- DMM AUDIOPHILE Pressing
BAP's "Live Bess Demnähx" is a thrilling double-LP vinyl album capturing the legendary Cologne-based rock band's electrifying stage presence. This live recording showcases BAP's raw energy and their distinctive Kölsch dialect, delivering a powerful mix of their greatest hits and beloved songs. Fans of German rock and live albums will find this collection an essential celebration of BAP's enduring influence.
Dat Johr wor 1983 un BAP hät schon vill Jeföhl met ehr kölsche Rockmusik en de Stadt jebrach. Met "Vun drinne noh drusse" un "Für usszeschnigge" hatte se sich en de Charts jeplatz un die Pänz wore janz jeck noh dä Musik met Hätz un Verstand.
Do wor et Zick för en Live-Plaat, öm die Energie von de Konzerte en et Wonnezemmer ze brenge. "Bess demnähx" wor et Resultat, opjenomme en Düsseldorf, Dortmund, un Hamburg - e richtije Querschnitt durch Deutschland.
Op zwei dicke, schwarze Schallplatte künnt ihr BAP live erliewe. Wolfgang Niedecken singe met singem kölsche Akzent, singt vum Lääve, vum Leeve, un vun allem wat dozwesche litt. Jan Dix spillt de Leadgitar wie ene Düvel, un de res vum BAP-Orchester mäht do met.
Vill vun de Songs wore scho als Studioversione bekannt, ävver live kritt dat janze noch ens en andere Dimensione. De Pänz jon met, singe jede Text met, un mer kann sich richtich vörstelle, wie die Stimmung em Saal wor.
"Bess demnähx" es net nor en Konzertmitschnitt, et es en Zeitdokument. Et zeigk BAP op'm Höhepungkt vun ehrer Karriere, en Band die de kölsche Sproch en de Rockmusik jebrach hät un die Pänz begeisterte.
Music Genre: Rock |
Production: Audiophile DMM (Direct Metal Master) recording |
Album Production: Gatefold cover design, includes 12 page insert with many color photos and extensive tour information, this insert/booklet is in MINT condition |
Record Label & Catalognr: EMI-BAP 1C 164 1651961 |
Vinyl Record Format: 12" DOUBLE LP |
Year and Country: 1983 Made in Germany |
Front cover photo from the BAP Live album.
The image shows all seven members of the German rock band BAP in a relaxed, informal backstage moment. The group is seated and standing in two rows inside what appears to be a cluttered, creative environment, possibly behind the stage. The backdrop consists of a wall covered in what looks like expressive blue and white brush-stroke paintings and loosely stacked wooden boards.
In the bottom row, the band members wear casual outfits—knit sweaters, scarves, and T-shirts. The man on the far left has long dark hair and a full beard, wearing a thick, white-and-blue knit sweater. Next to him, one member sits with a thoughtful expression, his hand resting under his chin. At the center, two men sit closely together, one wearing a deep red scarf over a striped jacket, and the other in a plain white T-shirt, arm draped casually around his bandmate's shoulder, holding a white cup.
In the top row, the three standing members exhibit a confident, composed demeanor. One wears glasses and a dark shirt, another sports a sleeveless denim vest with his hands in his pockets, and the last—furthest to the right—wears a loose white T-shirt with a wristband and cup in hand, his curly hair slightly disheveled.
The album's title appears above them in bold white and red letters: the stylized band name "BAP" in white, and "live" in dynamic red cursive. Below the photo, the album title "bess demnähx" is handwritten in white script over a solid gray background.
Back cover featuring artwork from the BAP Live LP.
The back cover of BAP’s double LP "Bess demnähx" is a visually dense collage of handwritten text and quirky, symbolic illustrations. Set against a dark navy background, the entire layout is rendered in white ink with red highlights for emphasis, giving it a raw, intimate, and almost zine-like feel.
The upper left portion lists the four album sides labeled A to D, each with four or five track titles written in casual script. Musical note icons are scattered next to select songs. To the right, performance and songwriting credits appear in block letters. The main contributors—Wolfgang Niedecken, Klaus Heuser, and the band BAP—are credited with lyrics and music. A note indicates that original material by Bob Dylan is included.
Below the tracklist, a bold red phrase reads "vun drinne noh drusse Tour 82/83", identifying the live recordings as part of BAP's 1982–83 tour. Below this, a long list of names appears—band members, tour crew, and contributors. Each person is paired with playful, often humorous illustrations: arrows, safety pins, band-aids, and other icons symbolizing their roles.
For instance, symbols like guitars, microphones, trucks, light bulbs, and film rolls appear beside names, representing technicians, photographers, or drivers. The list is diverse and includes names like "Daniel 'Wigwam 100' Barrios", "Jan Dix", "Blondie", and "Klaus 'Major' Heuser", among many others. Descriptive terms follow in German, outlining responsibilities ranging from stage mix, logistics, moral support, to T-shirt design.
The lower right corner notes cities like Düsseldorf, Dortmund, Hildesheim, and Hamburg—presumed recording locations. There's also a barcode, a GEMA logo, and production details, keeping the spirit of the band’s do-it-yourself ethos intact while still meeting album publishing requirements.
Inside gatefold photo showing the band live in concert.
This atmospheric photograph captures a quiet yet powerful moment after the energy of a BAP live concert has faded. Taken from a backstage corridor leading out onto the main stage, the viewer’s perspective is framed by two concrete staircases on either side, guiding the eye down a tunnel-like path cluttered with the remnants of a lively event—crumpled drink cans, scattered paper, and debris are strewn across the floor.
In the background, a few distant crew members in casual clothes can be seen under cool, industrial overhead lighting as they begin the process of breaking down the stage setup. Large red and black flight cases are positioned in front of the stage, partially packed and ready for loading. Cables, equipment, and amplifiers are still in view, mid-transition between performance and teardown.
The dim lighting, muted colors, and empty silence evoke the end-of-show reality behind the spectacle—an honest look at the logistical aftermath of a live rock performance. Two posters on the stairwell walls, possibly listing safety regulations or stage access rules, add subtle detail to the gritty, utilitarian venue environment. A small inset image in the lower left corner shows another angle of the hall or venue, emphasizing the scale and setting.
This photo conveys the physical toll and quiet beauty of touring life, contrasting the explosive energy of the stage with the solitude of its dismantling.
Another gatefold image capturing the band’s performance energy.
This inner gatefold photo offers a deeply personal and nostalgic collage-style layout, blending handwritten lyrics, nature-themed mementos, and candid photography. The right half of the image is dominated by two open pages from a yellowed notebook, featuring carefully handwritten German lyrics—annotated, crossed-out, and edited in ink and pencil, giving insight into the songwriting process behind “Nemm mich met.”
Scattered atop the notebook pages are two seashells, a feather, and a small hand-drawn smiley face—natural symbols that evoke serenity, reflection, and a connection to the outdoors. The pages are neatly aligned on a light background, as if laid out for archival documentation.
On the left side of the image, there are three color photographs pinned in a vertical line. The top two photos feature a young man and woman sitting closely in tall coastal reeds. The man plays an acoustic guitar while the woman watches and listens attentively, suggesting a calm, creative session, possibly by a lake or beach. The bottom photo shows the woman alone, sitting cross-legged and reflective, gazing into the distance.
Below the photos, small items such as a compass, a souvenir tobacco tin labeled "Kouba", and a round pin button add intimate detail to the composition—suggesting a travel diary or memory board of a tour or writing retreat.
The caption text in the margins includes date stamps: "10. August 82" and "20. September Montag Köln", indicating journal entries and thoughts around the time of the album’s production. This collage creates a visual poem that blends memory, inspiration, and artistic development, offering fans a rare glimpse into the emotional and creative journey behind BAP’s music.
"Affjetaut" boldly embraced BAP's unique Kölschrock sound—rock and blues sung entirely in Kölsch, the dialect of Cologne. This rejection of standard German was a statement of regional pride and a powerful connection
Learn moreBAP's "Live Bess Demnähx" is a thrilling double-LP vinyl album capturing the legendary Cologne-based rock band's electrifying stage presence. This live recording showcases BAP's raw energy and their distinctive Kölsch dialect
Learn moreIn 1982, BAP, the legendary Kölschrock band from Cologne, Germany, released their landmark album "Vun Drinne Noh Drusse" ("From Inside to Outside"). This album, a powerful combination of rock and regional dialect
Learn moreThe album's title track, "Zwäsche Salzjebäck un Bier," is a rollicking anthem about the simple pleasures of life. The song's lyrics describe a day in the life of a working man, from getting up for work to going out to the pub
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