Pink Floyd - Wish You Were Here 12" Vinyl LP Album

- East-German release on Amiga Records

Released during a tumultuous period, Pink Floyd's "Wish You Were Here" 12" Vinyl LP on Amiga Records in East Germany symbolizes a unique cultural intersection. Amidst Cold War tensions, this musical masterpiece transcended boundaries, resonating globally. Its intricate soundscapes and poignant lyrics mirrored the zeitgeist, fostering a connection that surpassed geopolitical divides. The East German release adds a layer of historical significance, encapsulating the album's enduring impact during a pivotal time.

 

High Resolution Photo #1 PINK FLOYD Wish You Were Amiga

Transcript of liner notes

A transcript of the origial of the East-German release of "Wish You Were Here" with history of Pink Floyd's discography with background information on "Wish You Were Here" ( in German Language )

„Wish You Were Here”, das neunte Album von Pink Floyd, erschien Mitte September 1975. Mehr als zwei Jahre waren seit der letzten Produktion "The Dark Side Of The Moon" (1973) inzwischen vergangen, the mit einem geradezu sensationellen Erfolg der Gruppe nach rund sechs Jahren pausenloser Aktivitaten zwischen Studioarbeit und TourneestreR den damaligen Hohe-punkt ihrer Entwicklung gebracht hatte.

Trotzdem, oder vielleicht eher weil das Ziel des ganz groRen Erfolgs damit nun erreicht schien, befanden sich the vier Musiker auf einem Tiefpunkt ohnegleichen, der ihre Kreativitat vollig lahmte und wohl auch von den ersten physischen und psychischen VerschleiRerscheinungen zeugte. Es war 1965, als sich Roger Waters (geb. 6. 9. 1944 - bg, voc, keyb, syn), Rick Wright (geb. 28.7. 1945 - keyb, syn, voc), Nick Mason (geb. 27.1.1945 - dr, perc) und damals noch Syd Barret (geb. 6.1.1946 -g, voc) zu Pink Floyd zusammenfanden.

Wenig spater schon begannen sie im Rahmen des Sound Light Workshop der London Free School in Notting Hill Gate mit dem Aufbau einer Mixed Media Show. Damit sorgten sie fur Schlagzeilen in der englischen Musik-presse, noch bevor Oberhaupt eine Platte erschienen war.

Mit Diaprojektionen, Spotlights und rhythmisch wechselnden farbigen Scheinwerfer-Kombinationen waren sie 1966 die erste britische Band, die eine Licht-Show benutzte. Die Musik dazu setzte sich aus Ober-einandergeturmten Orgelakkorden zusammen, die von kreischenden Gitarrenlinien durchschnitten wurden und mit den merkwOrdigsten Soundeffekten gekoppelt waren.

Auf ihrer (1967 erschienen) Debut-LP The Piper At The Gates Of Dawn" versuchten sie dann, dieses ganz aus der Verbindung von Klang und Licht entwikkelte Konzept auch im Studio zu reproduzieren. 1968 mussten sie Syd Barret, der als Folge seines Drogenmiss-brauchs mehr und mehr in Apathie versank, gegen David Gilmour (geb. 6. 3.1946 - g, voc, syn) auswechseln und verloren damit zugleich den Song-schreiber der Band; eine Aufgabe, die Pink Floyd fortan im Kollektiv realisierten, wobei die Texte in der Regel - wie auch bei der vorliegenden LP - von Roger Waters kamen.

Es folgten mit konstanter Regelmalligkeit Jahr um Jahr ein neues Album, Tourneen durch fast alle Kontinente und eine Reihe recht ambitionierter Projekte, darunter verschiedene Filrnmusiken, Experimente mit grossem Sinfonieorchester und 1973 zusammen mit dem franzosischen Choreographen Roland Petit auch ein Rock-Ballett. lhre Musik war inzwischen rhythmisch weitaus profilierter und zugleich durch-sichtiger geworden, hatte pragnantere melodische Konturen erhalten.

Die ssine der Soundeffekte fugte sich einer genau kontrollierten Klangdramaturgie, fur die sie mit ihrem Azimuth Coordinator System eigens ein quadrophones Steuer- und Mischsystem entwickelt hatten, das auch eine optimale Live-Realisation zuliess. 1973 hatten sie es dann endgultig geschafft, der Erfolg von The Dark Side Of The Moon" (auch auf AMIGA-LP 8 55 667 erschienen) uberstieg alle Erwartungen.

Als sie dann im Januar 1975 each fast zwei Jahren Pause endlich wieder in die Londoner Abbey-Road-Studios zu Aufnahrnen fur eine neue LP einzogen wurde ihnen schlagartig bewugt, wie weit sie davon entfernt waren, zu sich selbst zuruckzufinden. Die Arbeit zog sich ohne greifbare Ergebnisse hin, bis sie schlieslich die eigenen Schwierigkeiten zu thematisieren begannen und zum Gegenstand der neuen Songs machten.

„Wish You Were Here" wurde so zu einer Art psychologischem Protokoll der Gruppen-situation. Die bohrenden Fragen each dem Sinn und den Mtiglichkeiten ihrer Arbeit, auch der Authentizitat ihrer Musik und der durch sie vermittelten Erfahrungen sind das immer wieder zur Sprache gebrachte Grund-thema. Beinahe unbewusst aber schienen sich diese Fragen an ein durchaus konkretes Gegenuber zu richten.

Ex-Mitglied Syd Barret, der sich ins Privatleben zurUck-gezogen hatte und nur gelegentlich noch mit Solo-alben von sich hoeren liess. Der indirekte Bezug auf ihn, so als ob er mit dem „Wish You Were Here" gemeint sei, stand als Modell fur einen Menschen, der aus Stres, Frustration und perstinlichen Niederlagen die Konsequenz der totalen Verweigerung gezogen hatte. „Shine On You Crazy Diamond" wurde dafOr zur inhalt-lichen Klammer.

Die dazwischen gesetzten Songs „Welcome To The Machine", Have A Cigar" und „Wish You Were Here" versuchen in ausdrucksstarken sprach-lichen Bildern und deutlichem Selbstbezug den Grunden jenes zerstorten Menschseins nachzugehen, das sie in „Shine You Crazy Diamond" am Beginn und Ende der Platte heraufbeschworen.

Die neunteilige Architektur dieses Songs, der sich aus einer einzigen, immer wieder varierten musikalischen Grundgestalt herausentwickelt, zeugt von der inzwischen erreichten handwerklichen Meisterschaft. Den Saxophon-Part spielt Dick Parry. Den Vokalpart von "Have A Cigar" Obergab man dem britischen Folk Rock-Sanger Roy Harper. Erst Wochen each der Veroffentlichung des Albums wurde bekannt, das noch ein, sogar sehr prominenter Gastmusiker an dieser Produktion mitgewirkt hatte, der schon seit den dreigiger Jahren fiihrende europaische Jazzgeiger Stephane Grappelly.

Beim Abmischen blieb dann von seinem Part allerdings nur noch ein ganz kurzes Stuck-chen Obrig, das zudem kaum zu horen ist, unmittelbar vor den Windgerauschen am Schlug von „Wish You Were Here". Um den Meister damit nicht zu beleidigen, wurde sein Name auf dem Cover nicht berucksichtigt. Die Arbeit an diesem Album zog sich insgesamt Ober ein reichliches halbes Jahr hin, bis Ende Juli 1975. Eine zweite, quadrophone Version des gesamten Materials wurde sogar erst each ihrem Erscheinen im Herbst des Jahres hergestellt.

Heute gehort „Wish You Were Here" zweifellos zu den wichtigen Zeugnissen der Rockgeschichte und hat von seiner eigent0mlichen Melancholic each wie vor nichts verloren.

Peter Wicke (1983)

Music Genre:

Acid Psychedelic Music
Pink Floyd Collector's Noted: 

Stamper/Matrix codes:
Side 1: 8 55 979 - 1C 683 EN NT A0 (stamped)
Side 2: 8 55 979 - 2A 683 E NT AR (stamped)

Album Front Cover:
Ccover has black crumpled paper design.
Upper right corner has Amiga logo.

Back cover:
At the top left it says "Schallplatte und Abtastnadel von Staub frei halten. Schallplatte entweder senkrecht stehend oder auf ebener Unterlage bis zu 20 Stuck ubereinanderliegend aufbewahren. Umgebungstemperaturen ueber +35 C vermeiden. VEB DEUTSCHE SCHALLPLATTEN BERLIN DDR Made in German Democratic Republic. Reproduktion: Prust / Gestaltung: EMI Lithographie und Druck: VEB Gotha-Druck Ag 511/01/83/A Verpackung nach TGL 10609."
Blue Amiga Record Label

Top center it reads "PINK FLOYD WISH YOU WERE HERE."

Top right says " STEREO 8 55 979 - 16,10 M." (16,10 M is the price in East-German currency).

Detailed three column biography/liner notes written in German by Peter Wicke (1983) on the back of the cover

Album Production information:

Producer: Pink Floyd

Recorded at Abbey Road Studio

Album Cover Design: Hipgnosis

Hipgnosis was an English art group founded in 1968 by Storm Thorgerson, Aubrey Powell, and Peter Christopherson. The group was known for their innovative and creative album covers, which became iconic in the music industry. Hipgnosis worked with some of the most influential musicians of their time, including Pink Floyd, Led Zeppelin, and Yes.

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The group's name, "Hipgnosis," was a play on the words "hypnosis" and "hip." They believed that their art had the power to hypnotize people and transport them to another world, which was reflected in their album covers. The group's style was surreal and often incorporated elements of fantasy, science fiction, and the occult. Their designs were highly detailed and often required extensive planning and preparation.

One of the group's most famous album covers was for Pink Floyd's "The Dark Side of the Moon." The cover featured a prism refracting light into a rainbow, which became one of the most recognizable images in rock history. The design was so successful that it became synonymous with the band and their music. Another iconic design was for Led Zeppelin's "Houses of the Holy," which featured a group of naked children climbing on a rock formation. The image was highly controversial but helped to solidify the band's rebellious image.

Hipgnosis also worked with a number of other influential musicians, including Peter Gabriel, Black Sabbath, and Genesis. They designed the cover for Peter Gabriel's first solo album, which featured a photograph of Gabriel wearing a mask with only his eyes visible. The image became another iconic design and was later referenced in Gabriel's music video for "Sledgehammer."

The group's success continued into the 1980s, with designs for bands such as Scorpions and Styx. However, the rise of digital technology and the decline of album sales led to the group's decline. Hipgnosis disbanded in 1983, but their legacy lives on in the countless album covers they created.

Hipgnosis was not just an art group, but a collective of artists who had a significant impact on the music industry. Their innovative designs helped to define the visual style of rock music in the 1970s and 1980s. Their work was not just a complement to the music, but an essential part of the overall experience. They created a world that fans could enter into and lose themselves in, just like the music they were listening to.

Here is a web-page with a gallery of album covers created by Hipgnosis

Photography: Aubrey Powell ( took the photo of the two businessmen shaking hands, one of them engulfed in flames. )

Sleeve design and photography assistance: Howard Bartrop, Jeff Smith, Peter Christopherson, and Richard Manning assisted with the overall design and photography setup.

Graphics Design: George Hardie NTA* created the graphics used on the sleeve

 

Record Label Information:

Amiga AWA 8 55 979 (855979)
Media Format: 12" Full-Length Vinyl LP  Gramophone Record
Album weight: 220 gram 

Year and Country:

1983 Made in East-Germany
Band Members and Musicians on: Pink Floyd Wish You Were Here DDR AMIGA
    Band-members, Musicians and Performers Pink Floyd is:
  • Roger Waters - bass, vocals

    George Roger Waters, known by his stage name Roger Waters, was born on 6 September 1943 in Great Bookham, Surrey, England. He grew up in a musical family, with his father Eric Fletcher Waters being a schoolteacher and a talented pianist. Waters developed a passion for music at an early age, learning to play the piano and the clarinet.

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    In his teenage years, Waters discovered rock and roll music, which ignited his desire to pursue a career in the industry. He formed his first band, The Abdabs, in 1962 while attending Regent Street Polytechnic (now the University of Westminster) in London. The Abdabs later evolved into Sigma 6 and eventually became Pink Floyd in 1965, with Waters on bass guitar and vocals.

    As a founding member of Pink Floyd, Waters played a pivotal role in shaping the band's sound and artistic direction. He quickly established himself as the primary lyricist and conceptual leader of the group. Waters' introspective and thought-provoking lyrics became a signature element of Pink Floyd's music, exploring themes of alienation, politics, and human nature.

    Throughout his tenure with Pink Floyd, Waters penned many of the band's most iconic songs, including "The Wall", "Wish You Were Here", "Another Brick in the Wall", and "Money". His creative vision and innovative ideas led to the production of several groundbreaking albums, such as "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975), and "The Wall" (1979), which are considered timeless classics in the realm of rock music.

    Waters' contributions extended beyond his songwriting abilities. He also provided lead vocals on numerous Pink Floyd tracks and was recognized for his exceptional bass guitar skills. His stage presence and charismatic performances captivated audiences around the world during the band's live shows.

    However, tensions within Pink Floyd began to escalate in the late 1970s, leading to conflicts over creative control and personal differences between the band members. These tensions culminated in Waters' departure from Pink Floyd in 1985, after which the band continued without him.

    Following his departure from Pink Floyd, Waters embarked on a successful solo career. He released his debut solo album, "The Pros and Cons of Hitch Hiking", in 1984, which was followed by several critically acclaimed albums, including "Radio K.A.O.S" (1987), "Amused to Death" (1992), and "Is This the Life We Really Want?" (2017). Waters' solo work often continued his exploration of sociopolitical issues and personal introspection.

    Apart from his musical pursuits, Waters has been actively involved in various political and social causes. He is known for his advocacy of human rights and has used his platform to raise awareness about global conflicts and injustices. His concerts often incorporate political and social messages, promoting peace and social equality.

    Roger Waters' contributions to music and his influence on rock as a genre are immeasurable. His introspective songwriting, powerful vocals, and willingness to tackle complex subjects have earned him a dedicated fan base worldwide. Despite the challenges he faced throughout his career, Waters continues to be a prolific artist and an influential figure in the music industry.

  • Nick Mason - percusssion

    Nick Mason, born Nicholas Berkeley Mason on 27 January 271944, in Birmingham, England, is an English drummer and a founding member of the legendary rock band Pink Floyd. Throughout his career, Mason has established himself as a remarkable musician, renowned for his innovative drumming style and contributions to the band's sound.

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    From a young age, Mason displayed a passion for music and a natural talent for drumming. He honed his skills by actively playing drums in various bands during his early years. However, it was in 1965 that his destiny took a momentous turn when he co-founded Pink Floyd alongside Syd Barrett, Roger Waters, and Richard Wright. This collaborative effort would forever shape the landscape of rock music.

    As a core member of Pink Floyd, Mason has been the only constant presence throughout the band's illustrious history. His skillful drumming and rhythmic sensibility became an integral part of Pink Floyd's distinctive sound. Mason's ability to create intricate patterns, blend diverse influences, and experiment with unconventional time signatures elevated the band's compositions to new heights.

    Pink Floyd's discography stands as a testament to Mason's enduring talent and musicianship. He has played on all of the band's studio albums, contributing his signature drumming style to their groundbreaking works. Albums such as "The Dark Side of the Moon", "Wish You Were Here", "Animals", and "The Wall" showcase Mason's mastery of his craft, as he skillfully weaves complex rhythms and textures into the band's sonic tapestry.

    In addition to his studio work, Mason's live performances and concerts have captivated audiences worldwide. His energetic and precise drumming provided the backbone for Pink Floyd's immersive and visually stunning live shows. Mason's contributions to the band's stage productions were instrumental in creating unforgettable concert experiences that transcended traditional boundaries.

    Beyond his work with Pink Floyd, Mason has pursued various side projects and collaborations, displaying his versatility as a musician. He has released solo albums, composed soundtracks for films, and worked with other artists across different genres. These endeavors highlight his ability to continually evolve and explore new musical territories while maintaining his distinctive drumming style.

    Nick Mason's impact on the music industry extends far beyond his achievements with Pink Floyd. His dedication to his craft, innovative drumming techniques, and unwavering commitment to musical excellence have solidified his status as one of the greatest drummers in rock music. His contributions to Pink Floyd's legacy and the broader landscape of music have left an indelible mark that continues to inspire generations of musicians and fans alike.

  • Dave Gilmour - Guitar, vocals

    David Gilmour (Full-name: David Jon Gilmour) is an English musician, singer, and songwriter, best known as the guitarist, co-lead vocalist and one of the main songwriters of the rock band Pink Floyd. He was born on 6 March 1946, in Cambridge, England.

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    Gilmour began playing guitar at a young age and formed his first band, Jokers Wild, in 1962. He later joined the band Bullitt, which also included future Pink Floyd member, Roger Waters. In 1968, he was invited to join Pink Floyd as a replacement for the band's original lead vocalist and guitarist, Syd Barrett, who had become increasingly unreliable due to his use of psychedelic drugs.

    Gilmour quickly established himself as an integral member of Pink Floyd, contributing to the band's songwriting and providing lead vocals on many of their songs. He played an important role in the band's success, particularly with the release of their critically acclaimed and commercially successful album "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975) and "The Wall" (1979)

    In addition to his work with Pink Floyd, Gilmour has also released several solo albums , including "David Gilmour" (1978), "About Face" (1984), "On an Island" (2006), "Rattle That Lock" (2015) and "No One Home" (2020)

    Throughout his career, Gilmour has been recognized as one of the greatest guitar players of all time and has been awarded with numerous accolades, including several Ivor Novello Awards, and was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd in 1996. He continues to perform and record music, and remains an influential figure in the music industry

    He is the first child of Douglas Gilmour and Sylvia Wilson.

    On 7 July 1975, he married Virginia "Ginger", Hasenbein. He married Polly Samson in 1994. He was 29 years old when he married Virginia "Ginger", Hasenbein. He was 48 years old when he married Polly Samson. He got divorced from Virginia "Ginger", Hasenbein around 1994.

  • Rick Wright - keyboards, vocals

    Rick "Richard" Wright, born on 28 July 1943, was an English musician and songwriter best known as a founding member and keyboardist of the progressive rock band Pink Floyd. He made significant contributions to the band's sound with his skillful playing of the piano, organ, mellotron, vibraphone, and his occasional vocal performances. Wright's musical talent and innovative approach to keyboards played a crucial role in shaping Pink Floyd's unique sound.

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    Richard William Wright was born in Hatch End, Middlesex, England. His passion for music developed at a young age, and he began playing the piano at the age of seven. Wright's formal music education began at the Regent Street Polytechnic in London, where he studied architecture. It was during this time that he met future Pink Floyd members Roger Waters and Nick Mason. The trio formed several bands together, ultimately leading to the creation of Pink Floyd in 1965, with the addition of Syd Barrett.

    Wright's keyboard skills and melodic sensibilities became an integral part of Pink Floyd's sound. He was known for his ability to create atmospheric textures and intricate arrangements that complemented the band's progressive and psychedelic rock style. Wright's use of the Hammond organ, Mellotron, and later, synthesizers, helped define the band's sonic identity.

    During Pink Floyd's early years, Wright shared songwriting duties with Waters and Barrett, contributing tracks such as "Remember a Day" and "See-Saw". However, as Waters took on a more dominant role in the band's songwriting, Wright's contributions diminished, leading to some tensions within the group. Despite this, Wright remained an essential creative force, particularly in the studio, where his keyboard work added depth and richness to the band's recordings.

    Wright's contributions to Pink Floyd extended beyond his instrumental prowess. He provided backing and occasional lead vocals on several songs, including "Time", "Echoes", and "The Great Gig in the Sky". His soft and haunting voice added a unique touch to the band's repertoire, showcasing his versatility as a musician.

    However, as Pink Floyd's success grew, so did the internal conflicts. Following the release of the album "The Wall" in 1979, tensions within the band reached a breaking point, and Wright left Pink Floyd during the recording of their subsequent album, "The Final Cut". Following his departure, he embarked on a solo career, releasing albums such as "Wet Dream" (1978) and "Broken China" (1996).

    Wright's solo work showcased his talents as a composer and his penchant for atmospheric and introspective music. He continued to explore different musical styles, incorporating elements of jazz and classical music into his compositions. Despite pursuing solo projects, Wright remained closely connected to his Pink Floyd bandmates and made guest appearances on their albums and during their live performances.

    In 1987, Wright officially reunited with Pink Floyd, and the band released the album "A Momentary Lapse of Reason". Wright's return injected new energy into the group and helped recapture some of their earlier magic. He played a significant role in subsequent albums, including "The Division Bell" (1994) and "The Endless River" (2014).

    Rick Wright's contributions to Pink Floyd's legacy cannot be overstated. His keyboard wizardry and musical intuition were vital in creating the band's sonic landscapes and iconic albums. While often overshadowed by the larger-than-life personas of other band members, Wright's quiet and understated presence made an indelible mark on the history of rock music.

    Tragically, Rick Wright passed away on September 15, 2008, after a battle with cancer. His untimely death left a void in the world of music, but his remarkable
    legacy lives on through his timeless contributions to Pink Floyd's discography and the lasting impact he made on the world of progressive rock.

Track Listing of: Pink Floyd Wish You Were Here DDR AMIGA

The Song/tracks on "Pink Floyd Wish You Were Here Gt Britain" are

    Side One:
  1. Shine on your Crazy Diamond (Part One, Two, Three, Four, Five)
  2. Welcome to the Machine
    Side Two:
  1. Have a Cigar
  2. Wish You Were Here
  3. Shine Ony Your Crazy Diamond (Part Six, Seven, Eight, Nine)
Album cover photos of : Pink Floyd Wish You Were Here DDR AMIGA
Photo of Pink Floyd Album's Front Cover 
High Resolution Photo #1 PINK FLOYD Wish You Were Amiga  
Photo of Pink Floyd Album's Back Cover  
High Resolution Photo #2 PINK FLOYD Wish You Were Amiga  
Close-up Photo of Pink Floyd's Record Label 
High Resolution Photo #3 PINK FLOYD Wish You Were Amiga  

 Note: the pictures on this page are actual photos of the album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Index of PINK FLOYD's -Wish You Were Here Vinyl Album Information and Album Cover Gallery
PINK FLOYD - Wish You Were Here (East-Germany) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (East-Germany) album front cover

Amiga AWA 8 55 979 , 1973 , East-Germany

Released during a tumultuous period, Pink Floyd's "Wish You Were Here" 12" Vinyl LP on Amiga Records in East Germany symbolizes a unique cultural intersection. Amidst Cold War tensions, this musical masterpiece transcended boundaries, resonating globally. Its intricate soundscapes and poignant lyrics mirrored the zeitgeist, fostering a connection that surpassed geopolitical divides. The East German release adds a layer of historical significance, encapsulating the album's enduring impact during a pivotal time.

Learn more
PINK FLOYD - Wish You Were Here (France) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (France) album front cover

Harvest 2C 068-96918 , 1975 , France

Pink Floyd's "Wish You Were Here" 12" Vinyl LP, released in France, epitomizes progressive rock excellence. Recorded at Abbey Road Studio, the album's iconic cover, designed by Hipgnosis, features a powerful image captured by Aubrey Powell. Meticulous sleeve design by various talents and graphic artistry by George Hardie NTA enhance the immersive experience. With complete lyrics and photos in the inner sleeve, this release, cataloged as Harvest 2C 068-96918, remains a timeless masterpiece, contributing significantly to the band's legacy.

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PINK FLOYD - Wish You Were Here (Germany Druckhaus) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Germany Druckhaus) album front cover

 Harvest – 1 C 064-96 918 , 1975 , Germany

"Wish You Were Here" is the ninth studio album by English progressive rock group Pink Floyd, released in September 1975. Inspired by material they composed while performing across Europe, it was recorded over numerous sessions at London's Abbey Road Studios. The album explores themes of absence, the music business, and former band-mate Syd Barrett's mental decline.

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PINK FLOYD - Wish You Were Here (Germany) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Germany) album front cover

EMI Harvest / Electrola 1C 062-96 918 , 1975 , Germany

The German release of Pink Floyd's iconic album, "Wish You Were Here," on 12" Vinyl LP, marked a significant moment in 1975 music history. Produced by EMI Harvest/Electrola (Catalognr: 1C 062-96 918), the album's distinctive sound and emotional resonance showcased the band's mastery. The German edition, "Made in Germany," stands as a testament to Pink Floyd's enduring influence on the international music scene during that era.

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PINK FLOYD - Wish You Were Here (Greece) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Greece) album front cover

EMI Harvest 14C 066-96918 / 2J 066-96918 / SHVL 814A , 1975 , Greece

The Greek release of Pink Floyd's "Wish You Were Here" (EMI Harvest 14C 066-96918) encapsulates the band's iconic 1975 album within the unique sociocultural context of Greece during the post-junta era. As a tangible relic of the analog age, this 12" Vinyl LP Album stands as both a musical masterpiece and a historical artifact, providing a sensory journey through time and a reflection of the nation's collective experience.

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PINK FLOYD - Wish You Were Here (Gt Britain) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Gt Britain) album front cover

EMI SHVL 814 , 1975 , Gt Britain

Pink Floyd's 1975 release, "Wish You Were Here," is a progressive rock masterpiece that defined the genre's mid-70s zenith. Recorded at Abbey Road Studios, the album's sonic brilliance fused with iconic cover art by Hipgnosis and graphics by George Hardie. A British production, it encapsulates the era's cultural and musical evolution, leaving an enduring legacy as a symbol of progressive rock's innovative spirit.

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PINK FLOYD - Wish You Were Here (Netherlands Yellow Dots) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Netherlands Yellow Dots) album front cover

 Harvest – 5C 062-96918 , 1975 , Netherlands

The Netherlands release of Pink Floyd's "Wish You Were Here" 12" Vinyl LP, identified by the catalog number 5C 062-96918, encapsulates the meticulous production and visual identity of the 1970s. This era-defining artifact reflects the band's commitment to sonic landscapes and the European market's receptivity to progressive rock. The consistent catalog number across album covers and labels highlights a dedication to quality control and a cohesive aesthetic.

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PINK FLOYD - Wish You Were Here (Netherlands) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Netherlands) album front cover

EMI Harvest 1A 064-96918 , 1975 , Netherlands

Pink Floyd's "Wish You Were Here" 12" Vinyl LP Album, Netherlands release (catalognr: EMI Harvest 1A 064-96918), epitomizes the musical landscape of 1975. Amidst a vinyl revival, its white dots on the label add visual charm. The record's conceptual depth, addressing alienation and human complexity, transcends its era. The "Made in Holland" stamp signifies global impact, making it a timeless masterpiece bridging cultures and generations.

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PINK FLOYD - Wish You Were Here (Spain) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Spain) album front cover

Harvest 1J 066-96918 , 1975 , Spain

Pink Floyd's 1975 Spanish release of "Wish You Were Here" on 12" Vinyl LP made a profound impact in the Progressive Rock era. Recorded at Abbey Road Studio, the album, with iconic cover art by Hipgnosis, encapsulated the socio-cultural context of Spain's transition to democracy. Aubrey Powell's striking photograph and the Harvest catalog number highlighted its international significance, solidifying Pink Floyd's legacy in the progressive and psychedelic music movement.

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PINK FLOYD - Wish You Were Here (Sweden) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (Sweden) album front cover

EMI 7C 062-96918 , 1975 , Sweden

The 1975 Swedish release of Pink Floyd's "Wish You Were Here" on a 12" vinyl LP (Catalog nr: EMI 7C 062-96918) is a cultural gem. Reflecting the band's global influence, the album explores themes of alienation and critiques the music industry. Its meticulous production and iconic cover art symbolize the 1970s music scene. A tangible connection to the era, this release remains a cherished artifact in the history of European music.

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PINK FLOYD - Wish You Were Here (USA) 12" Vinyl LP
PINK FLOYD - Wish You Were Here (USA) album front cover

Columbia PC 33453 , 1975 , USA

Pink Floyd's "Wish You Were Here," released in 1975, is a landmark 12" Vinyl LP Album produced at Abbey Road Studios, London. The gatefold cover unfolds to reveal intricate artwork, complementing the original thick paper inner sleeve with lyrics and photos. A symbol of the 1970s, the album captures the essence of an era marked by cultural shifts and musical exploration, making it a timeless gem in rock music history.

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