ART OF NOISE - Who's Afraid Of The Art Of Noise 12" Vinyl LP Album

- incl the hit-single: BEAT BOX

Released 1984, "Who's Afraid of the Art of Noise" by The Art of Noise is a groundbreaking 12" vinyl LP album that epitomizes the electronic music revolution of the early 1980s. With innovative production techniques, sampling, and Anton Corbijn's striking photography, the album explores unconventional soundscapes. Its standout track, "Close (To the Edit)," exemplifies the group's ability to blend complexity and catchiness, making it a timeless influence on music.

"Who's Afraid of the Art of Noise" Album Description:

The Art of Noise's debut album, "Who's Afraid of the Art of Noise," stands as a seminal work in the realm of electronic and avant-garde music. Released in 1984, this album encapsulates the innovative spirit of the time period, marking a distinctive shift in the landscape of music production.

The early 1980s witnessed a burgeoning interest in electronic music, with artists exploring novel sonic territories through the use of synthesizers and samplers. The Art of Noise, a collective comprising Anne Dudley, J.J. Jeczalik, Gary Langan, Trevor Horn, and Paul Morley, emerged as pioneers in this sonic revolution.

The album's title itself reflects a playful approach to the concept of noise, suggesting a fearless exploration of unconventional soundscapes. Anton Corbijn's photography, featured prominently in the album's visual design, adds a layer of artistic depth, capturing the essence of the avant-garde nature of the music.

Production-wise, "Who's Afraid of the Art of Noise" is a testament to the creative possibilities afforded by emerging technologies. The use of sampling and innovative production techniques by J.J. Jeczalik and Gary Langan contributed to the album's groundbreaking sound. The incorporation of found sounds, snippets of dialogue, and unconventional instruments marked a departure from traditional music production norms.

One of the standout tracks on the album is "Close (To the Edit)," which exemplifies the Art of Noise's ability to blend rhythmic complexity with catchy melodies. The song's distinctive use of sampled voices, including the iconic "Hey!" from the animated character Porky Pig, became a signature element of the group's sonic identity.

The 12" vinyl LP format of the album further enhanced the listening experience, allowing for a deeper exploration of the intricate layers and textures present in the music. Vinyl records, with their analog warmth and tangible nature, were the predominant medium for music consumption during this period.

Production & Recording Information:

Music Genre:

New Wave / Experimental / Synth-pop

Label & Catalognr:

ZTT (Zang Tuum Tumb) Records – 2060492

Year & Country:

1984 – West Germany

Producers:
  • Trevor Horn – Producer
    As producer, Trevor Horn shaped the sonic architecture of the album with his signature lush, layered style. He fused cutting-edge sampling with pop sensibilities, giving the record both experimental depth and commercial appeal.
  • Paul Morley – Conceptual Director
    Morley provided the intellectual and visual framework of the album. His surreal liner notes, cryptic messaging, and branding strategies were crucial in positioning Art of Noise as a conceptual art collective rather than a traditional band.
Photography:
  • Anton Corbijn - Photographer
Anton Corbijn, a visionary Dutch photographer and filmmaker, is celebrated for his iconic black-and-white portraits and his long-standing collaboration with U2, shaping their visual identity through timeless album covers and music videos. Discover more about his artistry: Anton Corbijn’s Lens.

Band Members / Musicians:

Band Members, Musicians:
  • Anne Dudley – Keyboards / Arranger
    Dudley's classical background gave the tracks harmonic structure and sophistication. Her keyboard work added melodic flow and orchestral layering, especially on tracks like "Moments in Love."
  • J.J. Jeczalik – Fairlight CMI Programmer
    Jeczalik pioneered the use of digital sampling with the Fairlight CMI. His programming crafted the chopped, glitch-like sequences and beat collages that became the group’s sonic signature.
  • Gary Langan – Engineer / Mixer
    Langan's studio expertise brought clarity and punch to the complex layers of sound. As engineer and mixer, he turned abstract sample arrangements into polished, immersive tracks.

Complete Track-listing:

Tracklisting Side One:
  1. A Time for Fear (Who's afraid)
  2. Beat Box (Diversion One)
  3. Memento
  4. How to kill
  5. Realisation
Tracklisting Side Two:
  1. Who's Afraid (of the Art of Noise)
  2. Moments in Love
  3. Snapshot
  4. Close (to the edit)
Album Front Cover Photo
Front cover of the 1984 Art of Noise album Who's Afraid of the Art of Noise, featuring a photo of a bearded statue covering its face in a gesture of despair, set against a black marble-like background with white veins and white typography.

This is the front cover of the 12-inch vinyl LP Who's Afraid of the Art of Noise, released in 1984 by ZTT Records. The artwork is dominated by a striking, desaturated blue-toned photograph of a life-sized statue of a man in a suit with a full beard. The statue is shown in profile, facing left, with his right hand covering his face in a dramatic gesture of anguish or contemplation. The texture of the stone surface and the creases of the suit are visible in fine detail, adding a tactile dimension to the image.

The photo is framed against a high-contrast black background that mimics the look of polished marble, with natural white and rose-tinted veining running diagonally across it. In the upper right portion, the title WHO'S AFRAID OF THE ART OF NOISE is set in clean, white serif typography. Below the band name are two purple shields containing abstract white logos.

A boxed block of text in the lower right section reads:
"TITLES include BEAT BOX and moments in love. Working titles for art of noise's first album included 'Beat Box', 'Worship', 'Snapshots' and 'The Movement Of Desire' But the Art Of Noise suddenly realised..."

The ZTT Records logo appears at the very bottom of the design, signifying the album's production label. The overall composition blends visual art and textual abstraction, reflecting the album’s experimental, postmodern ethos.

Album Back Cover Photo
Back cover of Art of Noise's 1984 album Who's Afraid of the Art of Noise, featuring abstract brown marble textures, conceptual texts, black and white vertical photo strip, and tracklist details with production credits.

This is the back cover of the 1984 12-inch vinyl LP Who's Afraid of the Art of Noise by The Art of Noise, released by ZTT Records. The background is a marbled beige surface stained with deep brown and black burn-like textures, giving the cover an abstract, aged, and mysterious aesthetic.

On the left side, a vertical strip of six small black-and-white photographs shows surreal, cinematic imagery. Each image is accompanied by captions such as “The art of noise visited the country” and “The art of noise may ask: what can be done?” These cryptic labels emphasize the band’s conceptual and postmodern identity.

The central and right sections contain philosophical texts beginning with “The Art Of Noise suddenly realised…” Each paragraph reflects on themes like religion, unhappiness, the role of dreams and reality, and the influence of design on music culture. These texts present an introspective and critical tone aligned with the album’s experimental character.

The upper right lists the album’s track titles, divided into “side one” and “side two.” Below that are production credits for the band and contributors including Trevor Horn, Paul Morley, Anne Dudley, J.J. Jeczalik, Gary Langan, and photographer Anton Corbijn.

The sleeve is marked with catalog number 206 426-620 and barcode 4 007192 064922, along with a note that the album is “number 34 in Zang Tuum Tumb’s Incomplete Incidental Series.” A final poetic statement at the bottom emphasizes the album’s artistic depth and symbolic resistance to conformity.

Close up of Side One record’s label
Close-up of Side One label from Art of Noise's 1984 LP Who's Afraid of the Art of Noise, showing track titles, credits, and logos of ZTT and Island Records on a purple gradient background with a palm tree logo.

This is a close-up image of the Side One record label from the 1984 12-inch vinyl LP Who's Afraid of the Art of Noise by The Art of Noise, released by ZTT in partnership with Island Records. The label features a smooth purple-to-lavender gradient background, visually divided with a diagonal shadow pattern. Prominently printed near the center is the album title in two variants: (Who's Afraid Of?) Art Of Noise and (Who's Afraid Of!) Art Of Noise, reflecting the band's playful ambiguity in branding.

Track titles for Side One are listed beneath: "A Time For Fear (Who's Afraid)," "Beat Box (Diversion One)," "Snapshot," and "Close (To The Edit)". Songwriting credits are attributed to Dudley, Horn, Jeczalik, Langan & Marley, and the tracks are noted as being produced by The Art of Noise.

Publisher information includes Perfect Songs Ltd, Unforgettable Songs Ltd, and Island Music Ltd. The catalog number 206 492 appears on the right, along with the stereo designation, ZTT logo, and the copyright year 1984.

Below the spindle hole is the iconic Island Records logo—a stylized image of a palm tree in front of a yellow and red sun—and the ZTT emblem. The German distribution identifiers GEMA / STEMRA / BIEM are also present, along with the side marking S 206 492 A - Seite 1, and format designation ST 33 in overlapping circles.

Legal text is printed around the edge of the label in white, stating copyright ownership, performance rights, and restrictions on duplication, lending, and broadcasting.

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