- USA Release, incl. Lyrics Insert
"The Dark" is the second full length album released by Metal Church. It was also the last album in which the line-up of Wayne, Vanderhoof, Arrington, Wells and Erickson performed, until 1999's Masterpeace album. This album talks of dark themes, such as assassination, death, struggle, and rituals (for example, the lyrics from "Line of Death" were most likely based on Libyan hostilities in the Gulf of Sidra). One song from this album, "Watch the Children Pray", turned into the band's first music video. This album is one of their most critically and commercially successful albums to date. The album was dedicated to the late Cliff Burton of Metallica fame.
Picture this: it’s 1986, the year of big hair, neon spandex, and MTV's relentless glam metal parade. But amidst this gaudy spectacle, a band from the Pacific Northwest, Metal Church, dared to release an album that was as dark and brooding as its title suggested. "The Dark" wasn’t just an album; it was a statement, a defiant middle finger to the prevailing trends.
Historical Context and Musical Exploration
The mid-80s were a strange time for heavy metal. The scene was becoming increasingly commercialized, with image often taking precedence over substance. Metal Church, however, refused to compromise their vision. "The Dark" is a testament to their unwavering commitment to their craft, a raw and uncompromising album that defied easy categorization.
Musically, the album is a force to be reckoned with. The riffs are heavier, the vocals more aggressive, and the songwriting more mature than on their debut. It’s a dark and brooding record, both musically and lyrically, exploring themes of despair, isolation, and the human condition.
Genre and Controversies
Metal Church has always been difficult to pigeonhole. They’re not quite thrash, not quite power metal, but they have elements of both. "The Dark" perfectly encapsulates this ambiguity. It’s a heavy metal album through and through, but it’s also a unique and distinctive record that defies easy categorization.
The album’s title track caused a bit of a stir upon its release. The song’s lyrics dealt with suicide, a taboo subject at the time. Some radio stations refused to play it, and the band faced criticism from certain quarters. But Metal Church stood their ground, refusing to censor their art.
The inclusion of a lyric insert with the US release further fueled the controversy. The stark black and white text, laid out against a stark background, served to amplify the album's dark and brooding themes.
Production Team and Recording Studio
"The Dark" was produced by Terry Date, who would go on to work with bands like Pantera and Soundgarden. Date's production is clean and powerful, perfectly capturing the band’s energy and intensity.
The album was recorded at Triad Studios in Redmond, Washington. The studio’s acoustics and equipment contributed to the album’s massive sound.
Conclusion
"The Dark" is a landmark album in the history of heavy metal. It’s a raw, powerful, and uncompromising record that still sounds fresh today. Metal Church may not be a household name, but they’ve earned their place in the pantheon of metal gods. With "The Dark," they proved that heavy metal could be both intelligent and visceral, a testament to the enduring power of the genre.
Music Genre: Thrash Death Metal Metal, Hard Rock |
Album Production Information: The album: "METAL CHURCH - The Dark" was produced by: Mark Dodson Mark Dodson is a British record producer and sound engineer, who mostly works with artists in the heavy metal genre. He is best known for producing albums by Anthrax and Suicidal Tendencies, as well as working with dozens of other bands. Terry Date - Sound Engineer, Producer Terry Date is an American Music producer and sound recording engineer, specializing in the rock genres, specially heavy metal. He was born on 10 November 1954, and grew up in the Pacific Northwest. Date began his musical career in the 1970s as a recording engineer, working on albums by a number of well-known artists in the rock and heavy metal scenes. He is known for his distinctive production style, which combines powerful, heavy guitar sounds with dynamic, punchy drums and clear, clean vocals. Date has been recognized as an influential figure in the heavy metal and hard rock communities, and his work has been widely praised for its impact on the sound of modern metal music. He is well known for his work with Overkill , Metal Church , Slipknot, Pantera, Soulfly, White Zombie, Deftones, Dark Angel , Dream Theater, Slayer , Soundgarden and Limp Bizkit. Bob Defrin - Art Direction Bob Defrin, a prominent figure in the world of graphic design and album cover art, is best known for his significant contributions as the director, graphic designer, and head of art for Atlantic Records. Born on April 13, 1946, Defrin's creative journey began in Brooklyn, New York, where he developed a passion for art from an early age. Defrin's career in the music industry took off in the 1980s, a pivotal era for Heavy Metal music. His unique artistic vision and ability to capture the essence of a band's sound through visual imagery made him a sought-after figure among musicians and record labels. As a director and graphic designer at Atlantic Records, Defrin played a pivotal role in shaping the visual identities of numerous Heavy Metal bands during this period. One of Defrin's notable accomplishments was his work on album covers. He understood the power of album artwork in conveying the spirit and energy of a band's music. Defrin's ability to translate the raw power and intensity of Heavy Metal into captivating visuals earned him widespread recognition and accolades. His designs often featured bold, eye-catching imagery, intricate details, and striking typography, perfectly complementing the music within. Defrin's portfolio boasts an impressive array of iconic album covers. Among his most renowned works are the covers for AC/DC's "Highway to Hell" (1979), "Back in Black" (1980), and "For Those About to Rock We Salute You" (1981). These covers captured the band's energy, attitude, and electrifying sound, becoming iconic symbols of Heavy Metal culture. Additionally, Defrin's artistic contributions extended beyond AC/DC. He collaborated with numerous other influential bands, including Twisted Sister, Bon Jovi, Krokus, and Skid Row, among others. Each album cover he designed encapsulated the essence of the respective band's music, making a lasting impact on the visual landscape of Heavy Metal. Bob Defrin's expertise in graphic design and his ability to understand and interpret the musical vision of Heavy Metal bands made him an invaluable asset to Atlantic Records. He left an indelible mark on the music industry, helping to shape the visual identities of some of the most influential Heavy Metal acts of the 1980s. Beyond his work with Atlantic Records, Defrin's influence continued to resonate in the field of graphic design. His unique style and contributions left a lasting impression on album cover art, inspiring generations of designers to think creatively and push the boundaries of visual storytelling. Bob Defrin's legacy as a director, graphic designer, and head of art for Atlantic Records endures as a testament to his immense talent and profound impact on the Heavy Metal genre. His ability to merge music and visual artistry has forever left an indelible mark on the history of album cover design. Don Brautigam - Album artwork Don Brautigam, a renowned American painter and graphic artist, emerged as a true icon in the world of album cover art during the 1980s. Born on 12 July 1950, in a small town in Wisconsin, Brautigam's passion for art ignited at an early age. Growing up, he found solace and inspiration in the works of the great masters, studying their techniques and envisioning a future where he would leave his own indelible mark on the art world. Education played a crucial role in shaping Brautigam's artistic prowess. He attended the prestigious School of Visual Arts in New York City, where he honed his skills and developed a unique style that seamlessly blended realism with vivid imagination. Immersed in the bustling artistic scene of the city, he drew inspiration from various sources, including contemporary art movements and the thriving music industry. In the late 1970s, Brautigam's talent caught the attention of record labels seeking captivating artwork for their album covers. It was during this period that he embarked on a remarkable journey that would define his career and solidify his status as one of the most sought-after album cover artists of his time. Brautigam's breakthrough came when he was approached by renowned heavy metal band Anthrax to create the cover art for their debut album, "Fistful of Metal" . The collaboration proved to be a tremendous success, and Brautigam's distinct style resonated with both the band and its fans. His ability to capture the essence of the music and translate it into visually striking images made him a natural choice for other heavy metal acts. Throughout the 1980s, Brautigam painted over 3000 book and record cover works, leaving an indelible mark on the visual landscape of the era. His iconic album covers became synonymous with the rise of heavy metal music and captured the rebellious and edgy spirit of the genre. Bands such as Axe , Metallica , Motley Crue , and Vicious Rumors sought out his talent, entrusting him with the task of translating their music into captivating visual narratives. Brautigam's ability to infuse his paintings with energy and emotion, while maintaining a strong sense of realism, set him apart from his contemporaries. His covers featured intricate details, vibrant colors, and powerful compositions that perfectly complemented the intensity of the music within. Beyond the world of heavy metal, Brautigam's artistic range extended to various other genres, including rock, punk, and even classical music. He worked with an array of artists and bands, each collaboration an opportunity to explore new artistic directions and push the boundaries of his own creativity. In addition to his album cover work, Brautigam also ventured into other artistic endeavors. He created intricate and thought-provoking illustrations for magazines, book covers, and promotional materials. His ability to capture the essence of a story or concept through a single image made him a highly sought-after illustrator in the publishing industry. Brautigam's career spanned 35 years, during which he continued to evolve as an artist while staying true to his distinctive style. His work not only left an indelible impact on the music industry but also inspired a generation of artists who followed in his footsteps. Today, Don Brautigam's legacy lives on through his iconic album covers and his continued influence on the world of art and design. His ability to fuse music and visual art, capturing the essence of a sound through a single image, remains unparalleled. Brautigam's contributions to the art world solidify his place as a true master painter and graphic artist, forever remembered for his unparalleled creativity and unwavering passion for his craft. |
Record Label & Catalog-nr: Elektra 9604931 |
Album Packaging: This album includes the original 12" insert with lyrics of all songs by "Metal Church" band |
Media Format: 12" Vinyl LP Gramophone RecordAlbum weight: 230 gram |
Year & Country: 1986 Made in USA |
Band Members and Musicians on: Metal Church The Dark |
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Complete Track Listing of: Metal Church The Dark |
The Song/tracks on "Metal Church The Dark " are
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Album cover photos of : Metal Church The Dark |
Photo of Metal Church The Dark Album's Front Cover |
Photo of Metal Church The Dark Album's Back Cover |
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Close-up Photo of Metal Church The Dark Record Label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |