The Art of Noise's "Legs / Last Leg Ostrich" 12" maxi-single vinyl, emblematic of late '80s musical innovation, reflects the era's embrace of electronic music and remix culture. In this transformative period, artists pushed boundaries with synthesizers and digital sampling. The vinyl format, popular for extended remixes, provided an immersive experience. The release's cover art, featuring bold colors and geometric shapes, aligns with the vibrant visual aesthetics of the late 1980s.
The release of "Legs / Last Leg " as a 12" maxi-single vinyl by the Art of Noise holds a significant place in the musical landscape of its time. This particular record is emblematic of the innovative and experimental spirit that characterized the music scene during the late 1980s and early 1990s.
The Art of Noise, a British avant-garde music group formed in 1983, was renowned for pushing the boundaries of traditional music by incorporating elements of electronic music, sampling, and unconventional sound techniques. The release of "Legs / Last Leg " in the 12" maxi-single vinyl format aligns with the prevalent trends in music production and consumption during that era.
The late 1980s marked a transformative period for the music industry, witnessing the rise of electronic music and the widespread adoption of new recording technologies. The use of synthesizers, drum machines, and digital sampling became increasingly prevalent, allowing artists like the Art of Noise to craft a distinctive sonic palette that set them apart from conventional genres.
The 12" maxi-single vinyl format was a popular choice for artists during this time, as it provided ample space for extended remixes and additional tracks. This allowed for a more immersive and dynamic listening experience, catering to the evolving tastes of the audience. The extended remixes of "Legs" and "Last Leg " showcased the Art of Noise's commitment to sonic experimentation and their willingness to embrace the remix culture that was flourishing in the dance and electronic music scenes.
Furthermore, the cover art and overall aesthetic of the maxi-single vinyl reflected the artistic sensibilities of the era. Graphic design in the late 1980s often featured bold colors, geometric shapes, and a synthesis of digital and analog visual elements. The cover of "Legs / Last Leg " likely encapsulated these design trends, contributing to the overall cultural and visual experience associated with the release.
Music Genre: 80's New Wave, Electro Pop |
Album Production Information: The album: "ART OF NOISE Legs / Last Leg" was produced by: The Art of Noise |
Record Label Information: Chrysalis / China Records WOK R5 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: Made in England / UK |
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Legs" Record Label Details: White Colour Label China Records WOKR 5
In 1989, the British avant-garde synth-pop group Art of Noise released their fourth studio album, "Below the Waste," on China Records (839 404-1). This album marked a period of transition and experimentation for the band, as they ventured into new sonic territories while retaining their signature blend
Learn moreIn No Sense? Nonsense! was the third full-length album by Art of Noise. By the time of its recording, the group had been reduced to a duo, with engineer Gary Langan leaving the previous year—Langan's mix engineering duties were taken over by Bob Kraushaar and Ted Hayton for this album,
Learn more"In Visible Silence," Art of Noise's 1986 avant-garde pop masterpiece, emerged after their departure from ZTT records. Fueled by newfound creative freedom, the album embodies the mid-80s musical landscape, blending synthesizers, samples, and unconventional instruments. T
Learn moreThe Art of Noise's "Legs / Last Leg Ostrich" 12" maxi-single vinyl, emblematic of late '80s musical innovation, reflects the era's embrace of electronic music and remix culture. In this transformative period, artists pushed boundaries with synthesizers and digital sampling.
Learn moreIn 1986, the Art of Noise and guitarist Duane Eddy collaborated on a 7" vinyl single, reimagining Henry Mancini's classic "Peter Gunn" theme. This rare demo copy, featuring a picture sleeve designed by John Pasche, combines electronic innovation with Eddy's iconic guitar twang.
Learn moreIn Visible Silence. This album spawned the Grammy Award-winning cover of the Peter Gunn theme, recorded with twangy guitar legend Duane Eddy, who had a huge hit, years earlier, with Peter Gunn in 1959. The Art of Noise collaboration reached number two on the Billboard dance charts.
Learn moreIn the vibrant musical landscape of 1986, the release of "Re-Works of Art of Noise" marked a significant chapter in the evolution of sound. This compilation album, showcasing the best songs by the pioneering group Art of Noise, not only encapsulated the unique sonic identity of the band
Learn moreReleased 1984, "Who's Afraid of the Art of Noise" by The Art of Noise is a groundbreaking 12" vinyl LP album that epitomizes the electronic music revolution of the early 1980s. With innovative production techniques, sampling, and Anton Corbijn's striking photography,
- Who's Afraid of the Art of Noise (West-Germany) - Who's Afraid of the Art of Noise (West-Germany)