In 1980, a bunch of scruffy Brits with big hair and even bigger dreams unleashed a sonic assault on the unsuspecting Germans. Def Leppard's debut album, "On Through the Night," hit the German airwaves like a pint of warm beer – raw, unfiltered, and surprisingly potent. This wasn't the polished pop-metal of their later years; this was a young band, hungry for success and fueled by youthful exuberance. It was a time when hairspray was a weapon, spandex was armor, and rock 'n' roll was the law of the land. "On Through the Night" is a snapshot of a band on the rise, a raw testament to their unbridled passion and unpolished talent. So grab your air guitar, crank up the volume, and let the good times roll.
Back in the grimy dawn of the 1980s, when punk was sputtering out and hair metal was just a glint in the devil's eye, Def Leppard unleashed their debut album, "On Through the Night." This wasn't the polished, pop-metal machine we'd later come to know. This was raw, unadulterated teenage angst, a sonic middle finger to a world on the brink of Thatcherism.
Emerging from the soot-stained streets of Sheffield, England, these lads weren't afraid to get their hands dirty. They weren't concerned with image or fashion; they were too busy cranking out riffs that could melt the paint off your walls. Songs like "Rock Brigade," an anthem for their die-hard fans, and the rebellious "Wasted" became instant favorites, showcasing the band's raw talent and unbridled energy.
"On Through the Night" was a statement of intent. It was a declaration of war against the mundane, a sonic middle finger to the establishment. The guitars roared, courtesy of the dueling leads of Steve Clark and Pete Willis, the drums pounded relentlessly thanks to Rick Allen's youthful vigor, and Joe Elliott's vocals soared above the chaos, a siren song for the disaffected youth of the era. His delivery on tracks like the emotional ballad "Hello America" and the hard-hitting "It Could Be You" showcased a range and versatility that would later become a trademark of his style.
The album's production, while not as polished as their later work, captured the band's raw energy and youthful exuberance. It was a sound that was both rough around the edges and undeniably exciting. Tom Allom, the album's producer, understood the band's primal energy and allowed them to unleash it in the studio. The result was a sound that was unfiltered and authentic, a testament to their commitment to their hard rock roots.
Recorded at Startling Studios in Ascot, a converted schoolhouse that had seen its fair share of rock 'n' roll shenanigans, "On Through the Night" captured the spirit of a band on the rise. The studio's cramped quarters and makeshift recording equipment forced the band to get creative, resulting in a sound that was both raw and authentic. The album's recording process became legendary among fans, adding to the mystique and allure of this early masterpiece.
Despite its energy and youthful exuberance, "On Through the Night" wasn't without its controversies. Some critics dismissed the band as mere NWOBHM (New Wave of British Heavy Metal) imitators, lacking the originality and innovation of their peers. Others accused them of being too commercial, too eager to please the masses. However, the album's undeniable energy and the band's undeniable talent resonated with fans, who embraced their hard-rocking sound and rebellious attitude.
But Def Leppard didn't care about the critics. They were too busy playing their hearts out, honing their skills, and building a loyal fan base. The album's singles, "Rock Brigade" and "Wasted," became anthems for a generation of disenchanted youth, songs that spoke to their frustrations and desires. The band's relentless touring schedule and electrifying live shows further cemented their status as a rising force in the rock scene.
"On Through the Night" was a stepping stone, a raw, unpolished gem that laid the groundwork for the band's future success. It was a snapshot of a band on the cusp of greatness, a band that would soon take the world by storm. The album's impact on the hard rock and heavy metal scene cannot be overstated, and its influence can still be heard in the music of countless bands today.
Album Production information: Produced by "Colonel" Tom Allom and Roy Neavy Tom "Colonel" Allom In the illustrious realm of music production, one name that resonates with brilliance is that of Tom Allom. Born on 14th March 1946 in London, this British music producer and sound engineer have left an indelible mark on the landscape of rock and metal music. Allom's journey into the realm of sound engineering began in the late 1960s when he found himself at the epicenter of the burgeoning British music scene. With a keen ear for detail and an innate understanding of the nuances of sound, he quickly gained recognition among the music elite. His breakthrough came when he collaborated with the legendary rock band Judas Priest in the late 1970s. The partnership proved to be nothing short of magical, as Allom's production work on albums like "British Steel" and "Screaming for Vengeance" catapulted Judas Priest into international stardom. The distinctive sound he crafted for the band, characterized by powerful guitar riffs and dynamic vocals, became synonymous with the golden era of heavy metal. Allom's contribution extended beyond Judas Priest, as he lent his expertise to numerous iconic acts. His work with Black Sabbath, Def Leppard, and Krokus further solidified his reputation as a maestro in the studio. His ability to capture the raw energy of live performances while maintaining clarity and precision set him apart in an industry that demanded perfection. In addition to his prowess in the studio, Tom Allom's collaboration with these renowned bands saw him participate in the creation of some of rock and metal's most enduring anthems. From the anthemic "Living After Midnight" to the thunderous "Breaking the Law," Allom's fingerprints are etched into the sonic fabric of classic rock. As the music industry evolved, so did Allom's career. He adapted seamlessly to changing technologies, ensuring that his production techniques remained at the forefront of innovation. His work continued to influence younger generations of producers, and he remained a sought-after name in the industry. Beyond his technical proficiency, Tom Allom's affable personality and collaborative spirit endeared him to the musicians he worked with. His ability to understand and enhance the vision of artists contributed significantly to the success of the projects he undertook.
Louis Austin Louis Austin, the renowned sound engineer, played a pivotal role in shaping the sonic landscape during a crucial period in the history of music production. Born 1941, in London, Austin's career spanned from the 1960s to the 1980s, aligning with a transformative era in the music industry. During the 1960s, the music scene witnessed a significant shift marked by the rise of iconic bands like The Beatles, The Rolling Stones, and The Who. Louis Austin entered the scene as a sound engineer, contributing his expertise to numerous groundbreaking recordings. His technical proficiency and innovative approaches to sound engineering had a profound impact on the quality and depth of music produced during this time. One of Austin's notable contributions was his work with The Beatles during the recording sessions of the legendary album "Sgt. Pepper's Lonely Hearts Club Band" in 1967. His meticulous attention to detail and experimentation with studio techniques helped create the album's distinctive sound, earning him recognition for his role in shaping the psychedelic and avant-garde elements present in the tracks. Beyond The Beatles, Louis Austin collaborated with a diverse range of artists, showcasing his versatility as a sound engineer. His work extended to genres such as rock, blues, and folk, leaving an indelible mark on the sonic landscape of the 1970s. As the music industry evolved, so did Austin's approach to sound engineering, adapting to new technologies and pushing the boundaries of what was possible in the studio. In the 1980s, Louis Austin's influence continued to resonate as he embraced emerging digital technologies in the recording process. His ability to seamlessly integrate analog and digital elements showcased his adaptability and forward-thinking mindset.
Adrian Boot - Photography Alan Schmidt - Design, Art Melvin Smith - Album Cover Illustration Bob Ludwig - Mastering Engineer Bob Ludwig is an American mastering engineer and record producer. He is widely regarded as one of the best mastering engineers in the music industry, and has worked with a diverse range of artists across various genres, including classical, rock, pop, and jazz. Ludwig has been active in the music industry since the 1970s and has worked on numerous critically acclaimed and commercially successful albums, including records by Led Zeppelin, The Rolling Stones, Pink Floyd, and many others. He has also been recognized for his contributions to the industry and has won several Grammy Awards for his work. Throughout his career, Ludwig has been known for his technical expertise, attention to detail, and his ability to bring out the best in recordings. He has also been a strong advocate for the preservation of audio quality and has worked to promote the use of high-quality analog and digital technologies in the recording and mastering process. Overall, Bob Ludwig is a highly respected and accomplished mastering engineer who has made a significant impact on the music industry through his work with many of the biggest and most influential artists of our time.
Album sleeve photography Robert Ellis Robert Ellis is a highly accomplished British photographer renowned for his exceptional work in the field of music photography. With a career spanning several decades, Ellis has captured iconic moments and personalities in the music industry, leaving an indelible mark on the visual representation of music culture. His work has been prominently featured in esteemed publications such as NME (New Musical Express), Melody Maker, Kerrang, and Sounds, earning him widespread recognition and acclaim. Born and raised in the United Kingdom, Robert Ellis developed an early passion for photography and music. In the 1970s, he embarked on his professional journey as a photographer, immersing himself in the music scene of the era. Ellis quickly established himself as a talented and versatile photographer, capturing the energy, spirit, and raw emotion of live performances. Ellis's keen eye and ability to capture the essence of musicians in their element soon caught the attention of leading music-related publications. His work became highly sought after, and he started receiving assignments from prestigious magazines, including NME, Melody Maker, Kerrang, and Sounds. These publications were instrumental in shaping the music culture and disseminating information about emerging and established artists, making Ellis's photographs an integral part of the narrative. Throughout his career, Robert Ellis had the opportunity to photograph numerous influential musicians, bands, and artists. From capturing intimate portraits of legendary figures such as David Bowie, Freddie Mercury, and Mick Jagger to documenting the explosive energy of performances by bands like Led Zeppelin, The Rolling Stones, and The Clash, Ellis consistently delivered stunning images that resonated with audiences worldwide. One of Ellis's notable strengths as a photographer was his ability to establish a rapport with his subjects, putting them at ease and capturing their authentic selves. His photographs often reflected the deep connection he formed with the artists, revealing the vulnerability and passion behind their public personas. Whether in the chaos of a live concert or the stillness of a backstage moment, Ellis's images told stories that transcended the music itself, creating a visual legacy that would endure for years to come. |
Music Genre: Glam Metal |
Record Label & Catalognr: Vertigo 6360 180 ( 6360180 ) |
Media Format: 12" LP Vinyl Gramophone Record |
Year & Country: 1979 Made in Germany |
Band Members and Musicians on: Def Leppard - On Through The Night |
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Complete Track Listing of: Def Leppard - On Through The Night |
The Song/tracks on "Def Leppard - On Through The Night" are:
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Album cover photos of : Def Leppard - On Through The Night |
High Resolution Photo Album Back Cover
Enlarged High Resolution Photo of the Record's label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Vertigo LEP 101 / Bludgeon Riffola , 1987 , England
The "Animal" EP features two remixes of the title track, as well as live versions of "Tear It Down" and "Women". The page also includes background information about the band and the New Wave of British Heavy Metal movement.
Animal Extended Play 12" EPVertigo 6359 045 , 1981 , West-Germany
This German release of Def Leppard's "High 'n' Dry" features the same track listing as the UK release. The German version was produced by Phonogram and released on the Vertigo Records label, which was founded in 1969 and has been the home of many notable rock acts.
- High 'n' Dry (German release) - High 'n' Dry (Netherlands release)Mercury 832 962-1 , 1987 , USA
The "Hysteria Picture Disc" is a special edition vinyl release of Def Leppard's classic album, featuring the artwork on a collectible picture disc. The album, originally released in 1987, features hit songs like "Pour Some Sugar on Me" and "Love Bites". This edition retains the original sound quality
Hysteria Picture DiscBludgeon Riffola 830 675 , 1987 , Holland
Def Leppard's "Hysteria" is a rock classic, released in 1987. The album showcases the band's talent for big hooks and anthemic choruses, featuring hits like "Pour Some Sugar on Me" and "Love Bites". The production is polished and innovative, incorporating electronic elements and layered harmonies.
Hysteria (Holland) 12" LPVertigo 6360 180 , 1979 , Germany
"On Through The Night" is the debut studio album by English rock band DEF LEPPARD, released in 1980. It features a mix of hard rock and heavy metal and includes popular tracks like "Rock Brigade" and "Wasted."
On Through The Night (German release) 12" Vinyl LPVertigo 6359 119 , 1983 , Holland
Pyromania is the third album by British hard rock band Def Leppard, released in 1983. It broke the band across North America and in Japan, and would sell over 10 million copies worldwide. It featured new guitarist Phil Collen and was produced by Robert John "Mutt" Lange.
- Pyromania (Netherlands Release) - Pyromania (West-German release) Pyromania (British Release)