The Art of Noise were a New Wave, Avant-garde synthpop group formed in 1983 by engineer/producer Gary Langan, programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The band is noted for innovative use of electronics and computers in pop music and particularly for innovative use of sampling.
The name of the group alludes to the web-page "The Art of Noises" by noted futurist Luigi Russolo. From the earliest releases on ZTT, the band referred to itself as both Art of Noise and The Art of Noise. Official and unofficial releases and press material use both versions
This web-page has detailed descriptions and background information on ART OF NOISE and the complete discography of this band.
Label & Catalogno | Band/Performers - Album Title | Year | Country |
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Chrysalis China Records 208 614
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ART OF NOISE - In No Sense NonSense In No Sense? Nonsense! was the third full-length album by Art of Noise. By the time of its recording, the group had been reduced to a duo, with engineer Gary Langan leaving the previous year—Langan's mix engineering duties were taken over by Bob Kraushaar and Ted Hayton for this album, but the music was produced entirely by Anne Dudley and J.J. Jeczalik. The album saw the group expanding their sound to include rock and orchestral instrumentation, in addition to their trademark sampling. |
1987 | EU / EEC |
Chrysalis China Records CHS-41528
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ART OF NOISE Invisible Silence "In Visible Silence" is the second full-length release by avant-garde pop group Art of Noise, and the first created by members Anne Dudley, J. J. Jeczalik and Gary Langan in the wake of their departure from the ZTT record label which had been the home of the group's genesis. |
1986 | Canada |
Chrysalis / China Records WOK R5![]() |
There are several different album covers of the album "ART OF NOISE Legs / Last Leg" this album cover has the Ostrich, the other album cover has a kicking mule |
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RCA Music Ltd, Chrysalis Records Ltd, China Records WOK X 6
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ART OF NOISE feat Duane Eddy - Peter Gunn extended version (UK) This is the Grammy Award-winning cover of the Peter Gunn theme, recorded with twangy guitar legend Duane Eddy, |
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China Records VS4 42986 |
ART OF NOISE - Peter Gunn Promo Disc In Visible Silence. This album spawned the Grammy Award-winning cover of the Peter Gunn theme, recorded with twangy guitar legend Duane Eddy, who had a huge hit, years earlier, with Peter Gunn in 1959. The Art of Noise collaboration reached number two on the Billboard dance charts. The Peter Gunn video featured comedian Rik Mayall sending up the private eye. From this same album, the "Beat Box"-like single, "Legs," was a mild underground hit in dance clubs, and in 1986, "Paranoimia" achieved some success when a remix of it was released as a single with overdubbed vocal samples provided by the supposedly computer-generated character Max Headroom. |
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Chrysalis China Records WOLD 2
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ART OF NOISE Re-works of Art of Noise (1986, UK) |
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ART OF NOISE Who's Afraid of the Art of Noise Art of Noise's first full album, (Who's Afraid Of?) The Art of Noise!, consolidated the future shock of the earlier EPs and singles in one entertaining and often frightening and screwed-up package. Rarely has something aiming for modern pop status also sought to destroy and disturb so effectively. The most legendary song is still "Close (To the Edit)," benefiting not merely from the innovative video but from its strong funk groove and nutty sense of humor in the mostly lyric-less vocals, not to mention the "hey!" vocal hook the Prodigy would sample for "Firestarter Titles include BEAT BOX and moments in love, working titles for art of noise's first album included: Beat Box, Worship, Snapshots and the Movement of Desire, But the Art Of Noise suddenly realised... ZTT (Zang Tuum Tumb) Records, 1984, 2060492, Made in West Germany Photography Anton Corbijn Anton Corbijn , in the world of photography, there are certain individuals who transcend the boundaries of their craft, creating a lasting impact through their unique vision and artistic prowess. One such luminary is Anton Corbijn, a Dutch photographer and filmmaker renowned for his exceptional ability to capture the essence of his subjects. With a portfolio that spans several decades and encompasses a diverse range of genres, Corbijn has firmly established himself as one of the world's most influential photographers. Born on 20 May 1955, in Strijen, the Netherlands, Corbijn initially pursued a career in music journalism before realizing his true passion lay behind the camera. He gained recognition in the late 1970s and early 1980s for his distinctive black-and-white portraits of iconic musicians, particularly those within the burgeoning punk and new wave movements. Corbijn's ability to connect with his subjects on a personal level allowed him to capture their essence in a way that resonated with both the artists themselves and their fans. One of Corbijn's most significant early collaborations was with the influential British band Joy Division. His iconic photograph of lead singer Ian Curtis, taken shortly before Curtis's tragic death in 1980, has become an enduring symbol of the band's legacy. Corbijn's ability to convey vulnerability and emotion through his images added a new dimension to music photography, elevating it from mere documentation to a form of art in its own right. Corbijn's work extends far beyond the realm of music, with his evocative portraits of actors, directors, and other cultural figures capturing their innermost thoughts and emotions. His unique visual style, characterized by a careful use of light and shadow, often in monochromatic tones, adds a depth and intensity to his photographs, creating a sense of intimacy between the viewer and the subject. Throughout his career, Corbijn has collaborated with some of the most influential figures in popular culture. His long-standing association with Irish rock band U2 has resulted in a series of iconic album covers and music videos that have helped shape the band's visual identity. Corbijn's ability to capture the raw energy and charisma of performers such as David Bowie, Tom Waits, and Patti Smith has made him a sought-after photographer in the world of music. In addition to his photography, Corbijn has also made a name for himself as a filmmaker. He directed a number of critically acclaimed music videos, including Nirvana's "Heart-Shaped Box" and Depeche Mode's "Enjoy the Silence". In 2007, he made his feature film debut with "Control", a biographical film about Ian Curtis and Joy Division that received widespread acclaim for its artistry and emotional depth. Corbijn's contributions to the world of photography have not gone unnoticed. He has received numerous awards and accolades throughout his career, including the prestigious Prince Bernhard Culture Fund Award for his outstanding achievements in the field of photography. His photographs have been exhibited in galleries and museums around the world, solidifying his status as a true master of the medium. Beyond his artistic endeavors, Corbijn is known for his humility and down-to-earth nature. Despite his success, he remains dedicated to his craft, constantly seeking new ways to challenge himself and push the boundaries of his creativity. Whether photographing world-famous musicians or ordinary individuals, Corbijn has an uncanny ability to capture the humanity that resides within each subject, revealing their inner complexities and vulnerabilities.
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ZTT (Zang Tuum Tumb) Records, 1984, 2060492![]() , |
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ZTT (Zang Tuum Tumb) Records, 1984, 2060492 |
ART OF NOISE - Who's Afraid of the Art of Noise Art of Noise's first full album, (Who's Afraid Of?) The Art of Noise!, consolidated the future shock of the earlier EPs and singles in one entertaining and often frightening and screwed-up package. Rarely has something aiming for modern pop status also sought to destroy and disturb so effectively. The most legendary song is still "Close (To the Edit)," benefiting not merely from the innovative video but from its strong funk groove and nutty sense of humor in the mostly lyric-less vocals, not to mention the "hey!" vocal hook the Prodigy would sample for "Firestarter |