- ELEKTRA Records Release
This album "METAL CHURCH - S/T self-titled Elektra" is the self-titled debut album. Released in 1984, this album and its successor, 1986's The Dark, are considered metal classics. The cover art depicts a cruciform Gibson Explorer hidden in shadows and smoke.
On this album "Metal Church" performs a fantastic cover of the song "Highway Star" (Deep Purple)
In the eye of the heavy metal hurricane that was the mid-1980s, amidst the spandex, hairspray, and pyrotechnics, a band from the Pacific Northwest emerged with a sound that was as raw and powerful as a bolt of lightning. Metal Church's self-titled debut album, released in 1984 on Elektra Records, was a thunderclap that shook the foundations of the genre, a primal scream that announced the arrival of a new force in heavy metal.
The album was recorded at the legendary Triad Studios in Redmond, Washington, with producer Terry Date, who would later go on to work with bands like Pantera, Soundgarden, and Deftones. Date's production was raw and unpolished, capturing the band's live energy and intensity. The album's sound was a mix of classic heavy metal, thrash metal, and punk rock, with influences ranging from Black Sabbath and Judas Priest to Motörhead and The Ramones.
Metal Church's lineup at the time consisted of vocalist David Wayne, guitarists Kurdt Vanderhoof and Craig Wells, bassist Duke Erickson, and drummer Kirk Arrington. Wayne's vocals were a force of nature, a banshee wail that could pierce through the heaviest riffs. Vanderhoof and Wells' guitar work was a whirlwind of power chords, intricate solos, and lightning-fast picking. Erickson's bass lines were a solid foundation, while Arrington's drumming was a relentless assault.
The album's opening track, "Beyond the Black," is a classic heavy metal anthem, with a galloping riff, a soaring chorus, and a blistering guitar solo. Other standout tracks include the thrashing "Metal Church," the epic "Gods of Wrath," and the anthemic "Hitman." The album's lyrics explored themes of social commentary, personal struggles, and the dark side of human nature.
Metal Church's self-titled debut was a critical and commercial success, establishing the band as one of the leading lights of the emerging thrash metal scene. The album's raw power, intensity, and emotional depth resonated with fans around the world, and it remains a landmark album in the history of heavy metal.
While the album didn't stir up any major controversies, it did face some criticism for its raw production and Wayne's unconventional vocal style. Some critics found the production to be too unpolished, while others found Wayne's vocals to be too abrasive. However, these criticisms were ultimately overshadowed by the album's undeniable power and intensity.
Metal Church's self-titled debut is a testament to the band's raw talent, passion, and commitment to their craft. It's an album that captures the essence of heavy metal, a primal scream that continues to resonate with fans decades after its release. It's a reminder that heavy metal is more than just music; it's a way of life, a rebellion against the mundane, a celebration of the power of the human spirit.
Music Genre:80s Thrash Metal |
Album Production Information: |
Terry Date is an American Music producer and sound recording engineer, specializing in the rock genres, especially heavy metal. Meet the Legendary Metal Titans He’s Shaped!
Record Company / Catalog number / Label:Elektra 960471 |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country:1984 Made in Germany |
Personnel/Band Members and Musicians on: METAL CHURCH S/T SELF-TITLED ELEKTRA |
|
Complete Track-listing of the album "METAL CHURCH S/T SELF-TITLED ELEKTRA" |
The detailed tracklist of this record "METAL CHURCH S/T SELF-TITLED ELEKTRA" is:
|
High Quality Photo of Album Front Cover "METAL CHURCH S/T SELF-TITLED ELEKTRA"Use the zoom-buttons to either zoom-in or zoom-out the images. |
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Album Back Cover Photo of "METAL CHURCH S/T SELF-TITLED ELEKTRA" |
Photo of "METAL CHURCH S/T SELF-TITLED ELEKTRA" 12" LP Record Label - Side One: |
Photo of "METAL CHURCH S/T SELF-TITLED ELEKTRA" 12" LP Record Label - Side Two: |
Elektra 960 817 , 1988 , EEC
1989. The year Metal Church unleashed "Blessing in Disguise" upon an unsuspecting world. Thrash was king, hair metal was teetering on the edge of extinction, and grunge was still a glint in Kurt Cobain's eye. Amidst this musical upheaval, Metal Church, the unsung heroes of American heavy metal
Blessing in Disguise ( Elektra ) 12" Vinyl LPElektra 960 493 , 1986 , Germany
Metal Church's "The Dark" is a relentless sonic assault, a testament to the band's evolution into a heavier, more aggressive sound. Released in 1986, it features the powerhouse vocals of David Wayne and the twin guitar attack of Kurdt Vanderhoof and John Marshall.
The Dark (German Release) The Dark (USA Release)Elektra 960471 , 1984 , Germany
Metal Church's self-titled debut is a raw, unadulterated blast of heavy metal thunder. It blends classic metal riffs, thrashing energy, and a touch of punk attitude. Songs like "Beyond the Black" and "Gods of Wrath" showcase the band's power and intensity, while David Wayne's vocals are a force of nature.
METAL CHURCH Self-Titled (German Release Elektra) METAL CHURCH Self-Titled (German Release Steamhammer) METAL CHURCH Self-Titled (Canadian Release Banzai)