IGGY POP - ZOMBIE BIRDHOUSE 12" Vinyl LP Album

- Original Animal Records Release

Released in 1982, "Zombie Birdhouse" marked a distinct departure for Iggy Pop. Stepping away from the raw power of his earlier punk anthems, this album explored darker, more experimental territories within the post-punk landscape. It was a time when artists were pushing boundaries and blurring genre lines, and "Zombie Birdhouse" reflected this spirit of creative exploration.

Musical Exploration

Produced by Chris Stein of Blondie, the album featured a unique blend of sounds. While Pop's signature snarl remained intact, it was accompanied by atmospheric keyboards, driving drum beats, and experimental guitar textures. Songs like "Run Like a Villain" and "Angry Hills" showcased a darker, more brooding side of Pop, while tracks like "Eat or Be Eaten" and "Watching the News" offered social commentary with a biting edge.

Blondie's Influence

Stein's production and the inclusion of Blondie drummer Clem Burke brought a distinct new wave sensibility to the album. This unexpected collaboration created a sound that was both familiar and alien, blending elements of punk, new wave, and even hints of funk.

Studio and Tracklist

Recorded at Blank Tape Studios, "Zombie Birdhouse" featured a tracklist that ranged from the frenetic energy of "Run Like a Villain" to the introspective musings of "Watching the News." The album's diverse sound was further enhanced by contributions from bassist Rob DuPrey, who co-wrote several songs with Pop.

Critical Reception

While not a commercial success, "Zombie Birdhouse" was met with mixed reviews. Some critics praised its experimental nature and dark atmosphere, while others found it disjointed and unfocused. Regardless, the album remains a fascinating artifact of Iggy Pop's artistic evolution, showcasing his willingness to take risks and explore new sonic territories.

between the punk icon and two members of the new wave band Blondie. Chris Stein, Blondie's guitarist, and Clem Burke, the band's drummer, stepped out of their usual roles to lend their talents to Pop's experimental post-punk project.

Chris Stein's Role: Beyond the Bass

While primarily known as Blondie's guitarist, Stein took on the role of bassist for "Zombie Birdhouse." His distinctive bass lines, often characterized by their melodic sensibility and rhythmic drive, provided a solid foundation for the album's diverse soundscape. Stein's musical chemistry with Pop and his understanding of the post-punk aesthetic were instrumental in shaping the album's unique sonic identity. In addition to playing bass, Stein also served as the album's producer, bringing his experience and vision to the recording process.

Clem Burke: The Powerhouse Percussionist

Clem Burke, known for his energetic and precise drumming in Blondie, brought his signature style to "Zombie Birdhouse." His powerful drumming added a visceral intensity to the album's darker, more experimental tracks. Burke's ability to seamlessly transition between driving rock beats and more intricate rhythms contributed to the album's diverse sonic palette. His collaboration with Pop and Stein created a dynamic rhythm section that propelled the album's energy.

Blondie's Influence on the Album

The presence of Stein and Burke on "Zombie Birdhouse" infused the album with a distinct new wave sensibility. Their contributions helped to create a sound that was both familiar and alien, blending elements of punk, new wave, and even hints of funk. While the album retained Pop's signature raw energy, the influence of Blondie's sound added a layer of sophistication and experimentation to the overall mix.