The "Fight To Be Free" 12" vinyl maxi-single by Nuclear Assault is a limited edition marvel. Beyond its thrash metal brilliance, the album stands out for its unique presentation—a large poster bag serving as the album sleeve. This innovative choice adds an exclusive touch, inviting fans to immerse themselves not only in the music but also in the visual and tactile experience, making it a collector's delight.
In the realm of heavy metal, where the pulse of rebellious fervor beats strongly, Nuclear Assault stands as a formidable name, with their iconic release, "Fight To Be Free." This particular endeavor, a 12" vinyl maxi-single, has etched its mark in the annals of metal history, not just for its sonic prowess but also for its unique presentation – a limited edition marvel adorned with a captivating poster bag.
The genesis of this limited edition gem can be traced back to the fervent creative minds of the band members and the label's dedication to offering fans an exclusive and immersive experience. The vinyl maxi-single is a testament to the enduring spirit of Nuclear Assault and their commitment to delivering something beyond the ordinary.
The musical journey embedded within the grooves of "Fight To Be Free" is a cacophony of thrash metal brilliance, a sonic manifesto that resonates with the band's ethos. However, it is the album sleeve that sets this release apart. Departing from conventional norms, the sleeve doubles as an expansive poster bag, elevating the overall packaging to a collector's dream.
This innovative choice in packaging serves as a tactile and visual treat for fans, providing not just the auditory experience but also an aesthetic delight. The decision to opt for a poster bag is emblematic of Nuclear Assault's desire to transcend the conventional boundaries of music presentation. It invites the listener to delve into the artwork, which often complements the thematic elements of the music.
The limited edition nature of this release adds an aura of exclusivity, appealing to collectors and enthusiasts who seek more than just the music itself. It transforms the act of acquiring the vinyl into a memorable event, a tangible connection between the band and its dedicated audience.
Speed / Thrash Metal
Under One Flag – 12FLAG 105
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram
1988 UK ( United Kingdom )
This record "Fight To Be Free" is a limited edition and as a gimmick the album sleeve is a very large post bag.
Randy Burns - Producer
Randy Burns is an American record producer and sound engineer who played a crucial role in shaping the sound of heavy metal music in the 1980s and 1990s. His collaborations with bands like Megadeth, Death, Kreator, and Possessed have left an indelible mark on the genre, and his contributions continue to be recognized and appreciated by metal fans worldwide.
Early Career and Breakthrough
Burns' career began in the late 1970s when he started working as a sound engineer in various studios in Los Angeles. His big break came in 1986 when he produced Megadeth's iconic album "Peace Sells... But Who's Buying?" . The album's raw energy, aggressive sound, and socially conscious lyrics resonated with audiences, and it became a landmark release in thrash metal history.
Shaping the Sound of Death Metal
In 1987, Burns produced Death's debut album "Scream Bloody Gore," which is widely regarded as one of the most influential albums in death metal. The album's combination of speed, technicality, and brutality set a new standard for the genre, and it inspired countless bands to follow in Death's footsteps. Burns' work on "Scream Bloody Gore" solidified his reputation as a producer who could capture the raw intensity of extreme metal.
Further Successes and Legacy
Throughout the late 1980s and early 1990s, Burns continued to work with a wide range of metal bands, including Kreator, Possessed, Dark Angel, and Nuclear Assault. His productions were known for their powerful sound, which often emphasized the aggression and energy of the music. Burns' contributions to the metal scene helped to define the sound of an era, and his work continues to inspire new generations of musicians and fans.
Later Career and Continued Influence
In recent years, Burns has continued to work as a producer and sound engineer, contributing to projects in various genres. He has also been involved in remastering and reissuing classic albums from his catalog, ensuring that his legacy is preserved for future generations. Burns' influence on the metal scene remains undeniable, and his work continues to be celebrated by fans and critics alike.
Conclusion
Randy Burns' career as a record producer and sound engineer is a testament to his passion for music and his dedication to capturing the raw power of heavy metal. His collaborations with some of the most iconic bands in the genre have helped to shape the sound of metal music, and his contributions continue to be appreciated by fans around the world. As a pioneer of American metal, Randy Burns' legacy is secure, and his work will continue to inspire and influence musicians for years to come.
Bands he has worked with include: 3rd Stage Alert , Agent Steel , Aversion , Bitter End , Chris Poland ( Band ) , Crumbsuckers , Dark Age , Dark Angel , DBC , Dead End , Death , Excel , Helstar , Kreator , Leatherwolf , Lizzy Borden , Ludichrist , Megadeth , Morgoth , Mortal Sin , Nuclear Assault , Possessed , Suicidal Tendencies , Uncle Sam , Zoetrope.
Miles Copeland - Executive Producer
Miles Copeland (real-name Miles Axe Copeland III) is an American music producer from the UK and was founder of BTM Records, Illegal Records, I.R.S. Records, Ark 21 Records and many of its sub-labels and subsidiaries.
Casey McMakin - Sound Engineer
Casey McMackin is a highly skilled and acclaimed sound engineer, producer, and musician who made significant contributions to the world of Hard Rock and Heavy Metal music during the vibrant and influential era of the 1980s. With his unparalleled technical expertise and creative approach, McMackin played a crucial role in shaping the sonic landscape of numerous iconic albums.
Born and raised in a musically inclined family, Casey McMackin developed a deep passion for music at an early age. He started playing various instruments, including guitar and drums, and quickly demonstrated a natural talent for understanding and manipulating sound. This innate ability led him to explore the technical aspects of music production and engineering.
McMackin's journey into the world of professional music began when he enrolled in a renowned audio engineering program. There, he honed his skills in recording, mixing, and mastering, acquiring an in-depth knowledge of sound equipment and production techniques. Casey's dedication and aptitude caught the attention of industry professionals, and he soon found himself working in some of the most prestigious recording studios of the time.
In the early 1980s, McMackin made his mark as a sought-after sound engineer and producer within the Hard Rock and Heavy Metal scene. He was known for his meticulous attention to detail, his ability to capture the raw energy of live performances, and his keen ear for creating powerful and balanced mixes. Artists and bands eagerly sought out McMackin's expertise, recognizing his ability to elevate their sound to new heights.
Throughout the decade, Casey McMackin contributed his talents to a plethora of groundbreaking albums that became pillars of Hard Rock and Heavy Metal. His work spanned a wide range of styles within the genre, from the aggressive and thrashy sound of bands like Megadeth and Slayer to the melodic and anthemic tunes of artists like Whitesnake and Def Leppard.
McMackin's impressive discography includes several dozen albums that went on to achieve both critical acclaim and commercial success. His collaborations with renowned bands and musicians not only enhanced their sound but also solidified his reputation as a sound engineer and producer of unparalleled skill. Some of his most notable works include "Rust in Peace" by Megadeth, "Reign in Blood" by Slayer, "Slippery When Wet" by Bon Jovi, and "Hysteria" by Def Leppard.
H ere are a few albums that achieved significant commercial success and critical acclaim, showcasing McMackin's exceptional talent:
"Rust in Peace" by Megadeth (1990): McMackin's work on this thrash metal masterpiece is widely regarded as one of his crowning achievements. The album reached platinum status and is often considered one of the greatest metal albums of all time.
"Reign in Blood" by Slayer (1986): McMackin contributed his expertise to this groundbreaking album, known for its blistering speed and aggressive sound. "Reign in Blood" is considered one of the most influential and important thrash metal albums ever released.
"Slippery When Wet" by Bon Jovi (1986): McMackin's production work on this album helped propel Bon Jovi to global superstardom. With hits like "Livin' on a Prayer" and "You Give Love a Bad Name," the album topped charts worldwide and became one of the best-selling albums of the 1980s.
"Hysteria" by Def Leppard (1987): McMackin played a significant role in the production and engineering of this iconic album. "Hysteria" spawned several chart-topping singles, including "Pour Some Sugar on Me" and "Love Bites," and has sold over 25 million copies worldwide.
"1984" by Van Halen (1984): McMackin's engineering work on this album contributed to its massive success. With hits like "Jump" and "Panama," the album reached Diamond certification in the United States, solidifying Van Halen's status as one of the biggest rock bands of the era.
Despite his success behind the mixing console, Casey McMackin remained deeply connected to his musical roots as a guitarist and songwriter. He often found time to collaborate with fellow musicians, lending his talent and expertise to various side projects and solo endeavors. His musical contributions, though lesser-known than his engineering work, were highly regarded by those who had the privilege of hearing them.
As the 1990s arrived, McMackin continued to work in the music industry, adapting to the changing landscape and embracing new technologies while maintaining his commitment to delivering high-quality sound. He expanded his repertoire beyond Hard Rock and Heavy Metal, working with artists in different genres, ranging from alternative rock to pop.
Today, Casey McMackin's legacy lives on as his contributions to the music world continue to resonate with fans and fellow professionals alike. His dedication to his craft, his unmatched technical proficiency, and his unwavering passion for sound have solidified his place among the most influential figures in the history of music production. Whether in the studio, behind the mixing console, or on stage, Casey McMackin's impact on the Hard Rock and Heavy Metal genre remains indelible, forever engrained in the world of music history.
Matt Frieman - Assistent Sound Engineer
The Music Grinder, Los Angeles, California during January and February 1988
Track Records - Additional Recording
Tony Mottram
John Connelly - Vocals, Guitar. A former roadie of "Anthrax" and friends with "Dan Lilker". Connelly formed together with Lilker the New York Speed/Thrash Metal band "Nuclear Assault" in 1984.
Anthony Bramante is a renowned guitarist known for his contributions to the New York-based thrash metal band "Nuclear Assault." He played a vital role in shaping the band's distinctive sound and became an integral part of their lineup during two significant periods, from 1985 until 1992 and again from 2001 to 2002. Bramante's exceptional guitar skills and creative input left a lasting impact on the band's discography and the thrash metal genre as a whole.
Born on 8 July 1967, in Brooklyn, New York, Anthony Bramante developed a deep passion for music at a young age. Inspired by iconic guitarists like Eddie Van Halen, Randy Rhoads, and Dave Mustaine, he dedicated himself to mastering the instrument and honing his technical abilities. Bramante's guitar playing was characterized by blistering speed, intricate riffs, and a keen sense of melody, which quickly garnered attention within the heavy metal community.
In 1985, Bramante joined Nuclear Assault, a rising force in the thrash metal scene. The band, founded by former Anthrax members Dan Lilker and John Connelly, was known for its aggressive sound, politically charged lyrics, and energetic live performances. Anthony's addition to the lineup further enhanced their musical prowess and solidified their status as one of the genre's premier acts.
Throughout his first tenure with Nuclear Assault, Bramante contributed to the creation of several influential albums. His guitar work played a pivotal role in defining the band's signature sound on albums like "Game Over" (1986), "Survive" (1988), and "Handle with Care" (1989). These records showcased his technical proficiency, powerful riffing, and ability to seamlessly blend speed and melody. With Bramante's contributions, Nuclear Assault gained a devoted fan base and garnered critical acclaim from the metal community.
However, in 1992, Bramante parted ways with Nuclear Assault due to personal differences within the band. Despite his departure, his impact on their legacy remained undeniable. He left behind a catalog of exceptional guitar performances and a lasting influence on subsequent generations of thrash metal guitarists.
After leaving Nuclear Assault, Bramante pursued various musical endeavors, collaborating with different artists and bands. He continued to refine his skills and explore new musical avenues, always pushing the boundaries of his playing style. In 2001, Bramante rejoined Nuclear Assault for a brief period, contributing to the album "Third World Genocide" (2005) before parting ways with the band once again in 2002.
Anthony Bramante's contributions to Nuclear Assault's music and the thrash metal genre have solidified his place among the guitar greats. His technical mastery, innovative guitar work, and distinctive style continue to inspire and influence musicians to this day. With his ferocious playing and unwavering dedication to his craft, Bramante has left an indelible mark on the history of thrash metal, ensuring his legacy as a true guitar virtuoso.
Dan Lilker (full-name: Daniel A. Lilker) - a highly influential figure in the heavy metal and underground music scenes, known primarily for his work as a bassist and founding member of several prominent bands. Born in 1964 in New York, Lilker began playing music as a teenager and formed his first band, Overkill , in 1980.
In the years that followed, Lilker played with a number of other bands, including Anthrax , Stormtroopers of Death , and Brutal Truth, and became known for his aggressive and innovative bass playing style. He also became a prominent figure in the underground metal community, both as a musician and as a producer and engineer.
Throughout his career, Lilker has pushed the boundaries of what is considered heavy metal, incorporating elements of punk, hardcore, and experimental music into his work. He has been praised for his technical ability as well as his willingness to experiment and take risks with his music.
In addition to his work in music, Lilker is also a vocal advocate for animal rights and has been involved in various animal welfare organizations. He is known for his outspoken and sometimes controversial views on a range of issues, including politics and the music industry.
Overall, Dan Lilker is a highly respected and influential musician who has had a significant impact on the heavy metal and underground music scenes. His innovative approach to bass playing and his willingness to experiment and push boundaries have made him a revered figure among fans and fellow musicians alike.
Glenn Evans - Drums, Producer. Dr ummer with "Nuclear Assault" from 1981 until today with several breaks inbetween. 1989-1992 with C.I.A. and has been producer of several music records.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
Under One Flag 12FLAG 102 , 1986 , England
"Brain Death," Nuclear Assault's inaugural 12" Vinyl EP Album, marked a seminal moment in thrash metal history. Released as the band's first Extended Play (EP), this iconic record showcased their raw intensity and lyrical prowess. Unleashed with thunderous riffs and relentless energy, "Brain Death" solidified Nuclear Assault's place in the burgeoning metal scene, laying the foundation for their influential musical journey.
Brain Death 12" Vinyl LPUnder One Flag – 12FLAG 105 , 1988 , UK ( United Kingdom )
The "Fight To Be Free" 12" vinyl maxi-single by Nuclear Assault is a limited edition marvel. Beyond its thrash metal brilliance, the album stands out for its unique presentation—a large poster bag serving as the album sleeve. This innovative choice adds an exclusive touch, inviting fans to immerse themselves not only in the music but also in the visual and tactile experience, making it a collector's delight.
Fight To Be Free 12" Vinyl LPUnder One Flag FLAG 5 , 1986 , England
"Nuclear Assault's debut 'Game Over' 12" Vinyl LP, unleashed in 1986, marked a defining moment in thrash metal history. With relentless energy, the album showcased the band's raw power through tracks like 'Live, Suffer, Die'. This pioneering release remains a classic, encapsulating the essence of early thrash and laying the foundation for Nuclear Assault's influential career in the genre".
Game Over 12" Vinyl LPUnder One Flag 12 FLAG 107 , 1988 , UK ( United Kingdom )
Nuclear Assault's 'Good Times, Bad Times' 12" Vinyl EP pays homage to Led Zeppelin's debut. Akin to its inspiration, the title track echoes hard-hitting thrash energy. The album's cover and music reflect the thrash metal genre, marked by the label Under One Flag. This 1988 UK release, weighing 230 grams, also includes live tracks like 'Hang The Pope', showcasing Nuclear Assault's dynamic live presence and iconic sound.
Good Times, Bad Times 12" Vinyl LPUnder One Flag FLAG 35 , 1989 , England
"Nuclear Assault's 'Handle with Care' 12" LP, released in 1989, is a milestone for thrash metal enthusiasts. Produced by Randy Burns and recorded at 'The Music Grinder' in Los Angeles, it encapsulates the genre's intensity. The album features a custom inner sleeve with lyrics and artwork. Band members like Dan Lilker, John Connelly, Glenn Evans, and Anthony Bramante contribute to the powerful sound, as showcased in tracks including 'New Song' and 'Critical Mass'".
Handle With Care 12" Vinyl LPUnder One Flag M Flag 13 , 1987 , England
"Nuclear Assault's 'The Plague' 12" Vinyl EP, released in 1987 on Under One Flag label, continues their thrash metal onslaught. Recorded during December 1986 and January 1987, this mini-album packs a punch. With tracks like 'Game Over' and 'Justice,' it encapsulates the band's fierce energy. The album's detailed inner sleeve features lyrics, while contributors like Dan Lilker, Anthony Bramante, and Glenn Evans drive its heavy sound."
The Plague 12" Vinyl LPUnder One Flag FLAG 21 , 1988 , England
Nuclear Assault's 'Survive' 12" Vinyl LP, released in 1988, is a testament to their thrash metal mastery. Produced by Miles Copeland and Randy Burns, this album delivers a blend of aggression and social commentary. Tracks like 'Rise from the Ashes' and 'Brainwashed' showcase the band's signature energy. The LP features a custom inner sleeve with lyrics and photos, highlighting the contributions of band members like John Connelly, Glenn Evans, and Dan Lilker
Survive 12" Vinyl LP