Pretty Maids' 1983 self-titled debut encapsulates the vibrant spirit of early '80s heavy metal. Released amid the genre's dynamic evolution, the album, recorded at Toma Studios and remixed at New Sound Recording, showcases production prowess by Tommy Hansen and Mario Giuseppe. Adorned with visually striking cover art by Joe Petagno, the LP remains a testament to the band's commitment to shaping the sonic landscape of a pivotal musical era.
On this page you will find a detailed description of the album PRETTY MAIDS - Pretty Maids ( Self-Titled ) with large photos of the album cover ( front and back ) , inner sleeves , record labels (s) and vinyl records.
In the vast tapestry of heavy metal history, certain albums emerge as beacons of a particular era, capturing the essence and energy of a time gone by. Pretty Maids' self-titled debut album, released in 1983, stands as a testament to the electrifying spirit of the early '80s heavy metal scene.
The Time Period: The Early 1980s Heavy Metal Explosion
The early 1980s marked a pivotal moment in the evolution of heavy metal. As the genre gained momentum, diverse subgenres emerged, each contributing a unique flavor to the overarching metal experience. Pretty Maids entered this landscape with their debut album, riding the wave of the New Wave of British Heavy Metal (NWOBHM) and forging their own path in the musical landscape.
The album's release in 1983 placed it right in the heart of a vibrant period for heavy metal. Bands were experimenting with sound, pushing the boundaries of what was considered traditional, and Pretty Maids was no exception. The early '80s were characterized by a raw, unbridled energy, and this is palpable in the tracks that adorn the self-titled LP.
Production Excellence: Behind the Scenes at Toma Studios
At the core of any memorable album lies the alchemy of production, and Pretty Maids' debut is no exception. Recorded at Toma Studios, the album benefited from the expertise of the production trio - Tommy Hansen, Mario Giuseppe, and the band members themselves.
Tommy Hansen, a renowned figure in the metal production scene, lent his skill to shaping the sonic landscape of the album. His touch, combined with the collaborative efforts of Mario Giuseppe and Pretty Maids, resulted in a production that encapsulated the raw intensity of their musical vision.
The remixed version in December 1983 at New Sound Recording added a layer of refinement to the tracks, showcasing the band's commitment to delivering a polished yet authentic heavy metal experience.
Album Art: A Visual Symphony by Joe Petagno
No exploration of an album is complete without acknowledging the visual identity encapsulated in its cover art. The self-titled LP features artwork crafted by the skilled hands of Joe Petagno, a renowned artist in the realm of metal aesthetics. The album cover stands as a visual representation of the music within – bold, dynamic, and unapologetically metal.
Music Genre: Heavy Metal Music |
Collector's info:
Collectors info: this EP album was initially released in 1983 on Bullet records and re-issued on CBS |
Album Production information: Produced by Tommy Hansen, Mario Giuseppe & Pretty Maids Tommy Hansen: delve into his world and the albums that shaped a genre, his lasting influence on heavy metal, and the stories behind the music. Recorded at Toma Studios, remixed December 1983 at New Sound Recording. Album Cover art. Joe Petagno
Joe Petagno is an American artist known principally for creating images used on rock album covers for bands such as Pink Floyd , Led Zeppelin , Nazareth , Sweet, Motörhead, Roy Harper, Marduk, Bal-Sagoth, Autopsy, Attick Demons, Illdisposed and Sodom . Joe Petagno was born in Portland, Maine and left the United States in 1972. He worked with Hipgnosis before meeting Motörhead's Lemmy in 1975, Photography: Preben Kirkholt
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Record Label & Catalognr: CBS 25885 ncb |
Media Format: 12" EP |
Year & Country: 1984 Made in Holland |
Band Members and Musicians on: Pretty Maids self-titled |
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Complete Track Listing of: Pretty Maids self-titled |
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