Rare Swiss Pressing , See +ML+ on record's label
This album "ELP EMERSON LAKE & Palmer - Works" Works Volume I is a 1977 album by progressive rock band Emerson, Lake & Palmer. It is a two-disc set divided into four major sections, one each highlighting each band member, and one for combined works.
In the world of progressive rock history, few albums have left as indelible a mark as "Works Volume I" by Emerson, Lake & Palmer (ELP). This 1977 masterpiece stands as a testament to the band's virtuosity and creative prowess. Among the myriad editions of this album, the Rare Swiss Pressing, distinguished by the enigmatic "+ML+" mark on its label, stands out as a cherished gem among collectors and aficionados of the genre.
A Brief Overview of Works Volume I: A Musical Odyssey
"Works Volume I" is not just an album; it's a musical journey that traverses diverse sonic landscapes, each shaped by the distinctive talents of the three band members – Keith Emerson, Greg Lake, and Carl Palmer. This opus is ingeniously divided into four sections, with each focusing on the individual virtuosity of the band members and a concluding section showcasing their combined brilliance.
The first section, curated by Keith Emerson, exudes his keyboard wizardry and compositional finesse. His intricate arrangements and seamless fusion of classical influences with rock elements redefine the possibilities of progressive rock.
Greg Lake, the voice behind some of the genre's most iconic anthems, curates the second section. His soulful vocals and introspective songwriting paint a vivid emotional tapestry, showcasing a different facet of ELP's multifaceted artistry.
In the third section, Carl Palmer's percussive prowess takes center stage. His rhythmic dynamism and technical mastery infuse the music with an infectious energy, solidifying the band's reputation as virtuoso performers.
The culmination of "Works Volume I" arrives with the fourth section, where all three virtuosos combine their talents. This harmonious synergy results in a musical climax that demonstrates the band's prowess as a collective force.
The Enigma of the Rare Swiss Pressing
Among the various pressings of "Works Volume I", the Rare Swiss Pressing possesses an aura of mystique that captures the imagination of collectors. Distinguished by the "+ML+" mark on the record's label, this pressing represents a unique moment in the album's history. While the exact significance of this marking remains shrouded in mystery, it serves as a symbol of rarity and exclusivity.
Collectors and enthusiasts alike covet the Swiss Pressing for its exceptional audio quality and historical significance. The meticulous craftsmanship that went into the production of this pressing is evident in its pristine sound reproduction, which allows listeners to fully immerse themselves in the sonic intricacies of ELP's magnum opus.
Keith Emerson: The Mastermind Behind the Album
"Works Volume I" owes much of its brilliance to the masterful production of Keith Emerson. As a pioneering keyboardist, composer, and arranger, Emerson's innovative vision was instrumental in shaping the album's diverse sonic landscape. His ability to seamlessly blend classical motifs with rock elements imbues the album with a timeless quality that continues to captivate audiences.
Emerson's role as a producer is also noteworthy, as he expertly navigated the delicate balance between individual creativity and collective cohesion. The album's structure, which showcases each member's distinct voice while maintaining a cohesive narrative, stands as a testament to Emerson's meticulous craftsmanship.
The album: "ELP EMERSON LAKE & Palmer - Works" was produced by: Keith Emerson
Ariola 28 612
Gatefold (FOC) cover design with artwork / photos on the inside cover pages
Double 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 380 gram
1977 Made in Switzerland
High Resolution Photo Album Back Cover
High Resolution Photo of the Original Custom Inner Sleeve (OIS
Enlarged High Resolution Photo of the White Ariola Record's Label
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Emerson, Lake, and Palmer (ELP) were a progressive rock supergroup that emerged in the early 1970s. The band was composed of keyboardist Keith Emerson, bassist and vocalist Greg Lake, and drummer Carl Palmer. Together, they produced some of the most complex and innovative music of the era, blending classical and jazz influences with rock and roll to create a unique sound that continues to inspire musicians to this day.
Keith Emerson was already a well-respected keyboardist before joining ELP. He had previously played with the Nice, a British band known for its progressive sound. Greg Lake had also made a name for himself as a member of King Crimson, another influential progressive rock group. Carl Palmer, meanwhile, had played with Atomic Rooster and the Crazy World of Arthur Brown.
The three musicians first came together in 1970, when they formed ELP in London. They quickly gained a reputation for their virtuosic playing and intricate arrangements. Their eponymous debut album, released later that year, featured a mix of original songs and covers, including a memorable version of Aaron Copland's "Hoedown."
ELP's second album, "Tarkus," was a concept album that told the story of a mythical creature. The album showcased the band's ability to blend rock and classical music, with Keith Emerson's virtuosic keyboard playing taking center stage. The title track, a twenty-minute epic, remains one of ELP's most iconic songs.
The band's third album, "Trilogy," continued in the same vein as "Tarkus," with tracks like "The Endless Enigma" and "Living Sin" showcasing the band's musical range. ELP also began to experiment with synthesizers on this album, further expanding their sound.
ELP's fourth album, "Brain Salad Surgery," was another concept album that featured a longer, more complex version of "Karn Evil 9," a song that had previously been performed live. The album also included a cover of "Jerusalem," a song that had become popular in England as a kind of unofficial national anthem.
Despite their critical and commercial success, ELP were not immune to the changing musical tastes of the 1970s. The band's later albums, such as "Works Volume 1" and "Works Volume 2," featured more mainstream rock songs and failed to resonate with fans in the same way as their earlier work. The band eventually broke up in 1979, with Emerson and Lake going on to form a new version of the band in the 1980s.
ELP's influence on rock and roll cannot be overstated. Their intricate arrangements and virtuosic playing helped to define the progressive rock genre and inspired countless musicians in the decades since. Despite their short career, their impact on the music world continues to be felt today.