Helloween - Live in the UK Picture Disc 12" Vinyl LP Album

Helloween's "Live In The UK" Picture Disc 12" Vinyl LP stands as a coveted gem for collectors. This limited edition release showcases the band's electrifying live performance, offering fans a unique auditory and visual experience. The intricate design of the picture disc adds an extra layer of allure to this hard-to-find album, making it a prized possession for enthusiasts of both Helloween and vinyl records. This web-page has hi-res photos of the album covers, record label and a detailed description.

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Halloween in Hell: A Blast of Live UK Picture Disc Mayhem
Album Description:

Helloween, the German power metal titans, emerged in the mid-80s with a sound that was both bombastic and infectious. They were the knights in shining armor of a scene often mired in darkness and doom. The "Live in the UK" picture disc captures the band in their youthful prime, a snapshot of a group on the precipice of international stardom.

Historical Context:

This live recording was captured during the "Keeper of the Seven Keys" tour, a period when Helloween was riding a wave of critical acclaim and growing popularity. This was power metal's golden age, with bands like Iron Maiden, Judas Priest, and Manowar ruling the metal landscape. Helloween, with their soaring vocals, intricate guitar work, and relentless energy, were the new kids on the block, eager to carve out their place in the metal pantheon.

Musical Exploration:

The "Live in the UK" picture disc is a raucous testament to the band's live prowess. The setlist is a mix of tracks from their first two albums, showcasing their versatility and songwriting chops. From the anthemic "Future World" to the epic "Halloween," the band effortlessly blends aggression and melody, creating a sound that is both exhilarating and infectious. Fans particularly rave about the extended guitar and drum solos in this live version, showcasing the individual talents of Kai Hansen and Ingo Schwichtenberg.

Music Genre:

Helloween is firmly rooted in the power metal genre. Their music is characterized by high-pitched vocals, fast tempos, and complex song structures. But what sets Helloween apart is their knack for crafting catchy hooks and memorable melodies. They are not afraid to experiment with different sounds and styles, incorporating elements of hard rock, progressive metal, and even pop music. This unique blend has attracted a wide range of fans, from die-hard metalheads to casual listeners.

Production Team:

The "Live in the UK" picture disc was produced by Tommy Hansen, a Danish producer known for his work with other heavy metal bands like Pretty Maids and TNT. Hansen captured the raw energy and excitement of the band's live performance, creating a recording that sounds as if you are right there in the audience, headbanging along with the crowd. The picture disc format itself adds to the collectible nature of the album, making it a sought-after item for fans.

Controversies:

Helloween's career hasn't been without its share of controversy. The band underwent several lineup changes, most notably the departure of vocalist Michael Kiske in 1993. This led to a period of uncertainty and creative upheaval, but the band persevered, eventually finding a new voice in Andi Deris. The "Live in the UK" picture disc, however, represents a time of unity and creative peak for the band, before these later controversies arose.

The Verdict:

The "Live in the UK" picture disc is a must-have for any Helloween fan. It captures the band at their most energetic and passionate, a snapshot of a group that would go on to become one of the most influential and enduring bands in power metal history. If you want to experience the raw power and excitement of Helloween in their early days, then this album is a must-listen.

Helloween - Future World ((incl Elvis Presley impersonation):

Music Genre:

Power Speed Metal German 

Album Production Information:

Helloween recorded Live in the UK on the Pumpkins Fly Free tour by Manor Mobile, November 1988.

Produced by Tommy Hansen and Helloween.

  • Tommy Hansen – the Danish Sound Engineer and Producer

    I always hear Tommy Hansen in that sharp, muscular European metal sound: polished enough to travel, dangerous enough to bite.

    Tommy Hansen was the Danish studio craftsman who gave European hard rock and metal a muscular shine without sanding off the danger. I remember Tommy Hansen as one of those behind-the-desk men whose fingerprints were all over the sound of European metal. He started young with The Old Man & The Sea in 1967 and later played in Iron Duke in the mid-1970s, before turning Jailhouse Studio into a serious workshop for loud music. From 1983 to 1984 he worked with Pretty Maids on the early EP and "Red, Hot and Heavy"; with Helloween he turns up across 1987-1988 and again 1993-1998 on "Keeper of the Seven Keys" Parts I and II, "Chameleon", "Master of the Rings", "The Time of the Oath" and "Better Than Raw". He later shaped records by Iron Fire in 2000-2001 and 2006, Wuthering Heights in 2002, HateSphere in 2005, and Jorn in 2008-2010. That was no accident. That was authority.

  •  

    Record Label & Catalognr:

    Noise EMI Electrola 064-7 92371 

    Media Format:

    12" Vinyl LP  Gramophone Record
    Album weight: 220 gram 

    Year & Country:

    1989 Made in Germany 
    Band Members and Musicians on: Helloween Live in the UK Picture Disc
      Helloween's Band-members, Musicians and Performers
    • Michael Kiske - Lead Vocals
      Michael Kiske, the legendary German vocalist, is best known for his soaring vocals and dynamic range in Helloween. As the frontman for their iconic Keeper of the Seven Keys albums, he helped define power metal’s golden era. His influence spans solo projects and collaborations, making him one of the genre’s most revered voices. Learn more in Michael Kiske’s Biography.
    • Kai Hansen - Guitar
    • Kai Hansen – Vocals, Guitars

      Kai Hansen always shows up before I’m ready, like a starting pistol firing behind the sofa while the coffee is still cooling.

      Kai Hansen feels less like a traditional frontman and more like a force that leans too far forward and drags the band with him. In the early Helloween years, guitars came first and vocals followed almost by necessity, from 1984 through the late ’80s when everything still felt fast, risky, and unfinished. When he left in 1989 it wasn’t drama, just impatience in motion. Gamma Ray didn’t slow anything down; it doubled the pressure, speed with a grin that still had teeth. These songs don’t stroll or explain themselves. They shove, they dare, and they expect you to keep up.

    • Michael Weikath - Guitar
    • Michael Weikath – Guitar

      I keep him filed under “sunlight with a switchblade.” The kind of guitarist who makes a chorus feel friendly right up until it knocks your drink over.

      Michael Weikath is Hamburg-born and stubbornly melodic, and I mean that as a compliment and a warning. I’ve heard plenty of fast guitar players. He’s one of the few who sounds like he’s arguing for the hook. Not begging. Arguing.

      Back when I was still judging bands by how quickly they could light up a cheap club PA, his trail starts in 1978 with Powerfool—kids with amps and ambition, basically, the classic “we’ll sleep later” setup. Then he slides into the early Helloween gravity in 1982, when things are still half-formed and hungry, before the band plants the official flag in 1984 and starts turning Hamburg sweat into something the whole world eventually copies.

      What I like about Weikath is the discipline. The riffs don’t wander off to show off. They march. They steer the song, they herd the chorus into place, and they don’t apologize for being bright. Some metal people act allergic to joy—like a melody will ruin their leather. Weikath never got that memo, and thank God. His playing keeps saying: you can be fast, sharp, and still sing. And if that bothers you… that’s kind of the point.

      Michael Weikath Wiki
    • Markus Grosskopf - Bass
    • Markus Grosskopf – Bass

      Some bassists “hold it down.” Grosskopf drags the whole band forward by the belt. You feel it in your ribs before you can even name it.

      Markus Grosskopf is Hamburg through and through, and I mean the practical kind of Hamburg: show up, plug in, make it work. Born in 1965 and active since 1978, he’s the founding Helloween bassist who makes speed feel organized—like somebody finally put the chaos on a timetable.

      The part I always grin at is how unglamorous it starts. He’s a kid with a bass because the room needs one, and suddenly he’s bashing through punky stuff in a space that probably smells like cables and bad decisions. Then he goes looking for something heavier and lands in Kai Hansen’s band Second Hell, right before that early Helloween crew locks in with Michael Weikath and the name becomes official in 1984.

      I’ve got a dumb little ritual: grey morning, coffee going cold, I throw on an early cut just to check whether the bottom end still feels like steel. It does. Grosskopf doesn’t “support” the guitars—he keeps them honest. And by 1990, when he’s also involved with Mr. Prooster, you can already tell he’s the type who won’t sit still just because the main band is rolling.

    • Ingo Schwichtenberg - Drums
    • Ingo Schwichtenberg – Drums

      He didn’t just keep time. He grabbed it by the collar and yanked it into the spotlight—still grinning. “Mr. Smile” wasn’t a marketing trick. It was the face you got even when the tempo was trying to run away.

      Ingo Schwichtenberg is the founding Helloween drummer I think of when people romanticize “the early days” but forget the work. Hamburg bred, active from 1978 to 1993, he played like the kit was a moving vehicle and he’d rather steer than sit politely in the back. That kick wasn’t decoration. It was a decision.

      Before Helloween was official in 1984, he’d already been grinding through the local trenches with bands like Gentry and Iron Fist—those pre-fame rooms where the air is warm, the amps are cheap, and nobody cares about your “image,” only whether you can hold the song together when everything else gets loud. He learned the hard way. You can hear it.

      From 1984 until 1993 he’s the engine behind Helloween’s first era, and I’ll be honest: I prefer that urgency to a lot of the later, shinier perfection. He hits like he means it, but he doesn’t smear the music—he snaps it into place. Fast, clean, a little dangerous. The kind of drumming that makes you stand closer to the speakers even though you know you shouldn’t.

    • Jorn Ellerbrock - Keyboards

      Jörn Ellerbrock, also known as Jörn "Toad" Ellerbrock, is a German musician who has performed as a guest musician with the band Helloween. Primarily known as a keyboardist, has made guest appearances with Helloween during certain live performances and tours. His contributions to the band typically involve adding keyboards and synthesizer elements to their music, enhancing the overall sound and atmosphere.

    Complete Track Listing of: "Live in the UK"
      Side One:
    1. A Little Time
    2. Dr Stein
    3. Future World (incl Elvis Presley impersonation)
    4. Rise and Fall
      Side Two:
    1. We Got The Right
    2. I Want Out
    3. How Many Tears
    High Resolution Photo of Album Cover, Inners, Vinyl and Record labels  
    Photo of "Live in the UK" Picture Disc Back

    High Resolution Photo of Album Cover, Inners, Vinyl and Record labels  

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    High Resolution Photo of Album Cover, Inners, Vinyl and Record labels  

     

     Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

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