Alright, punk rockers and misfits! Buckle up, 'cause 999's debut 7" is about to kick you in the teeth. "Found Out Too Late"? Yeah, we all have. "Lie, Lie, Lie"? The government, your ex, the whole damn system. This ain't no sing-along, it's a sonic middle finger to the world. Raw, real, and ready to rumble. So crank it up, let loose, and remember: punk's not dead, it's just pissed off.
In the smoldering wreckage of the mid-'70s punk explosion, a relentless energy crackled through the airwaves. Amid the chaos and fury, a band named 999 emerged, a snarling beast of three chords and defiant truth. Their debut 7" single, "Found Out Too Late" b/w "Lie, Lie, Lie," was a sonic Molotov cocktail hurled straight at the establishment.
Released in 1977, just as the initial wave of punk was cresting, 999's single was a shot of raw adrenaline in an increasingly commercialized scene. The A-side, "Found Out Too Late," was a furious blast of pure frustration, its lyrics echoing the disillusionment of a generation abandoned by broken promises. Guy Days' vocals were a desperate howl, a raw nerve exposed against a backdrop of frenetic guitar riffs and pounding drums.
The B-side, "Lie, Lie, Lie," offered no respite, its relentless energy a testament to 999's unyielding spirit. The song's driving beat and infectious chorus were a call to arms, a rallying cry against the hypocrisy and deceit that permeated society.
999's music was a rebellion against the status quo, a rejection of the bloated excesses of prog rock and the manufactured pop that dominated the charts. Their sound was raw and unpolished, a direct reflection of the harsh realities of life in a decaying urban landscape.
Produced by the legendary Shel Talmy, known for his work with The Who and The Kinks, the single captured the raw energy of 999's live performances. Recorded at Pathway Studios in London, the band's sound was stripped down to its bare essentials, a sonic assault that left an indelible mark on the punk rock landscape.
999's music was not without controversy. Their lyrics, often brutally honest and unflinching in their social commentary, challenged the norms and sparked debate. The band's refusal to conform to expectations and their unwavering commitment to their artistic vision earned them both admiration and scorn.
While 999 never achieved the mainstream success of some of their peers, their influence on the punk rock scene is undeniable. Their debut single remains a testament to their unwavering spirit and their refusal to compromise.
"Found Out Too Late" b/w "Lie, Lie, Lie" is a snapshot of a band at their most vital, a raw and unfiltered expression of punk rock at its purest. It is a reminder that even in the darkest of times, the human spirit can find a way to resist and rebel.
Music Genre: 70s British Punk |
Album Production Information: The album: "999 - Found Out Too Late / Lie, Lie, Lie" was produced by: Vic MaileVic Maile , born on 27 March 1943, was a highly respected British sound engineer and record producer who played a significant role in shaping the sound of rock and roll. With his remarkable talent and passion for music, Maile made a lasting impact on the industry, leaving behind a legacy that continues to resonate with fans and artists alike. Maile's journey in music began during his formative years, where he developed a deep fascination with sound and its manipulation. As a teenager, he immersed himself in the world of electronics and sound engineering, constantly experimenting with audio equipment and exploring new ways to capture and enhance musical performances. In the 1960s, Maile emerged as a sought-after sound engineer, working with numerous bands and artists in the thriving British music scene. His technical proficiency and ability to understand the intricacies of sound quickly earned him a reputation for excellence. Artists and producers recognized Maile as someone who could elevate their music to new heights through his expertise in the recording studio. Throughout his career, Maile had the privilege of collaborating with a diverse range of bands and musicians, each with their unique styles and sonic signatures. Some of the notable names he worked with include: 1. Dr. Feelgood: Maile's partnership with Dr. Feelgood in the mid-1970s proved to be a pivotal moment in both his career and the band's success. He played a vital role in capturing the band's raw, high-energy pub rock sound, contributing to the creation of their influential debut album, "Down by the Jetty" (1975). 2. Motörhead: One of Maile's most iconic collaborations was with the legendary heavy metal band Motörhead. His production work on their seminal albums, such as "Overkill" (1979) and "Ace of Spades" (1980), helped define their distinctive and aggressive sound. Maile's ability to capture the band's raw intensity and sheer power in the studio cemented their status as one of the genre's most influential acts. 3. Girlschool: Maile's partnership with the all-female heavy metal band Girlschool yielded exceptional results. He worked closely with them on albums like "Hit and Run" (1981) and "Screaming Blue Murder" (1982), crafting a sound that balanced their fierce energy with melodic hooks. His production skills showcased the band's musical prowess and contributed to their rise in the male-dominated rock landscape. 4. The Quireboys: Maile collaborated with The Quireboys for their debut album, "A Bit of What You Fancy" (1990). With his guidance, the band achieved a blend of classic rock and roll swagger with a contemporary edge, resulting in a critically acclaimed record that earned them commercial success. Vic Maile's talent as a sound engineer and record producer extended far beyond these notable collaborations. His contributions to the rock and roll genre are immeasurable, as he worked with a myriad of artists who trusted him to translate their artistic vision into captivating sonic experiences. |
Record Label & Catalognr: Albion Music ADA 46, Radarscope Records Ltd / HS2725 |
Media Format: 7" Vinyl Stereo Gramophone Record |
Year & Country: 1979 Made in UK |
Personnel/Band Members and Musicians on: 999 - Found Out Too Late / Lie, Lie, Lie |
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Complete Track-listing of the album "999 - Found Out Too Late / Lie, Lie, Lie" |
The detailed tracklist of this record "999 FOUND OUT TOO LATE / LIE, LIE, LIE" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Found Out Too Late" Record Label Details: Description © Copyright ℗ Sound Copyright
Albion Records ITS 999 , 1981 , Made in UK/England
The 999 band, originating from London in 1977, holds a significant place in the history of punk rock. Considered one of the early pioneers of the genre, their music helped shape the punk movement. Their latest release, the 12" LP vinyl album titled "Concrete," showcases their distinctive punk sound. With this record, 999 continues to contribute to the ongoing evolution of punk rock.
Concrete 12" Vinyl LPAlbion Music ADA 46, Radarscope Records Ltd / HS2725 , 1979 , Made in UK
The 7" 45RPM PS single vinyl titled "999 Found Out Too Late b/w Lie, Lie, Lie" offers a musical experience with its two tracks, showcasing the band's unique style.
Found Out Too Late 7" Vinyl SingleUnited Artists Records UP 36299 , Albion Music , 1977 , Made in England
The 7" 45RPM PS single vinyl titled "999 Nasty Nasty b/w No Pity" on green vinyl presents a dynamic musical experience with its two tracks. Fans of 999 and collectors of vinyl records may find this release appealing for its distinctive sound and limited edition green vinyl.
Nasty Nasty 7" Vinyl SingleUnited Artists SOS 999 , 1980 , Made in UK/England
The 12" LP vinyl album titled "999 Singles" offers a collection of the band's notable singles, providing a comprehensive overview of their music. The inclusion of a poster adds an extra element of visual appeal for fans and collectors. This album serves as a valuable addition to the collection of 999 enthusiasts and vinyl aficionados alike
Singles Album 12" Vinyl LP