"The Plague" EP by Nuclear Assault, recorded in late 1986 and early 1987, epitomizes the band's influential presence in the 1980s thrash metal scene. Released on England's "Under One Flag" label, the EP features tracks like "The Plague," showcasing the band's relentless thrash mastery. A sonic time capsule, this record solidifies Nuclear Assault's legacy, reflecting the fervor and innovation of a band at the forefront of heavy metal.
In the world of thrash metal history, Nuclear Assault stands as a formidable force that emerged during the genre's heyday. The band's second extended play record, "The Plague," holds a distinct position in their discography, showcasing the raw intensity and ferocity that defined the 1980s thrash metal scene.
Recorded during the winter months of December 1986 and January 1987, "The Plague" encapsulates a pivotal period in Nuclear Assault's evolution. The band, hailing from the United States, sought to make a profound impact on the thrash metal landscape, and this EP became a testament to their unrelenting pursuit of sonic mayhem.
Released in England on the esteemed "Under One Flag" record label, the EP's creation was marked by a blend of musical prowess and a determination to push the boundaries of the emerging thrash metal genre. The European release added another layer of significance to Nuclear Assault's growing presence in the global metal community.
The recording sessions for "The Plague" unfolded with a sense of urgency and creative fervor. As the band members poured their energy into the studio work, they sculpted a sonic landscape that resonated with the angst and aggression characteristic of thrash metal. The result was a collection of tracks that showcased Nuclear Assault's musical dexterity and lyrical prowess.
The EP's title track, "The Plague," serves as a quintessential example of Nuclear Assault's ability to deliver relentless, high-speed thrash with razor-sharp precision. The lyrics, steeped in themes of societal decay and existential turmoil, mirrored the band's unapologetic approach to addressing the harsh realities of the world.
"The Plague" EP not only showcased Nuclear Assault's musical prowess but also marked a crucial moment in the band's journey. It solidified their standing in the thrash metal community and set the stage for subsequent releases that would further define their legacy.
Thrash Metal
Under One Flag M Flag 13
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1987 Made in England
This album contains the original custom inner sleeve with on one side a photo collage with the band-memners of "Nuclear Assault" and on the other side: lyrics of all the songs and extensive thank you notes.
Randy Burns - Producer
Randy Burns is an American Music producer , Sound Engineer , and sound mixer. Responsible for the recorded sound of many Heavy Metal bands during the 1980s. Bands he has worked with include: 3rd Stage Alert , Agent Steel , Aversion , Bitter End , Chris Poland ( Band ), Crumbsuckers , Dark Age , Dark Angel , DBC , Dead End , Death , Excel , Helstar , Kreator , Leatherwolf , Lizzy Borden , Ludichrist , Megadeth , Morgoth , Mortal Sin , Nuclear Assault , Possessed , Suicidal Tendencies , Uncle Sam , Zoetrope.
Steve Sinclair - Executive Producer
Steve Sinclair, In the 1980s Steve Sinclair has been a successful producer for Heavy Metal bands. As an A&R Manager for Combat Records and Mechanic Records he produced many talented Heavy Metal and Punk bands. These bands include: Death, Crumbsuckers, Agent Steel, Nuclear Assault, Zoetrope, Ludichrist, Possessed, Dream Theater, Voivod, Vio-Lence, Abattoir, Dark Age, D.B.C., Dark Angel, Helstar
Casey McMackin - Sound Engineer
Casey McMackin is a highly skilled and acclaimed sound engineer, producer, and musician who made significant contributions to the world of Hard Rock and Heavy Metal music during the vibrant and influential era of the 1980s. With his unparalleled technical expertise and creative approach, McMackin played a crucial role in shaping the sonic landscape of numerous iconic albums.
Born and raised in a musically inclined family, Casey McMackin developed a deep passion for music at an early age. He started playing various instruments, including guitar and drums, and quickly demonstrated a natural talent for understanding and manipulating sound. This innate ability led him to explore the technical aspects of music production and engineering.
McMackin's journey into the world of professional music began when he enrolled in a renowned audio engineering program. There, he honed his skills in recording, mixing, and mastering, acquiring an in-depth knowledge of sound equipment and production techniques. Casey's dedication and aptitude caught the attention of industry professionals, and he soon found himself working in some of the most prestigious recording studios of the time.
In the early 1980s, McMackin made his mark as a sought-after sound engineer and producer within the Hard Rock and Heavy Metal scene. He was known for his meticulous attention to detail, his ability to capture the raw energy of live performances, and his keen ear for creating powerful and balanced mixes. Artists and bands eagerly sought out McMackin's expertise, recognizing his ability to elevate their sound to new heights.
Throughout the decade, Casey McMackin contributed his talents to a plethora of groundbreaking albums that became pillars of Hard Rock and Heavy Metal. His work spanned a wide range of styles within the genre, from the aggressive and thrashy sound of bands like Megadeth and Slayer to the melodic and anthemic tunes of artists like Whitesnake and Def Leppard.
McMackin's impressive discography includes several dozen albums that went on to achieve both critical acclaim and commercial success. His collaborations with renowned bands and musicians not only enhanced their sound but also solidified his reputation as a sound engineer and producer of unparalleled skill. Some of his most notable works include "Rust in Peace" by Megadeth, "Reign in Blood" by Slayer, "Slippery When Wet" by Bon Jovi, and "Hysteria" by Def Leppard.
H ere are a few albums that achieved significant commercial success and critical acclaim, showcasing McMackin's exceptional talent:
"Rust in Peace" by Megadeth (1990): McMackin's work on this thrash metal masterpiece is widely regarded as one of his crowning achievements. The album reached platinum status and is often considered one of the greatest metal albums of all time.
"Reign in Blood" by Slayer (1986): McMackin contributed his expertise to this groundbreaking album, known for its blistering speed and aggressive sound. "Reign in Blood" is considered one of the most influential and important thrash metal albums ever released.
"Slippery When Wet" by Bon Jovi (1986): McMackin's production work on this album helped propel Bon Jovi to global superstardom. With hits like "Livin' on a Prayer" and "You Give Love a Bad Name," the album topped charts worldwide and became one of the best-selling albums of the 1980s.
"Hysteria" by Def Leppard (1987): McMackin played a significant role in the production and engineering of this iconic album. "Hysteria" spawned several chart-topping singles, including "Pour Some Sugar on Me" and "Love Bites," and has sold over 25 million copies worldwide.
"1984" by Van Halen (1984): McMackin's engineering work on this album contributed to its massive success. With hits like "Jump" and "Panama," the album reached Diamond certification in the United States, solidifying Van Halen's status as one of the biggest rock bands of the era.
Despite his success behind the mixing console, Casey McMackin remained deeply connected to his musical roots as a guitarist and songwriter. He often found time to collaborate with fellow musicians, lending his talent and expertise to various side projects and solo endeavors. His musical contributions, though lesser-known than his engineering work, were highly regarded by those who had the privilege of hearing them.
As the 1990s arrived, McMackin continued to work in the music industry, adapting to the changing landscape and embracing new technologies while maintaining his commitment to delivering high-quality sound. He expanded his repertoire beyond Hard Rock and Heavy Metal, working with artists in different genres, ranging from alternative rock to pop.
Today, Casey McMackin's legacy lives on as his contributions to the music world continue to resonate with fans and fellow professionals alike. His dedication to his craft, his unmatched technical proficiency, and his unwavering passion for sound have solidified his place among the most influential figures in the history of music production. Whether in the studio, behind the mixing console, or on stage, Casey McMackin's impact on the Hard Rock and Heavy Metal genre remains indelible, forever engrained in the world of music history.
Randy Burns - Assistent Sound Engineer
Jamie "Big Guns" Bircumsajws - Sound Technician
The Music Grinder, Los Angeles, California during December 1986 and January 1987
Glenn Evans - Album Cover Concept
Rich Harter - Album Cover Concept
Gerald McLaughlin ( Voodoo Airbrushing Studios, Toronto, Canada ) - Album cover Illustration
Gerald McLaughlin a Canadian Airbrush artist who has been working on album covers for bands like: Agent Steel, Omen and others.
Frank White - Photographer
Frank White ( Photographer ) started at a very young age ( 12-13 years ) by photographer Hard Rock greatest like "Led Zeppelin", "Ronnie James DIO". He has photographed DIO from 1975 until 2009 and has published a photobook on DIO. During the 1980s White has published photos of Hard Rock and Heavy Metal bands on album covers and inner sleeves for bands like: Anthrax, Blood Feast, Cro-Mags, Hades, Overkill, Nasty Savage, Nuclear Assault and many others.
Jeff Hickey - Road Crew
Howie Abrams - Road Crew
Ken Kriete - Road Manager
Dan Lilker (full-name: Daniel A. Lilker) - a highly influential figure in the heavy metal and underground music scenes, known primarily for his work as a bassist and founding member of several prominent bands. Born in 1964 in New York, Lilker began playing music as a teenager and formed his first band, Overkill , in 1980.
In the years that followed, Lilker played with a number of other bands, including Anthrax , Stormtroopers of Death , and Brutal Truth, and became known for his aggressive and innovative bass playing style. He also became a prominent figure in the underground metal community, both as a musician and as a producer and engineer.
Throughout his career, Lilker has pushed the boundaries of what is considered heavy metal, incorporating elements of punk, hardcore, and experimental music into his work. He has been praised for his technical ability as well as his willingness to experiment and take risks with his music.
In addition to his work in music, Lilker is also a vocal advocate for animal rights and has been involved in various animal welfare organizations. He is known for his outspoken and sometimes controversial views on a range of issues, including politics and the music industry.
Overall, Dan Lilker is a highly respected and influential musician who has had a significant impact on the heavy metal and underground music scenes. His innovative approach to bass playing and his willingness to experiment and push boundaries have made him a revered figure among fans and fellow musicians alike.
Anthony Bramante is a renowned guitarist known for his contributions to the New York-based thrash metal band "Nuclear Assault." He played a vital role in shaping the band's distinctive sound and became an integral part of their lineup during two significant periods, from 1985 until 1992 and again from 2001 to 2002. Bramante's exceptional guitar skills and creative input left a lasting impact on the band's discography and the thrash metal genre as a whole.
Born on 8 July 1967, in Brooklyn, New York, Anthony Bramante developed a deep passion for music at a young age. Inspired by iconic guitarists like Eddie Van Halen, Randy Rhoads, and Dave Mustaine, he dedicated himself to mastering the instrument and honing his technical abilities. Bramante's guitar playing was characterized by blistering speed, intricate riffs, and a keen sense of melody, which quickly garnered attention within the heavy metal community.
In 1985, Bramante joined Nuclear Assault, a rising force in the thrash metal scene. The band, founded by former Anthrax members Dan Lilker and John Connelly, was known for its aggressive sound, politically charged lyrics, and energetic live performances. Anthony's addition to the lineup further enhanced their musical prowess and solidified their status as one of the genre's premier acts.
Throughout his first tenure with Nuclear Assault, Bramante contributed to the creation of several influential albums. His guitar work played a pivotal role in defining the band's signature sound on albums like "Game Over" (1986), "Survive" (1988), and "Handle with Care" (1989). These records showcased his technical proficiency, powerful riffing, and ability to seamlessly blend speed and melody. With Bramante's contributions, Nuclear Assault gained a devoted fan base and garnered critical acclaim from the metal community.
However, in 1992, Bramante parted ways with Nuclear Assault due to personal differences within the band. Despite his departure, his impact on their legacy remained undeniable. He left behind a catalog of exceptional guitar performances and a lasting influence on subsequent generations of thrash metal guitarists.
After leaving Nuclear Assault, Bramante pursued various musical endeavors, collaborating with different artists and bands. He continued to refine his skills and explore new musical avenues, always pushing the boundaries of his playing style. In 2001, Bramante rejoined Nuclear Assault for a brief period, contributing to the album "Third World Genocide" (2005) before parting ways with the band once again in 2002.
Anthony Bramante's contributions to Nuclear Assault's music and the thrash metal genre have solidified his place among the guitar greats. His technical mastery, innovative guitar work, and distinctive style continue to inspire and influence musicians to this day. With his ferocious playing and unwavering dedication to his craft, Bramante has left an indelible mark on the history of thrash metal, ensuring his legacy as a true guitar virtuoso.
Glenn Evans - Drums, Producer. Dr ummer with "Nuclear Assault" from 1981 until today with several breaks inbetween. 1989-1992 with C.I.A. and has been producer of several music records.
John Connelly - Vocals, Guitar. A former roadie of "Anthrax" and friends with "Dan Lilker". Connelly formed together with Lilker the New York Speed/Thrash Metal band "Nuclear Assault" in 1984.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
Under One Flag 12FLAG 102 , 1986 , England
"Brain Death," Nuclear Assault's inaugural 12" Vinyl EP Album, marked a seminal moment in thrash metal history. Released as the band's first Extended Play (EP), this iconic record showcased their raw intensity and lyrical prowess. Unleashed with thunderous riffs and relentless energy, "Brain Death" solidified Nuclear Assault's place in the burgeoning metal scene, laying the foundation for their influential musical journey.
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Under One Flag – 12FLAG 105 , 1988 , UK ( United Kingdom )
The "Fight To Be Free" 12" vinyl maxi-single by Nuclear Assault is a limited edition marvel. Beyond its thrash metal brilliance, the album stands out for its unique presentation—a large poster bag serving as the album sleeve. This innovative choice adds an exclusive touch, inviting fans to immerse themselves not only in the music but also in the visual and tactile experience, making it a collector's delight.
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Under One Flag FLAG 5 , 1986 , England
"Nuclear Assault's debut 'Game Over' 12" Vinyl LP, unleashed in 1986, marked a defining moment in thrash metal history. With relentless energy, the album showcased the band's raw power through tracks like 'Live, Suffer, Die'. This pioneering release remains a classic, encapsulating the essence of early thrash and laying the foundation for Nuclear Assault's influential career in the genre".
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Under One Flag 12 FLAG 107 , 1988 , UK ( United Kingdom )
Nuclear Assault's 'Good Times, Bad Times' 12" Vinyl EP pays homage to Led Zeppelin's debut. Akin to its inspiration, the title track echoes hard-hitting thrash energy. The album's cover and music reflect the thrash metal genre, marked by the label Under One Flag. This 1988 UK release, weighing 230 grams, also includes live tracks like 'Hang The Pope', showcasing Nuclear Assault's dynamic live presence and iconic sound.
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Under One Flag FLAG 35 , 1989 , England
"Nuclear Assault's 'Handle with Care' 12" LP, released in 1989, is a milestone for thrash metal enthusiasts. Produced by Randy Burns and recorded at 'The Music Grinder' in Los Angeles, it encapsulates the genre's intensity. The album features a custom inner sleeve with lyrics and artwork. Band members like Dan Lilker, John Connelly, Glenn Evans, and Anthony Bramante contribute to the powerful sound, as showcased in tracks including 'New Song' and 'Critical Mass'".
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Under One Flag M Flag 13 , 1987 , England
"Nuclear Assault's 'The Plague' 12" Vinyl EP, released in 1987 on Under One Flag label, continues their thrash metal onslaught. Recorded during December 1986 and January 1987, this mini-album packs a punch. With tracks like 'Game Over' and 'Justice,' it encapsulates the band's fierce energy. The album's detailed inner sleeve features lyrics, while contributors like Dan Lilker, Anthony Bramante, and Glenn Evans drive its heavy sound."
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Under One Flag FLAG 21 , 1988 , England
Nuclear Assault's 'Survive' 12" Vinyl LP, released in 1988, is a testament to their thrash metal mastery. Produced by Miles Copeland and Randy Burns, this album delivers a blend of aggression and social commentary. Tracks like 'Rise from the Ashes' and 'Brainwashed' showcase the band's signature energy. The LP features a custom inner sleeve with lyrics and photos, highlighting the contributions of band members like John Connelly, Glenn Evans, and Dan Lilker
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