ABRASIVE WHEELS - When The Punks Go Marching In 12" LP Vinyl Album

- Genuine Riot City Records Release

  "Abrasive Wheels" were a punk rock band of the late 1970s - early 1980s. They hailed from Leeds, England and were seldom out of the Independent charts between 1980 and 1984 when the band split. The band were Shonna Rzonca - vocals, Dave Ryan - guitar, Harry Harrison - bass, Nev Nevison - drums.

  This album "When The Punks Go Marching In" by "ABRASIVE WHEELS" is the original issue on Riot City records. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

Stamper/Matrix codes:
Side A: When The Wheels Go Marching in CITY 001 A
Side B: CITY 001 B

large album front cover photo of: Vixen - Edge of a Broken Heart

Abrasive Wheels: "When The Punks Go Marching In" - A Raw Punk Manifesto
Album Description:

In the early '80s, the UK punk scene was a boiling cauldron of raw energy and unbridled rebellion. Enter Abrasive Wheels, a band that captured the angst and fury of the era with their debut album, "When The Punks Go Marching In." Released in 1982 under Riot City Records, this 12" LP vinyl is a quintessential slice of punk rock history, resonating with the disillusionment and defiance that defined a generation.

Historical Context:

The early 1980s were a turbulent time in Britain. Economic instability, rising unemployment, and political unrest fueled a pervasive sense of disenchantment among the youth. Punk rock emerged as the voice of this disaffected generation, a sonic rebellion against the establishment. Abrasive Wheels, hailing from Leeds, Yorkshire, were at the forefront of this movement, channeling the frustrations and hopes of the youth into their music.

Musical Exploration and Genre:

"When The Punks Go Marching In" is a relentless assault of fast-paced, high-energy tracks that embody the essence of classic punk. The album kicks off with "Vicious Circle," setting the tone with its aggressive guitar riffs and rapid-fire drumming. Tracks like "1982" and "Voice of Youth" encapsulate the band's raw sound and socio-political commentary, tackling themes of political disillusionment and youth rebellion.

Abrasive Wheels' sound is characterized by its simplicity and directness. The band eschews complex arrangements in favor of straightforward, hard-hitting music that speaks directly to the listener's emotions. The songs are short, sharp bursts of energy, each one a punk rock anthem in its own right.

Controversies and Impact:

As with many punk bands of the era, Abrasive Wheels were no strangers to controversy. Their outspoken lyrics and defiant attitude often put them at odds with the authorities and conservative segments of society. The song "Burn 'em Down," for instance, was seen as a call to arms against the oppressive structures of the time, sparking debates and sometimes outrage.

Despite, or perhaps because of, these controversies, the band garnered a dedicated following. Their music resonated with those who felt marginalized and voiceless, providing a soundtrack to their struggle and defiance.

Production Team and Recording Studio:

The raw, unpolished sound of "When The Punks Go Marching In" is a testament to the production team and recording environment. The album was produced by Patrick "Paddy" O'Hare, whose approach emphasized the band's live energy and gritty sound. Recording took place at Cargo Studios in Rochdale, a venue known for its association with the burgeoning punk and post-punk scenes.

Cargo Studios provided the perfect backdrop for Abrasive Wheels' music. The studio's stripped-down, no-frills atmosphere allowed the band to focus on their performance, capturing the intensity and spontaneity that are hallmarks of the punk genre.

Classic Punk Sound:

At its core, "When The Punks Go Marching In" is a celebration of classic punk rock. The album's raw energy, aggressive guitar work, and defiant lyrics encapsulate the spirit of punk. Each track is a burst of unfiltered emotion, reflecting the band's commitment to authenticity and rebellion.

From the anthemic title track to the incendiary "Shout It Out" and "Slaughterhouse," the album is a relentless ride through the punk landscape. The music is loud, fast, and unapologetically abrasive, a perfect representation of the band's name and ethos.

When the Saints Go Marching in
Album Title's Origins:

The title "When The Punks Go Marching In" is a clever twist on the traditional gospel song "When the Saints Go Marching In." The original song is a well-known American gospel hymn that expresses a longing to be in Heaven when the saints enter. Abrasive Wheels repurposed this title to fit the punk ethos, substituting "punks" for "saints," thus encapsulating the rebellious and anti-establishment spirit of the punk movement.

By reimagining the traditional hymn, the band underscores the idea that punks, like saints, are a distinct and unified group marching to the beat of their own drum. This title reflects the band's defiant stance and their vision of punk as a force of change and solidarity. It's a proclamation of the punk community's arrival and impact, asserting their presence and importance in the cultural landscape of the time.

Music Genre:

British Punk Rock 

Album Production Information:

The album: "When The Punks Go Marching In" by "ABRASIVE WHEELS" was produced by: Mike Stone

Sound/Recording Engineer(s): Dave and Bob Whiteley

This album was recorded at: September Sound Studios, Golcar, Huddersfield , September 1982. ( Golcar is a village located on a hillside crest above the Colne Valley in West Yorkshire, England .)

Mike Stone (Full-name: Michael Richard Seth Stone, 1951-2002) an American record producer and engineer who has worked with a wide range of rock and metal bands. He was born on 21 December 1951, in New York City.

Stone began his career as an engineer at Record Plant Studios in New York, where he worked on albums by artists such as KISS, Blue Öyster Cult, and Aerosmith. He later moved to Los Angeles and worked at Cherokee Studios, where he became known for his work with bands such as Queen, Van Halen, and Journey. He has produced all of Demon's records since 1981, many of Discharge's albums as well as producing several other bands.

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Stone is perhaps best known for his work with Queen on their albums "News of the World" and "The Game," which included hits such as "We Will Rock You," "We Are the Champions," and "Another One Bites the Dust." He also worked with Journey on their album "Escape," which included the hit singles "Don't Stop Believin'" and "Open Arms."

In addition to his work as a producer and engineer, Stone has also served as a mixer, remixer, and mastering engineer on numerous albums. He has received several Grammy nominations for his work and has been recognized for his contributions to the field of audio engineering.

 

Record Label Information:

Riot City - CITY 001

Riot City was a British record label based in Bristol, active between 1980 and 1988, and run by Heartbeat Records boss Simon Edwards along with Dave Bateman and Shane Baldwin from the band Vice Squad.

Media Format:

12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram 

Year & Country:

1982 Made in France
Complete Track-listing of the album "When The Punks Go Marching In" by "ABRASIVE WHEELS"

The detailed tracklist of this record "ABRASIVE WHEELS - When The Punks Go Marching In" is:

    Track-listing :
  1. Vicious Circle
  2. 1982
  3. Danger, Danger
  4. B. B. C.
  5. Mayday
  6. Voice Of Youth
  7. Just Another Punk Band
  8. Gotta Run
  9. Burn 'Em Down
  10. Shout It Out
  11. Slaughterhouse
  12. First Rule (No Rule)
  13. Attack
  14. When The Punks Go Marching In
High Quality Photo of Album Front Cover  "When The Punks Go Marching In" by "ABRASIVE WHEELS"
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Album Back Cover  Photo of "When The Punks Go Marching In" by "ABRASIVE WHEELS"

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Enlarged High Resolution Photo of the Record's label ABRASIVE WHEELS - When The Punks Go Marching In https://vinyl-records.nl

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

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