- The Best of Twisted Sister
Hold onto your hairspray, folks, 'cause Twisted Sister's 'Big Hits and Nasty Cuts' is about to take you on a wild ride! We're talkin' anthems that'll make you wanna raise your fist, power ballads that'll tug at your heartstrings (just a little), and maybe even a few head-scratchers that'll leave you sayin', 'What the heck was that?' It's the best, the worst, and everything in between from the band that never backed down from a fight, on or off the stage. So crank it up, let your hair down (or up, if you've got the Aqua Net), and get ready to rock!
In the wild world of hair metal, few bands embodied the genre's excesses and anthems quite like Twisted Sister. Their 1992 compilation album, "Big Hits and Nasty Cuts," is a sonic rollercoaster through the band's career, showcasing their evolution from bar-band brawlers to MTV darlings. Produced by a motley crew that included the band's own Jay Jay French, as well as renowned studio wizards like Dieter Dierks (Scorpions) and Eddie Kramer (Jimi Hendrix, Led Zeppelin), this album isn't just a greatest hits collection – it's a monument to a band that refused to be ignored.
Emerging from the gritty New York club scene in the late 1970s, Twisted Sister were initially more Alice Cooper than Bon Jovi. Their early material, like the live tracks "Tear It Loose" and "Run for Your Life," is raw, raucous, and dripping with sneering attitude. But as the '80s dawned and MTV's influence grew, Twisted Sister, led by the flamboyant Dee Snider, embraced the glam aesthetic with a vengeance. Their hair got bigger, their makeup got thicker, and their songs got... well, catchier.
The album's title is apt; it truly is a mix of hits and cuts that might make you wince. The hits, of course, are undeniable. "We're Not Gonna Take It" and "I Wanna Rock," both produced by the slick Tom Werman, are anthems of teenage rebellion that still resonate today. Their infectious energy and sing-along choruses made them staples of MTV's early years, and their accompanying videos, featuring the band battling a tyrannical parent (played by Mark Metcalf), became iconic.
But "Big Hits and Nasty Cuts" isn't afraid to show Twisted Sister's rough edges. "Under the Blade," a track from their pre-fame days produced by Pete Way (UFO), is a dark, heavy metal stomper that hints at the band's grittier roots. "The Price," a power ballad produced by Beau Hill (Warrant, Ratt), showcases Snider's surprisingly tender vocals, proving that there was more to Twisted Sister than just bombast.
The album also includes a few eyebrow-raising choices. The German-language version of "Be Chrool to Your Scuel" is a bizarre curiosity, while the live rendition of "It's Only Rock 'N' Roll" feels somewhat perfunctory. And let's not even talk about the medley of "Let the Good Times Roll" and "Feel So Fine."
"Big Hits and Nasty Cuts" was recorded in various studios, including Musicland Studios in Munich and Battery Studios in London, capturing the band's energy and spirit. The album's production is a mixed bag, reflecting the different eras and producers involved. Some tracks sound polished and radio-ready, while others retain a raw, live feel.
Twisted Sister's career was marked by controversy, particularly their clashes with the Parents Music Resource Center (PMRC) over censorship in the mid-'80s. Snider's impassioned testimony before the Senate, defending the band's right to free expression, became a defining moment in the fight against censorship in music.
"Big Hits and Nasty Cuts" is a time capsule of a band that embodied the highs and lows of hair metal. It's a reminder that Twisted Sister were more than just a punchline – they were a band that fought for their right to rock, and their music, for better or worse, continues to resonate with fans today. So crank up the volume, tease your hair, and let the good times roll!
Music Genre: American Fusion Heavy Metal Music Glam-Rock |
Album Production Information: The album: "Big Hits and Nasty Cuts" was produced by: Jay Jay French Dieter Dierks - Producer, Engineering, Mixing Dieter Dierks: Producer behind the Scorpions, Accept, Rory Gallagher, Tangerine Dream and many, many others Discover his iconic work Eddie Kramer - Producer, Sound Engineer Eddie Kramer: Iconic producer & engineer behind Hendrix, Zeppelin, & many more. Explore his life & work that shaped rock music history. Jason Flom - Executive Producer Pete Way - Producer Pete Way A Life of Rock 'n' Roll Excess and Musical Brilliance. Peter Frederick Way, born 1950, in Enfield, England, was a force of nature in the rock music world. A founding member and bassist of the legendary band UFO, Way's thunderous basslines and charismatic stage presence helped define the sound of hard rock and heavy metal. Early Life and Musical Beginnings: Way's passion for music ignited in his teenage years. He started playing bass guitar in local bands, honing his skills and developing his signature style. In 1968, he co-founded Hocus Pocus with Phil Mogg, a band that would eventually evolve into UFO. UFO and Beyond: With UFO , Way achieved international fame. Their energetic live shows and albums like "Phenomenon" (1974) and "Lights Out" (1977) solidified their status as hard rock icons. Way's driving basslines were a cornerstone of their sound, complementing Michael Schenker's blistering guitar solos. However, Way's tenure with UFO was marked by periods of turbulence and departure. He left the band in 1982, embarking on a solo career and forming the band Waysted . He also played with Ozzy Osbourne, Fastway, and the Michael Schenker Group. Waysted and Solo Endeavors: Waysted, a project close to Way's heart, allowed him to explore different musical avenues. Their albums like "Vices" (1983) and "Save Your Prayers" (1986) showcased a heavier, more aggressive sound, reflecting Way's punk influences. Way also released several solo albums, including "Amphetamine" (1996) and "Acoustic Animal" (2000), demonstrating his versatility as a musician. His solo work allowed him to experiment with different genres and collaborate with various artists. Return to UFO and Legacy: Despite his numerous side projects, Way's heart always remained with UFO. He rejoined the band several times throughout his career, contributing to albums like "Walk on Water" (1995) and "You Are Here" (2004). His final stint with UFO lasted until 2008. Pete Way passed away on August 14, 2020, leaving behind a legacy of iconic basslines, electrifying performances, and a reputation as a true rock 'n' roll rebel. His musical contributions continue to inspire generations of musicians, and his name remains synonymous with the spirit of hard rock and heavy metal.
Stuart Epps - Producer Tom Werman - Producer Tom Werman is an American music producer known for his significant contributions to the hard rock, heavy metal, and glam rock genres during the 1980s. Born on 1 August 1945, in Boston, Massachusetts, Werman's passion for music led him to become one of the most influential producers of his time. Werman's journey in the music industry began in the early 1970s when he joined Epic Records as a promotions manager. He quickly rose through the ranks and displayed an exceptional understanding of the industry, earning him a promotion to the position of vice president of artists and repertoire (A&R) in 1976. This role allowed him to work closely with various artists and nurture their talent. In the late 1970s, Werman's career took an exciting turn when he transitioned into music production. He displayed a keen ear for emerging rock subgenres and worked extensively with hard rock and heavy metal bands, helping shape their sound and capturing their raw energy in the studio. Werman's expertise in understanding the nuances of these genres made him a sought-after producer. During the 1980s, Werman played a pivotal role in the success of several iconic bands. One of his notable collaborations was with Dokken , a popular American heavy metal band. Werman produced their breakthrough album, "Tooth and Nail" (1984), which featured hit tracks like "Just Got Lucky" and "Alone Again." The album's success propelled Dokken into the mainstream, solidifying their place in the heavy metal scene. Werman's production credits also include working with Junkyard, a hard rock band known for their bluesy sound and gritty attitude. He produced their self-titled debut album, "Junkyard" (1989), which garnered positive reviews and spawned hits like "Hollywood" and "Simple Man." Werman's ability to capture Junkyard's raw energy and authenticity contributed to the album's success. Another iconic band that benefited from Werman's production expertise was Mötley Crüe . He produced their critically acclaimed album, "Shout at the Devil" (1983), which helped propel the band to international stardom. The album, with its hard-hitting tracks like "Looks That Kill" and "Shout at the Devil," established Mötley Crüe as one of the leading acts in the glam metal scene. Werman's work extended beyond these notable collaborations. He also worked with Ted Nugent , producing his album "Penetrator" (1984), and Twisted Sister , producing their album "Stay Hungry" (1984). His contributions to these projects helped elevate the bands' careers and solidify their place in the music industry. Throughout his career, Werman's production style was characterized by his ability to capture the raw energy and distinct characteristics of the bands he worked with. He had a knack for enhancing their sound while staying true to their artistic vision. His meticulous attention to detail and creative input earned him the respect and admiration of artists and industry professionals alike. Although Werman's prolific production career primarily thrived during the 1980s, his impact on the music industry remains influential to this day. His work with numerous hard rock, heavy metal, and glam rock bands helped shape the sound of an era and left an indelible mark on the genre. Tom Werman's contributions as a music producer continue to inspire and resonate with fans and artists alike, solidifying his legacy in the history of rock music.
Yves Beauvais - Project coordinator Charlie Barreca - Sound Engineer Craig Engel - Sound Engineer Craig Thomson - Sound Engineer Craig Vogel - Sound Engineer Denny McNearny - Sound Engineer Eddy Delana - Sound Engineer Geoff Workman - Sound Engineer Will Gosling - Sound Engineer Ted Jensen - Mastering Engineer Bob Defrin - Art Direction Bob Defrin, a prominent figure in the world of graphic design and album cover art, is best known for his significant contributions as the director, graphic designer, and head of art for Atlantic Records. Born on April 13, 1946, Defrin's creative journey began in Brooklyn, New York, where he developed a passion for art from an early age. Defrin's career in the music industry took off in the 1980s, a pivotal era for Heavy Metal music. His unique artistic vision and ability to capture the essence of a band's sound through visual imagery made him a sought-after figure among musicians and record labels. As a director and graphic designer at Atlantic Records, Defrin played a pivotal role in shaping the visual identities of numerous Heavy Metal bands during this period. One of Defrin's notable accomplishments was his work on album covers. He understood the power of album artwork in conveying the spirit and energy of a band's music. Defrin's ability to translate the raw power and intensity of Heavy Metal into captivating visuals earned him widespread recognition and accolades. His designs often featured bold, eye-catching imagery, intricate details, and striking typography, perfectly complementing the music within. Defrin's portfolio boasts an impressive array of iconic album covers. Among his most renowned works are the covers for AC/DC's "Highway to Hell" (1979), "Back in Black" (1980), and "For Those About to Rock We Salute You" (1981). These covers captured the band's energy, attitude, and electrifying sound, becoming iconic symbols of Heavy Metal culture. Additionally, Defrin's artistic contributions extended beyond AC/DC. He collaborated with numerous other influential bands, including Twisted Sister, Bon Jovi, Krokus, and Skid Row, among others. Each album cover he designed encapsulated the essence of the respective band's music, making a lasting impact on the visual landscape of Heavy Metal. Bob Defrin's expertise in graphic design and his ability to understand and interpret the musical vision of Heavy Metal bands made him an invaluable asset to Atlantic Records. He left an indelible mark on the music industry, helping to shape the visual identities of some of the most influential Heavy Metal acts of the 1980s. Beyond his work with Atlantic Records, Defrin's influence continued to resonate in the field of graphic design. His unique style and contributions left a lasting impression on album cover art, inspiring generations of designers to think creatively and push the boundaries of visual storytelling. Bob Defrin's legacy as a director, graphic designer, and head of art for Atlantic Records endures as a testament to his immense talent and profound impact on the Heavy Metal genre. His ability to merge music and visual artistry has forever left an indelible mark on the history of album cover design. Mark "Weissguy" Weiss - Photography Mark Weiss (Nickname: Weissguy) is an acclaimed American rock and roll photographer who has captured the essence and energy of some of the most iconic moments in music history. With his keen eye for detail and ability to connect with his subjects, Weiss has become synonymous with the visual documentation of the rock and roll scene. Born and raised in New Jersey, Mark Weiss discovered his passion for photography at a young age. Inspired by the music culture of the 1970s, he set out to combine his love for music with his growing interest in photography. Armed with his camera, Weiss began attending concerts and local gigs, capturing the electrifying performances of emerging and established rock acts. In the late 1970s and early 1980s, Weiss's career gained momentum as he became the go-to photographer for many rock bands. He developed a reputation for his ability to capture the raw energy and charisma of the musicians, as well as the electric atmosphere of live performances. His photographs not only showcased the artists in their element but also transported viewers into the heart of the rock and roll experience. One of Weiss's most iconic collaborations was with the legendary rock band Bon Jovi. From the early days of their career, Weiss developed a close relationship with the band members and their management, which allowed him unprecedented access to document their rise to superstardom. His photographs became an integral part of Bon Jovi's image, capturing the band's infectious energy and forging a visual legacy that would endure for decades. Mark Weiss's work extended beyond Bon Jovi, as he photographed and developed relationships with numerous other rock icons. He captured the larger-than-life personas of artists such as Van Halen, Guns N' Roses, Aerosmith, and Motley Crue, among many others. Weiss's photographs adorned album covers, magazines, and concert posters, encapsulating the essence of the rock and roll lifestyle and contributing to the visual iconography of the era. Throughout his career, Weiss has exhibited a remarkable ability to connect with his subjects and gain their trust, allowing him to capture intimate and candid moments both on and off the stage. His photographs convey not only the spectacle of rock performances but also the humanity and vulnerability of the artists behind the scenes, creating a comprehensive visual narrative of their lives and careers. In addition to his work as a live music photographer, Mark Weiss has also ventured into other areas of the industry. He has directed music videos, designed album covers, and collaborated with various media outlets and galleries to showcase his extensive collection of rock and roll photography. His contributions have left an indelible mark on the music industry and continue to inspire new generations of photographers and music lovers. Mark Weiss's body of work represents more than just photographs. It is a testament to the power of visual storytelling and the profound impact that music can have on people's lives. Through his lens, he has immortalized the legends of rock and roll, providing fans with a glimpse into the exhilarating world of music and preserving the spirit of an era that will forever hold a special place in the hearts of fans around the world. Dave Bascombe - Sound Engineer |
Record Label & Catalog-nr: Atlantic Records 7567 82380 |
Album Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by and photos of "Twisted Sister" |
Media Format: 12" Vinyl LP Gramophone RecordAlbum weight: 200 gram |
Year & Country: 1992 Made in Germany |
Band Members and Musicians on: Twisted Sister Big Hits and Nasty Cuts The Best of Twisted Sister |
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Complete Track Listing of: "Big Hits and Nasty Cuts" |
The Song/tracks on "Big Hits and Nasty Cuts" are
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Album cover photos of : Twisted Sister Big Hits and Nasty Cuts The Best of Twisted Sister |
Photo of "Big Hits and Nasty Cuts" Album's Inner Cover |
Close-up Photo of "Big Hits and Nasty Cuts" Record Label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Atlantic Records 7567 82380 , 1992 , Germany
"Big Hits and Nasty Cuts: The Best of Twisted Sister" is a compilation album by Twisted Sister, released in 1992. In addition to the songs themselves, the album also includes liner notes and rare photos of the band, providing fans with a glimpse into Twisted Sister's history and career.
Big Hits and Nasty Cuts The Best of Twisted Sister 12" Vinyl LPAtlantic 781 275 , 1985 , Germany
"Come Out and Play" is a classic heavy metal album that showcases Twisted Sister's musicianship and songwriting abilities. The pop-up album cover adds a unique and playful element to the album, reflecting the band's willingness to experiment and have fun with their music.
Come Out and Play / Gimmick pop-up album cover 12" Vinyl LPAtlantic Records 781 772 , 1987 , Germany
"Love is for Suckers" marks a turning point in Twisted Sister's career, as they tried to balance their heavy metal roots with a more commercial sound. Although it was not as successful as their previous albums, it remains an interesting and underrated album that showcases the band's versatility and willingness to experiment
Love Is For Suckers 12" Vinyl LP
These are international releases of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.
- Stay Hungry (Canada) 12" Vinyl LP - Stay Hungry (France) 12" Vinyl LP - Stay Hungry (Germany) 12" Vinyl LP
"Under the Blade" is the debut studio album by American heavy metal band Twisted Sister, released on 18 September 18 1982, by Secret Records. The vinyl album features nine tracks of energetic and aggressive heavy metal music that helped establish Twisted Sister as a force to be reckoned with in the metal scene.
- - Under the Blade 12" (Canada) Vinyl LP - Under the Blade (Germany) 12" Vinyl LPAtlantic 7986 944-0, 1984 , Europe (GEMA/BIEM)
"We're Not Gonna Take It" is a rebellious rock anthem by Twisted Sister, featured on their "Stay Hungry" album. The mini-LP version also includes "The Kids Are Back," "You Can't Stop Rock 'n' Roll," and "Shoot 'Em Down," showcasing the band's high-energy sound.
We Are Not Gonna Take It 12" Vinyl Mini-LP
This release of "You Can't Stop Rock 'n' Roll" is specifically for the European market and has a black album front cover. It is the second studio album by the American heavy metal band Twisted Sister, released in1983. The album was produced by Stuart Epps and mixed by Tony Platt, and it features nine tracks.
- You Can't Stop Rock And Roll (Canada) 12" Vinyl LP - You Can't Stop Rock And Roll (Europe) 12" Vinyl LP - You Can't Stop Rock & Roll (Germany) 12" Vinyl LP