Twisted Sister Stay Hungry Germany 12" VINYL LP ALBUM
The song "Burn In Hell" has also been covered by Dimmu Borgir on Puritanical Euphoric Misanthropia. "We're Not Gonna Take It" was also covered by Bif Naked on the Ready to Rumble soundtrack.
The song "Burn In Hell" has also been covered by Dimmu Borgir on Puritanical Euphoric Misanthropia. "We're Not Gonna Take It" was also covered by Bif Naked on the Ready to Rumble soundtrack.
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Music Genre: |
American Fusion Heavy Metal Music |
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Collector Notes: |
"Stay Hungry" is the third studio album by American heavy metal band Twisted Sister, released in 1984, by Atlantic Records. The vinyl album features ten tracks that showcase the band's energetic and theatrical style of heavy metal music, which helped them gain mainstream success and become one of the most iconic bands of the 1980s. The album was produced by Tom Werman, who had previously worked with acts such as Motley Crue and Cheap Trick. The production is polished and slick, with a focus on catchy melodies, harmonies, and hooks that made the album accessible to a wider audience while still retaining the band's heavy metal roots. The vinyl album opens with the classic hit "We're Not Gonna Take It," a sing-along anthem that became an instant radio and MTV hit. Other standout tracks include "I Wanna Rock," a high-energy rocker that has become a staple of the band's live shows, and "The Price," a power ballad that showcases lead singer Dee Snider's powerful vocal range.
This album includes the original custom inner sleeve with album details, complete lyrics of all songs Twisted Sister by and photos of the band |
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Album
Production information:
The album: "TWISTED SISTER - Stay Hungry (France)" was produced by: Tom Werman for Julia's Music Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken, a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe. He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent, producing his album "Penetrator" (1984), and Twisted Sister, producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.
Sound/Recording Engineer(s): Geoff Workman This album was recorded at: Record Plant, New York City - Westlake Audio , Los Angeles - Cherokee Studios, Los Angeles - February March 1984 Mixed by George Marino at Sterling Sound Studios, New York City George Marino was a highly acclaimed Senior Mastering Engineer at Sterling Sound in New York City. Born on 15 April 1947, in the Bronx, New York, he became one of the most experienced and influential sound mastering engineers in the world. With his unparalleled expertise, Marino played a significant role in shaping the sound of countless albums across various music genres. From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry. Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched. During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:
These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies. George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more. Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music. Back cover concept: Mark Mendoza Album cover photography: Mark Weiss Studios |
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Record Label Information: |
Atlantic 780 156 |
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Media Format: |
12" Vinyl LP Record |
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Year & Country: |
1984 Made in Germany |
Band Members and Musicians on: Twisted Sister Stay Hungry |
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Track Listing of: Twisted Sister Stay Hungry |
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Album cover photos of : Twisted Sister Stay Hungry |
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| Photo of Album's Back Cover |
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| Photo of Album's Back Cover |
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Close-up Photo of Record Label
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| Note: the above pictures are actual photos of the album and allow you to judge the quality of cover. Slight differences in color may exist due to the use of the camera's flash. |
Twisted Sister is an American heavy metal band that was formed in 1972 in Long Island, New York. The band gained widespread popularity in the 1980s with their outrageous appearance, catchy anthems, and energetic live performances. Twisted Sister was known for their use of theatrical makeup, glam-inspired costumes, and larger-than-life stage presence. The band's iconic frontman, Dee Snider, was the driving force behind their success and was known for his distinctive voice and charismatic personality.
Twisted Sister's early years were marked by lineup changes and struggles to find success. The band released several independent singles and albums throughout the 1970s but failed to gain mainstream attention. It wasn't until 1982 that Twisted Sister's breakthrough album, "Under the Blade," was released. The album featured the hit single "We're Not Gonna Take It," which became a signature anthem for the band.
Twisted Sister's success continued with the release of their 1984 album, "Stay Hungry," which included hits like "I Wanna Rock" and "The Price." The album's success was due in large part to the band's music videos, which received heavy rotation on MTV. The videos featured the band's signature look and showcased their high-energy live performances.
Despite their success, Twisted Sister faced criticism from some quarters for their over-the-top image and lyrics. Some critics accused the band of promoting violence and rebellion, while others dismissed their music as shallow and formulaic. Twisted Sister responded to these criticisms by embracing their status as outsiders and continuing to push boundaries with their music and image.
In the late 1980s, Twisted Sister's popularity began to decline, and the band members pursued other projects. Dee Snider embarked on a solo career and became a successful radio personality, while guitarist Jay Jay French focused on his work as a music manager. However, the band's legacy continued to grow, and they were inducted into the Long Island Music Hall of Fame in 2006.
In recent years, Twisted Sister has reunited for occasional performances and special events. The band members have also been active in promoting their music and legacy, with the release of a documentary film and a Broadway musical based on their music.
The enduring appeal of Twisted Sister can be attributed to their unique blend of catchy, anthemic songs and theatrical, larger-than-life stage presence. The band's music is often associated with a sense of rebellion and empowerment, making them a favorite among fans of heavy metal and hard rock. Their message of individuality and standing up against oppression has resonated with fans of all ages and backgrounds.
Atlantic Records 7567 82380 , 1992 , Germany
"Big Hits and Nasty Cuts: The Best of Twisted Sister" is a compilation album by Twisted Sister, released in 1992. In addition to the songs themselves, the album also includes liner notes and rare photos of the band, providing fans with a glimpse into Twisted Sister's history and career.
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Atlantic 781 275 , 1985 , Germany
"Come Out and Play" is a classic heavy metal album that showcases Twisted Sister's musicianship and songwriting abilities. The pop-up album cover adds a unique and playful element to the album, reflecting the band's willingness to experiment and have fun with their music.
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Atlantic Records 781 772 , 1987 , Germany
"Love is for Suckers" marks a turning point in Twisted Sister's career, as they tried to balance their heavy metal roots with a more commercial sound. Although it was not as successful as their previous albums, it remains an interesting and underrated album that showcases the band's versatility and willingness to experiment
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Atlantic 780 156 , 1984 , Made in France
This is the French release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.
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Atlantic 780 156 , 1984 , Canada
This is the Canadian release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.
Show Details
Atlantic 780 156 , 1984 , Germany
This is the German release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.
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Secret Records INT 148.902 (SEC X 9) , 1982 , Germany
"Under the Blade" is the debut studio album by American heavy metal band Twisted Sister, released on 18 September 18 1982, by Secret Records. The vinyl album features nine tracks of energetic and aggressive heavy metal music that helped establish Twisted Sister as a force to be reckoned with in the metal scene.
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Atlantic 78 12561 , 1982 , Canada
This is the Canadian release of "Under the Blade" is the debut studio album by American heavy metal band Twisted Sister, released in 1982. The vinyl album features nine tracks of energetic and aggressive heavy metal music that helped establish Twisted Sister as a force to be reckoned with in the metal scene.
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Atlantic 7986 944-0, 1984 , Europe (GEMA/BIEM)
"We're Not Gonna Take It" is a rebellious rock anthem by Twisted Sister, featured on their "Stay Hungry" album. The mini-LP version also includes "The Kids Are Back," "You Can't Stop Rock 'n' Roll," and "Shoot 'Em Down," showcasing the band's high-energy sound.
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Atlantic 78-0074 , 1983 , Europe
This release of "You Can't Stop Rock 'n' Roll" is specifically for the European market and has a black album front cover. It is the second studio album by the American heavy metal band Twisted Sister, released in1983. The album was produced by Stuart Epps and mixed by Tony Platt, and it features nine tracks.
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ATLANTIC 78 00741 , 1983 , Canada
This release of "You Can't Stop Rock 'n' Roll" is specifically for the Canadian market and has a black album front cover. It is the second studio album by the American heavy metal band Twisted Sister, released in1983. The album was produced by Stuart Epps and mixed by Tony Platt, and it features nine tracks.
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Atlantic 780074 , 1983 , Germany
This is the German release of "You Can't Stop Rock 'n' Roll" is the second studio album by the American heavy metal band Twisted Sister, released in 1983. The album was produced by Stuart Epps and it features nine tracks wih signature heavy metal sound, with powerful vocals from Dee Snider and fast-paced guitar riffs
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