Crimson Glory's "Strange and Beautiful" is a Jekyll and Hyde of an album, a schizophrenic beast with two faces. One minute, you're soaring on the wings of Midnight's operatic wail and Jon Drenning's fiery guitar solos. The next, you're drowning in a sea of hairspray ballads and saccharine hooks. It's a record that dares to be different, shedding the band's progressive metal skin for a sleeker, more commercial sound. Some call it a bold evolution, others a tragic sellout. But one thing's for sure: "Strange and Beautiful" is a wild ride, a testament to Crimson Glory's fearless experimentation and their unwavering belief in pushing boundaries.
Hold onto your leather-studded codpieces, metal maniacs, because Crimson Glory's 1991 album "Strange and Beautiful" is a sonic curveball that'll leave you scratching your heads and maybe even reaching for the hairspray. This ain't your daddy's Crimson Glory – the prog-metal thunder of their early days has been replaced by a sleeker, more commercial sound that's sure to ruffle some feathers.
Released in the midst of grunge's gritty takeover and hair metal's dying gasp, "Strange and Beautiful" was a risky gamble for a band known for their progressive epics and enigmatic masks. They shed their silver armor for a more mainstream image, trading their intricate guitar duels for radio-friendly hooks.
Midnight's banshee wail remains as powerful as ever, soaring over Jon Drenning's bluesy licks and Jeff Lords' melodic basslines. But the songwriting is a mixed bag, veering between soaring anthems like "Lady of Winter" and cheesy power ballads that would make Bon Jovi proud.
Recorded at the now-defunct Kajem/Victory Studios in Pennsylvania, the album's production is glossy and polished, a stark contrast to the raw energy of their earlier work. Producer Mitch Goldfarb, known for his work with hair metal bands like Britny Fox, gives the album a slick sheen that some fans found too commercial for their taste.
"Strange and Beautiful" is a divisive record, a testament to Crimson Glory's willingness to experiment and push their boundaries. It's a sonic chameleon, shifting between hard rock, blues, and even hints of AOR. Some see it as a brave attempt to evolve, while others bemoan it as a sellout to commercial pressures.
Love it or hate it, there's no denying that "Strange and Beautiful" is a fascinating chapter in Crimson Glory's story. It's a record that dared to be different, a bold gamble that ultimately divided fans and left a lasting mark on their legacy.
Music Genre: American Heavy Metal |
Album Packaging: This album includes the original black custom inner sleeve with album details, complete lyrics of all songs by "Crimson Glory" |
Album Production information: Produced by Mitch Goldfarb and Jon Drenning Brian Stover - Sound Engineer Brooke Hendricks - Sound Engineer Cherri Parker - Sound Engineer Jeff Chestek - Sound Engineer John Fairhead - Sound Engineer George Marino (1947-2012) - Mastering Engineer George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music. Justice Mitchell - Cover Art |
Record Label & Catalognr: RoadrunneR RR 9301 1 |
Media Format: 12" Vinyl LP Gramophone RecordAlbum weight: 230 gram |
Year and Country: 1991 Made in Holland |
Band Members and Musicians on: Crimson Glory Strange and Beautiful |
|
Complete Track Listing of: Crimson Glory Strange and Beautiful |
The Song/tracks on "Crimson Glory Strange and Beautiful" are
|
Album cover photos of : Crimson Glory Strange and Beautiful |
Photo of Crimson Glory Strange and Beautiful Album's Front Cover |
Photo of Crimson Glory Strange and Beautiful Album's Back Cover |
Close-up Photo of Crimson Glory Strange and Beautiful Record Label
|
Crimson Glory was a progressive metal band that formed in Sarasota, Florida in 1979. The band was known for their unique blend of heavy metal, progressive rock, and classical music, as well as their theatrical stage shows.
The band's early years saw several lineup changes, but by the mid-1980s, they had solidified their core lineup of vocalist Midnight (John Patrick McDonald), guitarists Jon Drenning and Ben Jackson, bassist Jeff Lords, and drummer Dana Burnell. They released their self-titled debut album in 1986, which was met with critical acclaim and helped to establish the band as one of the most promising acts in the metal scene.
Crimson Glory's sound was characterized by Midnight's powerful and operatic vocals, which drew comparisons to Bruce Dickinson of Iron Maiden and Geoff Tate of Queensrÿche. The band's instrumentation was also highly technical and complex, with intricate guitar riffs and solos, intricate bass lines, and intricate drum patterns. They often incorporated symphonic elements, such as strings and choirs, into their music as well.
The band's second album, "Transcendence," was released in 1988 and was another critical success. It showcased the band's continued growth and evolution, with even more complex and ambitious song structures and arrangements. The album's opening track, "Lady of Winter," is widely regarded as one of the band's best songs and a classic of the progressive metal genre.
Crimson Glory continued to tour and record throughout the late 1980s and early 1990s, releasing two more albums, "Strange and Beautiful" (1991) and "Astronomica" (1999). However, by the mid-1990s, the band had gone through more lineup changes and was struggling to maintain their momentum in the rapidly-changing metal scene.
Despite these challenges, Crimson Glory's influence on the progressive metal genre is still felt to this day. Their innovative blend of heavy metal, progressive rock, and classical music helped to pave the way for many other bands in the genre, and their theatrical stage shows inspired countless other performers. The band's legacy lives on through their music, which continues to inspire new generations of metal fans and musicians.
RoadrunneR Records RR 9655 , 1986 , Europe
Hold onto your leather chaps, metal maniacs, because we're about to dive headfirst into the enigmatic world of Crimson Glory's self-titled debut. Released in 1986, this 12" vinyl LP wasn't just an album; it was a declaration, a battle cry from a band shrouded in mystique
CRIMSON GLORY - Self-Titled 12" Vinyl LP AlbumRoadrunner RR 9301 1 , 1991 , Holland ( Netherlands )
Crimson Glory's "Strange and Beautiful" is a Jekyll and Hyde of an album, a schizophrenic beast with two faces. One minute, you're soaring on the wings of Midnight's operatic wail and Jon Drenning's fiery guitar solos. The next, you're drowning in a sea of hairspray ballads and saccharine hooks.
CRIMSON GLORY - Strange and Beautiful 12" Vinyl LP AlbumRoadrunner Records RR 9508 1 , 1988 , Europe
Crimson Glory's "Transcendence" is a sonic cathedral, a grandiose opera of metallic majesty that defies categorization. Soaring vocals, neoclassical shredding, and thunderous rhythms collide in a wall of sonic fury. Controversial yet visionary, the album pushes boundaries and leaves an indelible mark on heavy metal history.
CRIMSON GLORY - Transcedence 12" Vinyl LP Album
hey spent two years refining their sound. A sound that was rich in funk and psychedelic rock, jazz and even disco. Their first album released in the U.S. was 1972's "Wild Safari" it spawned the radio hit "Woman."
Learn more
Livin' the Blues" is the 1968 double LP album by Canned Heat. It was one of the first double albums to place well on album charts. It features Canned Heat's signature song, "Going Up The Country,"
Learn more
In an era of sound- and look-alike metal bands, Crimson Glory they wore full-face metallic silver masks on-stage (as well as for all photo shoots and public appearances). T
Learn more
This verson of "Are You Experienced" is from the independent Barclay Records in France, which produced a completely different cover featuring a photo of Hendrix performing on a recent French TV show, surrounded by "psychedelic" painted, swirling graphics;
Learn more
"Moods" was released in 1974, several years after Hendrix's death. The album was compiled by Alan Douglas, who had previously produced Hendrix's posthumous releases "Crash Landing" and "Midnight Lightning"
Learn more
"Lime Spiders' 'Weirdo Libido' 12" Vinyl LP Album, recorded and released in 1987, is a punk rock masterpiece by the Australian band hailing from Sydney. Born in 1979, Lime Spiders' distinctive sound resonates through this EP
Learn more
"Love is Blue" 12" Vinyl LP Album is a captivating compilation featuring tracks by 101 Strings, The Spots, and The Petars. With a diverse range of artists, the album weaves together a tapestry of beat,
Learn more
Madonna pushed for the song's inclusion on "Like a Virgin" as she particularly liked its lyrics. Musically, the song is a drum beat driven dance track featuring instrumentation from guitars and vocals from a choir
Learn more
The album "7" featured a classic cover of Hoyt Axton's "Snowblind Friend", their second cover of one of his anti-drug songs (the first being the famous "The Pusher")
Learn more
"Stiff Little Fingers' 'Hanx!' is a live punk manifesto, captured on a 12" LP in 1980. With raw energy and political fervor, the album immortalizes the band's rebellious spirit. Each track is a sonic riot,
Learn more