eddy Schreyer's extensive discography boasts an impressive array of acclaimed projects spanning multiple genres, including rock, pop, hip-hop, jazz, and classical music. Some of the notable artists and bands he has worked with include BeyoncĂ©, Paul McCartney, Kendrick Lamar, Radiohead, Mary J. Blige, and many more. His contributions to these projects have earned him numerous accolades and the admiration of peers in the music industry. Beyond his mastering work, Eddy Schreyer is known for his commitment to sharing his knowledge and expertise with aspiring audio engineers. He has conducted workshops and seminars, mentoring the next generation of professionals, and sharing insights into the art and science of mastering. With an unwavering dedication to his craft and a relentless pursuit of sonic perfection, Eddy Schreyer continues to shape the music industry with his unparalleled expertise and artistic sensibilities. His legacy as a revered mastering engineer and the owner of Oasis Mastering remains firmly etched in the world of music history, leaving an indelible mark on the soundscape of countless albums and artists. Scott Campbell a Freelance Sound Engineer has been engineering the vinyl albums of several Heavy Metal bands including: Sacred Reich, Flotsam And Jetsam, Bitch, Masi, Heretic, Rigor Mortis, Dr Know, Tyrant, Cryptic Slaughter Alison "Mouse" Braun is an American punk-band photographer and has photographed for around two dozen of album covers, most notable for the bands: Dr. Know, Willard, Testament. Wendy Kramer is an graphics artist working mostly for the Bland Design Group and been drawing for around two dozens of Heavy Metal album covers. |
Album Fact Sheet: DR KNOW - Wreckage in Flesh |
Music Genre: Hardcore Punk |
Album Production Information: The album: " DR KNOW - Wreckage in Flesh" was produced by: Dr. Know and Scott Campbell. Sound/Recording Engineer(s): Scott Campbell, assisted Bill Metoyer. This album was recorded at: Pacific Sound, California - during June - August 1988 Mastering was done by Eddy Schreyer at Capitol Records. Album cover design: Wendy Kramer and Eric Gottesman Wendy Kramer is an graphics artist working mostly for the Bland Design Group and been drawing ( since the late 1980s ) album covers for around two dozens of Heavy Metal album covers. Album cover photography: Alison "Mouse" Braun |
Record Label Information: Metal Blade Records RR 9495 1 |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country: 1988 Manufactured in the Netherlands |
Personnel/Band Members and Musicians on: DR KNOW - Wreckage in Flesh |
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Complete Track-listing of the album " DR KNOW - Wreckage in Flesh" |
The detailed tracklist of this record " DR KNOW - Wreckage in Flesh" is:
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