Trilogy is the third studio album by British progressive rock band Emerson, Lake & Palmer, originally released in 1972. This web-page has hi-res photos of the album covers, record label and a detailed description.
Emerson, Lake & Palmer, the pioneering British progressive rock band, left an indelible mark on the music scene with their third studio album, "Trilogy". Released in 1972, this opus showcased the group's exceptional musicianship and innovative approach to songwriting. With its complex arrangements, virtuosic performances, and imaginative concepts, "Trilogy" established ELP as one of the genre's most influential acts. The German release of the 12" LP vinyl album not only preserved the sonic brilliance of the original recording but also featured stunning album cover art designed by the legendary team at Hipgnosis.
One of the standout features of "Trilogy" is the production expertise of Eddie Offord, who served as the album's production engineer. Offord, renowned for his work with other progressive rock acts, captured ELP's dynamic sound with remarkable clarity and depth. His meticulous attention to detail allowed the intricate layers of the band's compositions to shine through, enhancing the listening experience. From the thunderous drums to the rich tapestry of keyboard textures and Greg Lake's melodic bass lines, every element was meticulously crafted to create a sonic journey like no other.
The album's cover art, designed by Hipgnosis, added a visual dimension to the music. Hipgnosis, known for their iconic artwork on numerous album covers, brought their imaginative and surreal style to "Trilogy". The German release of the LP vinyl album showcased their creativity through a striking visual representation. The artwork depicted a mysterious hand emerging from the ocean, cradling a sparkling blue orb. This image captured the album's themes of exploration, evolution, and the interconnectedness of the natural world. The cover art perfectly complemented the music, enticing listeners to delve into the ethereal realms of ELP's musical universe.
"Trilogy" as an album exemplifies the progressive rock movement of the early 1970s. ELP's fusion of classical music influences, rock instrumentation, and avant-garde experimentation set them apart from their contemporaries. The album's title track, "Trilogy", is an epic composition divided into three distinct sections, each showcasing the individual virtuosity of Keith Emerson, Greg Lake, and Carl Palmer, while also highlighting their seamless collaboration as a band. From the gentle and introspective passages to the bombastic and grandiose moments, the track takes listeners on a sonic journey that is both musically challenging and emotionally engaging.
Other notable tracks on the album include "The Endless Enigma", which combines haunting melodies, intricate keyboard work, and complex time signatures, displaying ELP's technical prowess. "From the Beginning" introduces a softer and more melodic side, featuring Greg Lake's soothing vocals and acoustic guitar work, demonstrating the band's ability to create radio-friendly songs without compromising their progressive leanings. The album also includes a captivating instrumental piece titled "Abaddon's Bolero", which showcases Emerson's virtuosic keyboard skills and Palmer's thunderous drumming, culminating in a crescendo of sonic intensity.
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Summary: Trilogy is the third studio album by British progressive rock band Emerson, Lake & Palmer, originally released in 1972. |
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Music Genre: Progressive Rock Acid, Psych Synth Music |
| Producers: Production engineer: Eddie Offord |
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Album cover art design Hipgnosis Hipgnosis was an English art group founded in 1968 by Storm Thorgerson, Aubrey Powell, and Peter Christopherson. The group was known for their innovative and creative album covers, which became iconic in the music industry. Hipgnosis worked with some of the most influential musicians of their time, including Pink Floyd, Led Zeppelin, and Yes. The group's name, "Hipgnosis," was a play on the words "hypnosis" and "hip." They believed that their art had the power to hypnotize people and transport them to another world, which was reflected in their album covers. The group's style was surreal and often incorporated elements of fantasy, science fiction, and the occult. Their designs were highly detailed and often required extensive planning and preparation. One of the group's most famous album covers was for Pink Floyd's "The Dark Side of the Moon." The cover featured a prism refracting light into a rainbow, which became one of the most recognizable images in rock history. The design was so successful that it became synonymous with the band and their music. Another iconic design was for Led Zeppelin's "Houses of the Holy," which featured a group of naked children climbing on a rock formation. The image was highly controversial but helped to solidify the band's rebellious image. Hipgnosis also worked with a number of other influential musicians, including Peter Gabriel, Black Sabbath, and Genesis. They designed the cover for Peter Gabriel's first solo album, which featured a photograph of Gabriel wearing a mask with only his eyes visible. The image became another iconic design and was later referenced in Gabriel's music video for "Sledgehammer." The group's success continued into the 1980s, with designs for bands such as Scorpions and Styx. However, the rise of digital technology and the decline of album sales led to the group's decline. Hipgnosis disbanded in 1983, but their legacy lives on in the countless album covers they created. Hipgnosis was not just an art group, but a collective of artists who had a significant impact on the music industry. Their innovative designs helped to define the visual style of rock music in the 1970s and 1980s. Their work was not just a complement to the music, but an essential part of the overall experience. They created a world that fans could enter into and lose themselves in, just like the music they were listening to. Here is a web-page with a gallery of album covers created by Hipgnosis |
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Record Label Information: Manticore 85 227 XOT (85227) |
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Media Format: 12" Vinyl LP Record |
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Year & Country: 1972 Made in Germany |
Band Members and Musicians on: Emerson Lake & Palmer Trilogy |
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Track Listing of: Emerson Lake & Palmer Trilogy |
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Album cover photos of : Emerson Lake & Palmer Trilogy |
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"Enlarged High Resolution Photo of the Record's Manticore Label with the Lion logo
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Emerson, Lake, and Palmer (ELP) were a progressive rock supergroup that emerged in the early 1970s. The band was composed of keyboardist Keith Emerson, bassist and vocalist Greg Lake, and drummer Carl Palmer. Together, they produced some of the most complex and innovative music of the era, blending classical and jazz influences with rock and roll to create a unique sound that continues to inspire musicians to this day.
Keith Emerson was already a well-respected keyboardist before joining ELP. He had previously played with the Nice, a British band known for its progressive sound. Greg Lake had also made a name for himself as a member of King Crimson, another influential progressive rock group. Carl Palmer, meanwhile, had played with Atomic Rooster and the Crazy World of Arthur Brown.
The three musicians first came together in 1970, when they formed ELP in London. They quickly gained a reputation for their virtuosic playing and intricate arrangements. Their eponymous debut album, released later that year, featured a mix of original songs and covers, including a memorable version of Aaron Copland's "Hoedown."
ELP's second album, "Tarkus," was a concept album that told the story of a mythical creature. The album showcased the band's ability to blend rock and classical music, with Keith Emerson's virtuosic keyboard playing taking center stage. The title track, a twenty-minute epic, remains one of ELP's most iconic songs.
The band's third album, "Trilogy," continued in the same vein as "Tarkus," with tracks like "The Endless Enigma" and "Living Sin" showcasing the band's musical range. ELP also began to experiment with synthesizers on this album, further expanding their sound.
ELP's fourth album, "Brain Salad Surgery," was another concept album that featured a longer, more complex version of "Karn Evil 9," a song that had previously been performed live. The album also included a cover of "Jerusalem," a song that had become popular in England as a kind of unofficial national anthem.
Despite their critical and commercial success, ELP were not immune to the changing musical tastes of the 1970s. The band's later albums, such as "Works Volume 1" and "Works Volume 2," featured more mainstream rock songs and failed to resonate with fans in the same way as their earlier work. The band eventually broke up in 1979, with Emerson and Lake going on to form a new version of the band in the 1980s.
ELP's influence on rock and roll cannot be overstated. Their intricate arrangements and virtuosic playing helped to define the progressive rock genre and inspired countless musicians in the decades since. Despite their short career, their impact on the music world continues to be felt today.
