"Love Is for Suckers" is the fifth album by the heavy metal band Twisted Sister. Unlike their other records, this record is more of a hair metal record than their other style. It was strongly influenced by hair metal bands, although the band split after its release and had a lot of conflicts with this record
Twisted Sister's fifth and final studio album, "Love is for Suckers," was released on August 13, 1987, by Atlantic Records. The vinyl album features nine tracks that showcase the band's transition to a more commercial and polished sound, which received mixed reviews from fans and critics at the time.
The album was produced by Beau Hill, who had previously worked with acts such as Ratt and Warrant. The production is slick and radio-friendly, with a focus on catchy hooks, harmonies, and ballads that were aimed at a wider audience. Lead singer Dee Snider has stated that the album was originally intended to be his solo debut, but the record company pushed for it to be released under the Twisted Sister name.
The vinyl album opens with the track "Wake Up (The Sleeping Giant)," a hard-hitting rocker that showcases the band's signature heavy metal sound. Other standout tracks include "Hot Love," a catchy pop-metal tune that features a saxophone solo, and "Me and the Boys," a fun and upbeat track that pays homage to the band's roots in the New York club scene.
Despite its commercial aspirations, "Love is for Suckers" failed to achieve the same success as the band's previous albums, and Twisted Sister disbanded shortly after its release. However, the album has gained a cult following over the years and has been reissued multiple times with bonus tracks and remastered versions.
|Album Production information:
The album: "Love is for Suckers" was produced by: Beau Hill
Stephen Ben Ben - Sound Engineer
Ted Jensen - Mastering Engineer at Sterling Sound, New York City
Recorded at Atlantic Sound Studios
Bob Defrin - Art Direction
Bob Defrin, a prominent figure in the world of graphic design and album cover art, is best known for his significant contributions as the director, graphic designer, and head of art for Atlantic Records. Born on April 13, 1946, Defrin's creative journey began in Brooklyn, New York, where he developed a passion for art from an early age.
Defrin's career in the music industry took off in the 1980s, a pivotal era for Heavy Metal music. His unique artistic vision and ability to capture the essence of a band's sound through visual imagery made him a sought-after figure among musicians and record labels. As a director and graphic designer at Atlantic Records, Defrin played a pivotal role in shaping the visual identities of numerous Heavy Metal bands during this period.
One of Defrin's notable accomplishments was his work on album covers. He understood the power of album artwork in conveying the spirit and energy of a band's music. Defrin's ability to translate the raw power and intensity of Heavy Metal into captivating visuals earned him widespread recognition and accolades. His designs often featured bold, eye-catching imagery, intricate details, and striking typography, perfectly complementing the music within.
Defrin's portfolio boasts an impressive array of iconic album covers. Among his most renowned works are the covers for AC/DC's "Highway to Hell" (1979), "Back in Black" (1980), and "For Those About to Rock We Salute You" (1981). These covers captured the band's energy, attitude, and electrifying sound, becoming iconic symbols of Heavy Metal culture.
Additionally, Defrin's artistic contributions extended beyond AC/DC. He collaborated with numerous other influential bands, including Twisted Sister, Bon Jovi, Krokus, and Skid Row, among others. Each album cover he designed encapsulated the essence of the respective band's music, making a lasting impact on the visual landscape of Heavy Metal.
Bob Defrin's expertise in graphic design and his ability to understand and interpret the musical vision of Heavy Metal bands made him an invaluable asset to Atlantic Records. He left an indelible mark on the music industry, helping to shape the visual identities of some of the most influential Heavy Metal acts of the 1980s.
Beyond his work with Atlantic Records, Defrin's influence continued to resonate in the field of graphic design. His unique style and contributions left a lasting impression on album cover art, inspiring generations of designers to think creatively and push the boundaries of visual storytelling.
Bob Defrin's legacy as a director, graphic designer, and head of art for Atlantic Records endures as a testament to his immense talent and profound impact on the Heavy Metal genre. His ability to merge music and visual artistry has forever left an indelible mark on the history of album cover design.
Frank Mescati - Photography
|American Glam Rock, Heavy Metal|
Record Label Information:
|Atlantic Records 781 772, WX 120|
12" Vinyl LP Gramophone Record
Album weight: 200 gram
Year & Country:
|1987 Made in Germany|
Album cover photos of : Twisted Sister Love is for Suckers
Close-up Photo of "Love is for Suckers" Record Label
|Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash.|
Band Members and Musicians on: Twisted Sister Love is for Suckers
Track Listing of: "Love is for Suckers"
The Song/tracks on "Love is for Suckers" are
Twisted Sister is an American heavy metal band that was formed in 1972 in Long Island, New York. The band gained widespread popularity in the 1980s with their outrageous appearance, catchy anthems, and energetic live performances. Twisted Sister was known for their use of theatrical makeup, glam-inspired costumes, and larger-than-life stage presence. The band's iconic frontman, Dee Snider, was the driving force behind their success and was known for his distinctive voice and charismatic personality.
Twisted Sister's early years were marked by lineup changes and struggles to find success. The band released several independent singles and albums throughout the 1970s but failed to gain mainstream attention. It wasn't until 1982 that Twisted Sister's breakthrough album, "Under the Blade," was released. The album featured the hit single "We're Not Gonna Take It," which became a signature anthem for the band.
Twisted Sister's success continued with the release of their 1984 album, "Stay Hungry," which included hits like "I Wanna Rock" and "The Price." The album's success was due in large part to the band's music videos, which received heavy rotation on MTV. The videos featured the band's signature look and showcased their high-energy live performances.
Despite their success, Twisted Sister faced criticism from some quarters for their over-the-top image and lyrics. Some critics accused the band of promoting violence and rebellion, while others dismissed their music as shallow and formulaic. Twisted Sister responded to these criticisms by embracing their status as outsiders and continuing to push boundaries with their music and image.
In the late 1980s, Twisted Sister's popularity began to decline, and the band members pursued other projects. Dee Snider embarked on a solo career and became a successful radio personality, while guitarist Jay Jay French focused on his work as a music manager. However, the band's legacy continued to grow, and they were inducted into the Long Island Music Hall of Fame in 2006.
In recent years, Twisted Sister has reunited for occasional performances and special events. The band members have also been active in promoting their music and legacy, with the release of a documentary film and a Broadway musical based on their music.
The enduring appeal of Twisted Sister can be attributed to their unique blend of catchy, anthemic songs and theatrical, larger-than-life stage presence. The band's music is often associated with a sense of rebellion and empowerment, making them a favorite among fans of heavy metal and hard rock. Their message of individuality and standing up against oppression has resonated with fans of all ages and backgrounds.
Atlantic Records 7567 82380 , 1992 , Germany
"Big Hits and Nasty Cuts: The Best of Twisted Sister" is a compilation album by Twisted Sister, released in 1992. In addition to the songs themselves, the album also includes liner notes and rare photos of the band, providing fans with a glimpse into Twisted Sister's history and career.Show Details
Atlantic 781 275 , 1985 , Germany
"Come Out and Play" is a classic heavy metal album that showcases Twisted Sister's musicianship and songwriting abilities. The pop-up album cover adds a unique and playful element to the album, reflecting the band's willingness to experiment and have fun with their music.Show Details
Atlantic Records 781 772 , 1987 , Germany
"Love is for Suckers" marks a turning point in Twisted Sister's career, as they tried to balance their heavy metal roots with a more commercial sound. Although it was not as successful as their previous albums, it remains an interesting and underrated album that showcases the band's versatility and willingness to experimentShow Details
Atlantic 780 156 , 1984 , Made in France
This is the French release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.Show Details
Atlantic 780 156 , 1984 , Canada
This is the Canadian release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.Show Details
Atlantic 780 156 , 1984 , Germany
This is the German release of "Stay Hungry" is Twisted Sister's third studio album featuring ten tracks of catchy and theatrical heavy metal music. Produced by Tom Werman, it includes hits such as "We're Not Gonna Take It" and "I Wanna Rock," becoming a commercial success and a classic of the 1980s.Show Details
Secret Records INT 148.902 (SEC X 9) , 1982 , Germany
"Under the Blade" is the debut studio album by American heavy metal band Twisted Sister, released on 18 September 18 1982, by Secret Records. The vinyl album features nine tracks of energetic and aggressive heavy metal music that helped establish Twisted Sister as a force to be reckoned with in the metal scene.Show Details
Atlantic 78 12561 , 1982 , Canada
This is the Canadian release of "Under the Blade" is the debut studio album by American heavy metal band Twisted Sister, released in 1982. The vinyl album features nine tracks of energetic and aggressive heavy metal music that helped establish Twisted Sister as a force to be reckoned with in the metal scene.Show Details
Atlantic 7986 944-0, 1984 , Europe (GEMA/BIEM)
"We're Not Gonna Take It" is a rebellious rock anthem by Twisted Sister, featured on their "Stay Hungry" album. The mini-LP version also includes "The Kids Are Back," "You Can't Stop Rock 'n' Roll," and "Shoot 'Em Down," showcasing the band's high-energy sound.Show Details
Atlantic 78-0074 , 1983 , Europe
This release of "You Can't Stop Rock 'n' Roll" is specifically for the European market and has a black album front cover. It is the second studio album by the American heavy metal band Twisted Sister, released in1983. The album was produced by Stuart Epps and mixed by Tony Platt, and it features nine tracks.Show Details
ATLANTIC 78 00741 , 1983 , Canada
This release of "You Can't Stop Rock 'n' Roll" is specifically for the Canadian market and has a black album front cover. It is the second studio album by the American heavy metal band Twisted Sister, released in1983. The album was produced by Stuart Epps and mixed by Tony Platt, and it features nine tracks.Show Details
Atlantic 780074 , 1983 , Germany
This is the German release of "You Can't Stop Rock 'n' Roll" is the second studio album by the American heavy metal band Twisted Sister, released in 1983. The album was produced by Stuart Epps and it features nine tracks wih signature heavy metal sound, with powerful vocals from Dee Snider and fast-paced guitar riffsShow Details