- incl the hit-single: BEAT BOX
Released 1984, "Who's Afraid of the Art of Noise" by The Art of Noise is a groundbreaking 12" vinyl LP album that epitomizes the electronic music revolution of the early 1980s. With innovative production techniques, sampling, and Anton Corbijn's striking photography, the album explores unconventional soundscapes. Its standout track, "Close (To the Edit)," exemplifies the group's ability to blend complexity and catchiness, making it a timeless influence on music.
The Art of Noise's debut album, "Who's Afraid of the Art of Noise," stands as a seminal work in the realm of electronic and avant-garde music. Released in 1984, this album encapsulates the innovative spirit of the time period, marking a distinctive shift in the landscape of music production.
The early 1980s witnessed a burgeoning interest in electronic music, with artists exploring novel sonic territories through the use of synthesizers and samplers. The Art of Noise, a collective comprising Anne Dudley, J.J. Jeczalik, Gary Langan, Trevor Horn, and Paul Morley, emerged as pioneers in this sonic revolution.
The album's title itself reflects a playful approach to the concept of noise, suggesting a fearless exploration of unconventional soundscapes. Anton Corbijn's photography, featured prominently in the album's visual design, adds a layer of artistic depth, capturing the essence of the avant-garde nature of the music.
Production-wise, "Who's Afraid of the Art of Noise" is a testament to the creative possibilities afforded by emerging technologies. The use of sampling and innovative production techniques by J.J. Jeczalik and Gary Langan contributed to the album's groundbreaking sound. The incorporation of found sounds, snippets of dialogue, and unconventional instruments marked a departure from traditional music production norms.
One of the standout tracks on the album is "Close (To the Edit)," which exemplifies the Art of Noise's ability to blend rhythmic complexity with catchy melodies. The song's distinctive use of sampled voices, including the iconic "Hey!" from the animated character Porky Pig, became a signature element of the group's sonic identity.
The 12" vinyl LP format of the album further enhanced the listening experience, allowing for a deeper exploration of the intricate layers and textures present in the music. Vinyl records, with their analog warmth and tangible nature, were the predominant medium for music consumption during this period.
Production:
ZTT (Zang Tuum Tumb) Records, 1984, 2060492, Made in West Germany
Photography Anton Corbijn
Anton Corbijn , in the world of photography, there are certain individuals who transcend the boundaries of their craft, creating a lasting impact through their unique vision and artistic prowess. One such luminary is Anton Corbijn, a Dutch photographer and filmmaker renowned for his exceptional ability to capture the essence of his subjects. With a portfolio that spans several decades and encompasses a diverse range of genres, Corbijn has firmly established himself as one of the world's most influential photographers.
Born on 20 May 1955, in Strijen, the Netherlands, Corbijn initially pursued a career in music journalism before realizing his true passion lay behind the camera. He gained recognition in the late 1970s and early 1980s for his distinctive black-and-white portraits of iconic musicians, particularly those within the burgeoning punk and new wave movements. Corbijn's ability to connect with his subjects on a personal level allowed him to capture their essence in a way that resonated with both the artists themselves and their fans.
One of Corbijn's most significant early collaborations was with the influential British band Joy Division. His iconic photograph of lead singer Ian Curtis, taken shortly before Curtis's tragic death in 1980, has become an enduring symbol of the band's legacy. Corbijn's ability to convey vulnerability and emotion through his images added a new dimension to music photography, elevating it from mere documentation to a form of art in its own right.
Corbijn's work extends far beyond the realm of music, with his evocative portraits of actors, directors, and other cultural figures capturing their innermost thoughts and emotions. His unique visual style, characterized by a careful use of light and shadow, often in monochromatic tones, adds a depth and intensity to his photographs, creating a sense of intimacy between the viewer and the subject.
Throughout his career, Corbijn has collaborated with some of the most influential figures in popular culture. His long-standing association with Irish rock band U2 has resulted in a series of iconic album covers and music videos that have helped shape the band's visual identity. Corbijn's ability to capture the raw energy and charisma of performers such as David Bowie, Tom Waits, and Patti Smith has made him a sought-after photographer in the world of music.
In addition to his photography, Corbijn has also made a name for himself as a filmmaker. He directed a number of critically acclaimed music videos, including Nirvana's "Heart-Shaped Box" and Depeche Mode's "Enjoy the Silence". In 2007, he made his feature film debut with "Control", a biographical film about Ian Curtis and Joy Division that received widespread acclaim for its artistry and emotional depth.
Corbijn's contributions to the world of photography have not gone unnoticed. He has received numerous awards and accolades throughout his career, including the prestigious Prince Bernhard Culture Fund Award for his outstanding achievements in the field of photography. His photographs have been exhibited in galleries and museums around the world, solidifying his status as a true master of the medium.
Beyond his artistic endeavors, Corbijn is known for his humility and down-to-earth nature. Despite his success, he remains dedicated to his craft, constantly seeking new ways to challenge himself and push the boundaries of his creativity. Whether photographing world-famous musicians or ordinary individuals, Corbijn has an uncanny ability to capture the humanity that resides within each subject, revealing their inner complexities and vulnerabilities.
Visit: Anton Corbijn his lens captures raw essence like no other, making him a true master of photography. Explore his timeless vision that has shaped decades of art
In 1989, the British avant-garde synth-pop group Art of Noise released their fourth studio album, "Below the Waste," on China Records (839 404-1). This album marked a period of transition and experimentation for the band, as they ventured into new sonic territories while retaining their signature blend
Learn moreIn No Sense? Nonsense! was the third full-length album by Art of Noise. By the time of its recording, the group had been reduced to a duo, with engineer Gary Langan leaving the previous year—Langan's mix engineering duties were taken over by Bob Kraushaar and Ted Hayton for this album,
Learn more"In Visible Silence," Art of Noise's 1986 avant-garde pop masterpiece, emerged after their departure from ZTT records. Fueled by newfound creative freedom, the album embodies the mid-80s musical landscape, blending synthesizers, samples, and unconventional instruments. T
Learn moreThe Art of Noise's "Legs / Last Leg Ostrich" 12" maxi-single vinyl, emblematic of late '80s musical innovation, reflects the era's embrace of electronic music and remix culture. In this transformative period, artists pushed boundaries with synthesizers and digital sampling.
Learn moreIn 1986, the Art of Noise and guitarist Duane Eddy collaborated on a 7" vinyl single, reimagining Henry Mancini's classic "Peter Gunn" theme. This rare demo copy, featuring a picture sleeve designed by John Pasche, combines electronic innovation with Eddy's iconic guitar twang.
Learn moreIn Visible Silence. This album spawned the Grammy Award-winning cover of the Peter Gunn theme, recorded with twangy guitar legend Duane Eddy, who had a huge hit, years earlier, with Peter Gunn in 1959. The Art of Noise collaboration reached number two on the Billboard dance charts.
Learn moreIn the musical landscape of 1986, the release of "Re-Works of Art of Noise" marked a significant chapter in the evolution of sound. This compilation album, showcasing the best songs by the pioneering group Art of Noise, not only encapsulated the unique sonic identity of the band
Learn moreReleased 1984, "Who's Afraid of the Art of Noise" by The Art of Noise is a groundbreaking 12" vinyl LP album that epitomizes the electronic music revolution of the early 1980s. With innovative production techniques, sampling, and Anton Corbijn's striking photography,
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