- German Release on SteamHammer Records
This first european release/issue of "METAL CHURCH" and includes the extra onus track "BIG GUNS"
This album includes a fantastic of deep purple's Highway star
In the heart of the mid-1980s heavy metal maelstrom, Metal Church's self-titled debut wasn't just an American phenomenon. It crossed the Atlantic with a vengeance, courtesy of Germany's Steamhammer Records. This wasn't just a reissue; it was a sonic invasion, complete with the bonus track "Big Guns," a declaration that this band wasn't messing around.
Recorded at the now-legendary Triad Studios in Redmond, Washington, with producer Terry Date at the helm, this album was a raw nerve exposed. Date, who'd later shape the sound of giants like Pantera and Soundgarden, captured Metal Church's live energy with an almost alarming clarity. It wasn't polished; it was a sonic punch to the gut.
The band, fronted by the banshee wail of David Wayne, was a force of nature. Kurdt Vanderhoof and Craig Wells' guitars weren't just instruments; they were weapons, unleashing a torrent of riffs and solos that could level a city block. Duke Erickson's bass and Kirk Arrington's drums provided the relentless, earth-shaking foundation.
This wasn't just heavy metal; it was a hybrid beast. It had the classic metal stomp of Sabbath and Priest, the breakneck fury of the burgeoning thrash scene, and even a touch of punk's raw aggression. It was music that didn't care about categories; it just wanted to tear your head off.
Songs like "Beyond the Black," "Metal Church," and the anthemic "Gods of Wrath" became instant classics, showcasing the band's ability to blend melody with sheer aggression. The lyrics, exploring themes of social unrest, personal struggles, and the darker side of humanity, resonated with a generation disillusioned with the status quo.
The German edition, with "Big Guns" as its exclamation point, was a statement. It was Metal Church saying, "We're here, we're loud, and we're not going anywhere." It was a challenge to the established order, a middle finger to the hairspray and spandex brigade.
This album wasn't without its critics. Some found Wayne's vocals too harsh, the production too unrefined. But that was missing the point. This was music that wasn't about being pretty; it was about being real, about channeling the anger and frustration of a generation.
Metal Church's self-titled debut, especially in its German incarnation, was a turning point. It proved that heavy metal wasn't just an American phenomenon; it was a global uprising. It was a reminder that music could be dangerous, that it could challenge the status quo and make you question everything you thought you knew. It was, and still is, a thunderclap that echoes through the ages.
Music Genre: 80s Thrash Metal |
Album Production Information: The album: "METAL CHURCH - S/T self-titled Elektra" was produced by: Metal Church and Terry Date Terry Date is an American Music producer and sound recording engineer, specializing in the rock genres, specially heavy metal. He was born on 10 November 1954, and grew up in the Pacific Northwest. Date began his musical career in the 1970s as a recording engineer, working on albums by a number of well-known artists in the rock and heavy metal scenes. He is known for his distinctive production style, which combines powerful, heavy guitar sounds with dynamic, punchy drums and clear, clean vocals. Date has been recognized as an influential figure in the heavy metal and hard rock communities, and his work has been widely praised for its impact on the sound of modern metal music. He is well known for his work with Overkill , Metal Church , Slipknot, Pantera, Soulfly, White Zombie, Deftones, Dark Angel , Dream Theater, Slayer , Soundgarden and Limp Bizkit. Sound/Recording Engineer(s): Terry Date Terry Date is an American Music producer and sound recording engineer, specializing in the rock genres, specially heavy metal. He was born on 10 November 1954, and grew up in the Pacific Northwest. Date began his musical career in the 1970s as a recording engineer, working on albums by a number of well-known artists in the rock and heavy metal scenes. He is known for his distinctive production style, which combines powerful, heavy guitar sounds with dynamic, punchy drums and clear, clean vocals. Date has been recognized as an influential figure in the heavy metal and hard rock communities, and his work has been widely praised for its impact on the sound of modern metal music. He is well known for his work with Overkill , Metal Church , Slipknot, Pantera, Soulfly, White Zombie, Deftones, Dark Angel , Dream Theater, Slayer , Soundgarden and Limp Bizkit. This album was recorded at: Steve Lawson Productions Seattle Logo design: Kurdt Vanderhoof Album cover photography: Saulius Pempe, Castor and Pollux Studio, Seattle |
Record Label & Catalognr: Steam-Hammer SH 0023 |
Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year and Country: 1984 Made in Germany |
Personnel/Band Members and Musicians on: METAL CHURCH - S/T Self-Titled incl Big Guns |
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Complete Track-listing of the album "METAL CHURCH - S/T Self-Titled incl Big Guns" |
The Songs/tracks on "METAL CHURCH - Self-Titled Debut Album" are
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High Quality Photo of Album Front Cover "METAL CHURCH - S/T Self-Titled incl Big Guns" |
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Album Back Cover Photo of "METAL CHURCH - S/T Self-Titled incl Big Guns" |
Close-up Photo of "METAL CHURCH - S/T Self-Titled incl Big Guns" Record Label |